Hasil Pencarian  ::  Simpan CSV :: Kembali

Hasil Pencarian

Ditemukan 8349 dokumen yang sesuai dengan query
cover
London: Routledge, 1997
704.942 NAK (1)
Buku Teks SO  Universitas Indonesia Library
cover
McDonald, Helen
London: Routledge, 2001
704.942 4 MCD e
Buku Teks SO  Universitas Indonesia Library
cover
Ali Mabuha Rahamad
Malaysia: Balai Seni Visual Negara; National Visual Arts Gallery, 2011
R 708 ALI k
Buku Referensi  Universitas Indonesia Library
cover
Rayhan Kusuma Wardhana
"Apapun bentuknya, seni adalah sesuatu yang disukai banyak orang, bisa berupa lukisan, musik, menari, dll. Alasan mengapa seni dicintai oleh banyak orang adalah karena seni dapat diekspresikan dalam bentuk apa saja suasana, mulai dari ceria, sedih, dan marah, tidak ada suasana khusus yang tercipta seni, salah satunya adalah seni lukis yang dapat mengungkapkan semua perasaan dan emosi kita. Lembur, Perkembangan teknologi juga berdampak positif bagi perkembangan seni lukis. Ray & Art adalah merek global yang menjual dua jenis lukisan, yaitu lukisan buatan tangan dibuat di atas kanvas dan lukisan digital yang dibuat dengan aplikasi komputer seperti Photoshop atau Corel. Selain menjual lukisan, Ray & Art juga menyediakan masterclass untuk umum tentang cara melukis membuat lukisan bagus di atas kanvas atau secara digital menggunakan aplikasi komputer. Alasan mengapa Ray & Art juga menjual lukisan dalam bentuk digital dikarenakan maraknya perkembangan teknologi, terutama teknologi layar yang membuat gambar terlihat sangat nyata dan tajam. Munculnya perkembangan aset digital seperti NFT juga membuat seni digital bisa dijual dengan harga fantastis harga.

Whatever its form, art is something that many people like, can be painting, music, dance, etc. The reason why art is loved by many people is that art can be expressed in any atmosphere, ranging from cheerful, sad, and angry, there is no special atmosphere in creating art, one of which is painting that can express all of our feelings and emotions. Over time, technological developments also have a positive impact on the development of painting. Ray & Art is a global brand that sells two kinds of painting, handmade painting that?s made on canvas and digital painting that?s created with computer apps like Photoshop or Corel. In addition to selling paintings, Ray & Art also provide a masterclass for public on how to make great paintings on canvas or digitally using computer apps. The reason why Ray & Art also sells painting in digital form is due to the proliferation of technological developments, especially screen technology that makes images look very real and sharp. The emergence of the development of digital assets such as NFT also makes digital arts able to be sold at fantastic prices."
Depok: Fakultas Ekonomi dan Bisnis Universitas Indonesia, 2023
MK-pdf
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
cover
Mutia Hanan
"Akses karya seni dalam produksi dan distribusinya sangat mudah di era teknologi massa sekarang ini dengan bantuan komputer, smartphone, dan internet. Mudahnya aksesibilitas terhadap karya seni semakin didukung dengan keberadaan aplikasi seperti Instagram, Twitter, Tiktok, Youtube, dan lain-lain yang berperan sebagai media platform publik bagi masyarakat. Kondisi di mana seni menjadi produk massal dianggap sudah kehilangan aura oleh Walter Benjamin karena keberadaan teknologi massa yang menghilangkan originalitas karya seni. Maka apakah masih ada aura pada karya seni di era kontemporer? Dengan menggunakan metode analisis kritis penulis hendak memaparkan bahwa aura dalam karya seni, penulis menemukan pandangan Benjamin ini condong pada persoalan eksklusivitas, masih dapat hadir pada karya seni era kontemporer. Dalam memaparkannya, penulis akan menggunakan salah satu fenomena karya seni media sebagai konteks seni kontemporer dan menjelaskan konsep aura sebagai aspek nilai yang lahir dari pengalaman estetis subjek. Dilanjutkan dengan penjelasan bagaimana hadirnya pengalaman estetis ketika subjek ‘bertemu’ dengan karya seni media, yang akan dicontohkan dengan fanart sebagai salah satu bentuk seni media. Kemudian penulis akan menggunakan teori filsafat persepsi Bence Nanay untuk membangun argumen dalam menjawab pertanyaan tersebut, di mana ia menekankan pentingnya fokus perhatian subjek ketika bertemu dengan karya seni sehingga dapat menghadirkan pengalaman estetis sebagai aura.

