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"Pembajakan komik merupakan salah satu permasalahan yang kurang menjadi fokus perhatian, baik bagi masyarakat umum ataupun pihak yang berwajib. Terlebih lagi di era digital ini, banyak tindak kejahatan yang mengalami perpindahan dari ruang fisik ke ruang siber. Dalam tulisan ini akan diteliti mengenai fenomena perpindahan ruang dalam kejahatan pembajakan komik menggunakan space transition theory, sehingga ditemukan bahwa terjadinya pembajakan komik digital adalah karena ruang siber memberikan keuntungan yang besar bagi para pembajak, dimana pengawasan terhadap pembajakan komik digital masih minim dan adanya unsur anonimitas yang membuat ancaman resiko bagi pelaku cukup sedikit. Ditambah lagi dengan mudahnya mendapatkan keuntungan finansial menggunakan iklan di internet membuat banyak orang lebih memilih untuk melakukan pembajakan komik digital dibandingkan pembajakan komik secara cetak.

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Comic piracy is an issue that rarely addressed by many people, even by the law enforcers. Moreover, in this digital era, many crimes are moving from the physical space into the cyber space. This paper will do the research about space transition phenomenon in crimes, especially comic piracy using space transition theory, therefore, it was found that digital comic piracy happened because the cyber space is giving benefit for the for the pirates, since the surveillance and law enforcement for digital comic piracy is still low, and the anonimity aspect on the internet that makes the risks for the pirates are low. Plus, digital comic piracy is giving financial profit using adsense, encouraging people to choose digital comic piracy over physical print comic piracy."

""Being-in-the-world" remind us of existential philosophies whichhave their methodological foundation in phenomenology. In this case, thematerial taken for phenomenological study is the extremely popularcomic-cartoon in the Jakarta daily newspaper POSKOTA, read byworkers in the informal sector, the majority of simple people with smallincomes and no labour - protection, probably with some elementaryschool education. The hero named DOYOK appears in a series of 6pictures.The cartoon-comics is a combination of humorous drawing-cartoonas a from of social comment presented as a series of pictures-comicswith caricatural content, implying some measure of distortion. 114cartoon-comics between 31/12/1988 and 2?/11/1989 are chosen whichwere listed according to the elements constituting the humor of thiscartoons following the theory proposed by A. Koestler (Act of Creation,Picador, 1978)."

"This article the analysis of put on comics by Kho Wan Gie, a comic writer, and it aims to showing the illustration of Chinese descendents living in Jakarta in the 1950s and 1960s throught the character of put on. In this research, the paper implemented the discourse analysis approach and historical perpspectives to analysis the comics content. The data of the research were taken from put on comics series in the newspapers, magazines, and books that contained put one strips comic. The research result shows that the put on comics consist of various acculturations aspects of the Chinese community in Jakarta and it illustrates the growth and development of Jakarta as the capital city of Indonesia from the pre and post Indonesia's independence. In this context, Kha Wan Gie can be regrated as a profile comic artist since capable of displaying a caricature figures such as put on for nearly 40 years in a raw (1930-1942) and 1946-1965). The serial number showed that put on character, as a figure of populer entertainers, can be accepted by various groups, including outside Chinese ethics. In Put on comic, Kho Wan Gie has not only raised and reminded the context of the historical development of city of Jakarta, but it has also raised and reminded about the existence of a tradition carried out by the Chinese-Betawi community which until nows is still continue."

"Onomatope dalam kajian ilmu bahasa Indonesia adalah masalah yang menarik dan masih jarang diteliti. Melihat hal ini, penulis mencoba memakai onomatope sebagai kajian ilmu yang akan dipakai dalam penelitian ini. Penggunaan onomatope banyak ditemukan dalam media seperti komik. Oleh karena itu, penelitian ini menggunakan komik Indonesia nonterjemahan sebagai sumber kajian data dengan alasan untuk melihat sejauh mana masyarakat Indonesia dalam menafsirkan bunyi-bunyi alam menjadi sebuah bentuk bahasa (kosakata). Komikkomik yang menjadi sumber data merupakan komik yang terbit dalam kurun tahun 2008-2014. Pembahasan onomatope bahasa Indonesia yang dilakukan dalam skripsi ini meliputi pengklasifikasian dan analisis dari sisi sugesti bunyi yang dihasilkan. Pengklasifikasian yang dilakukan berdasarkan jumlah sumber bunyi, jenis sumber bunyi, dan makna yang dihasilkan dari onomatope. Analisis yang dilakukan berdasarkan prinsip sugesti bunyi konsonan dan vokal dari Gorys Keraf. Dari hasil penelitian dapat disimpulkan bahwa onomatope bahasa Indonesia diklasifikasikan berdasarkan jumlah sumber bunyi yakni satu dan dua sumber bunyi. Berdasarkan jenis sumber bunyi, diklasifikasikan lagi menjadi (1) onomatope yang berasal dari aktivitas tubuh manusia, (2) hewan, (3) kendaraan, (4) benda mati, (5) gejala/peristiwa alam, (6) aktivitas/gerakan manusia dengan benda/lingkungan sekitar, (7) pergerakan benda dengan benda lain, dan (8) asosiasi terhadap sesuatu yang lain untuk mendapatkan sebuah kesan tertentu.

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Onomatopoeia in the study of Indonesian is an interesting issue and problem that still rarely to discussed. So, the authors tried to use onomatopoeic as the study of science that will be used in this study. The onomatopoeic commonly found in many thing such as comics. Therefore, this study use Indonesian comics as a data source to to see how far Indonesian peoples can describe and interpretate the onomatopoeia into a form of language (vocabulary). The comics that will be the data source are published in the period of 2008 until 2014.

Indonesian onomatopoeic issues in this discussion is about the classification of onomatopoeia and the analysis by it sound suggestion. The classification is based on the number of sound sources, the type of sound source, and the meaning resulting from the onomatopoeic. The analysis is based on the principle of consonant and vowel sounds suggestion by Gorys Keraf.

From the results of the analysis, the onomatopoeic of Indonesian can be classified based on the number of sound sources: one and two sound sources. Based on the type of sound source, it can be classified into (1) onomatopoeic derived from the activity of the human body, (2) animals, (3) a vehicle, (4) a thing/object, (5) phenomenon or natural events, (6) the activity or movement from human with the other objects or environment, (7) the movement of objects with other objects, and (8) the association with something else to get a certain impression."