The access to artwork in its production and distribution is very easy in today's era of mass technology with the help of computers, smartphones and the internet. The easy accessibility to artworks is increasingly supported by the existence of applications such as Instagram, Twitter, Tiktok, Youtube, and others that act as a media platform for public. Today’s artworks, when artworks become mass products, is considered to have lost its aura by Walter Benjamin. It is because of the existence of mass technology which eliminates the originality of works of art. Therefore, is there still aura in contemporary artworks? By using a critical analysis method, the author wants to explain that the aura of artwork, the author found that Benjamin's view was leaning towards the issue of exclusivity, can still be present in contemporary artworks. In delivering it, the writer will use media art phenomenon as the context of contemporary art and explain the concept of aura as an aspect of value that is present from the subject’s aesthetic experience. Then proceed with an explanation of how the presence of aesthetic experience when the subject 'meets' with media art, which will be exemplified by fanart as a form of media art. Afterwards, the author will use the theory philosophy of perception by Bence Nanay to build the arguments in answering these questions, where he stresses the importance of focusing the subject's attention when meeting artworks so that it can bring out aesthetic experiences as aura. "
Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2020
TA-pdf
UI - Tugas Akhir  Universitas Indonesia Library
cover
"Makalah ini melaporkan analisis tentang penggambaran peran gender perempuan dalam video musik terbaru tahun 2015 oleh grup band perempuan asal Korea (termasuk Girl’s Day’s Hello Bubble, SNSD’s Lion Heart, Oh My Girl’s Cupid, Miss A’s Only You, dan Red Velvet’s Ice Cream Cake). Video musik populer Korea telah mendominasi ruang media Asia selama dua dekade terakhir, dan telah menjadi agen yang berpotensi dalam membentuk pandangan masyarakat tentang pengertian gender. Penelitian ini bertujuan untuk menguji penggambaran peran gender sekaligus memvalidasi stereotip, serta, pandangan masyarakat tentang kekuatan perempuan dalam masyarakat bersangkutan melalui gambar yang ditampilkan dalam video. Dengan menggunakan mise-en-scene dalam studi film dan kategori Erving Goffman tentang penggambaran perempuan di media (1979), penelitian ini mengungkapkan bahwa representasi perempuan dalam video menggambarkan kategori Goffman tentang representasi perempuan di media, juga stereotip peran gender dalam masyarakat. Representasi perempuan yang melakukan peran gender memvalidasi stereotip gender, dan juga merefleksikan nilai perempuan dalam masyarakat.
This paper reports an analysis on gender roles portrayals of women in recent 2015 Korean girl group music videos (including Girl’s Day’s Hello Bubble, SNSD’s Lion Heart, Oh My Girl’s Cupid, Miss A’s Only You, and Red Velvet’s Ice Cream Cake). Korean popular music videos have been dominating Asian media space for the last two decades, and have become a potential agent in shaping the society’s view on gender notions. This research aims to examine the gender roles performances which are validating stereotypes, as well as, society’s view on women’s power in the respected society through the images portrayed in the videos. By using mise-en-scene in film studies and Erving Goffman’s depictions of women images in media (1979), this study reveals that the representations of women in the videos portray Goffman’s depictions of women images and also the stereotypical gender roles performances. The images of women performing gender roles are validating gender stereotypes, and are also suggesting a reflection of women’s value in the society."
Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2016
MK-pdf
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
cover
Newton, Charles Thomas
"Charles Thomas Newton (1816–1894) was a British archaeologist specialising in Greek and Roman artefacts. He studied at Christ Church, Oxford before joining the British Museum as an assistant in the Antiquities Department. Newton left the Museum in 1852 to explore the coasts and islands of Asia Minor. In 1856 he discovered the remains of the Mausoleum of Helicarnassus, one of the seven ancient wonders of the world. He was appointed Keeper of Greek and Roman Antiquities in 1860 and remained in the position until 1880. First published in 1880, this volume is a compilation of lectures on archaeology and classical art which he delivered over the course of his career. They are arranged chronologically and cover topics as diverse as the study of archaeology, Greek sculptures and the arrangement of antiquities in the British Museum, providing valuable information on early methods of archaeology and the study of classical art."
New York: Cambridge University Press, 2011
e20528833
eBooks  Universitas Indonesia Library
cover
Smith, Bernard
Melbourne: Oxford University Press, 1976
709.94 SMI a
Buku Teks SO  Universitas Indonesia Library
cover
Ahhens: 1964
709.02 DEP b
Buku Teks SO  Universitas Indonesia Library
cover
Myers, Bernard S.
New York: McGraw-Hill, 1967
709 MYE a
Buku Teks SO  Universitas Indonesia Library
<<   1 2 3 4 5 6 7 8 9 10   >>