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"Sebagai salah satu penulis drama paling terkenal dalam sejarah, Shakespeare telah menghasilkan berbagai karya yang kerap dibaca dan diadaptasi oleh banyak orang. Produksi adaptasi Shakespeare bervariasi tergantung niat pengadaptasi, dan hasilnya bisa berbeda dari teks sumber yang digunakan. Salah satu adaptasi film Shakespeare yang cukup radikal adalah A Midsummer Night's Dream (2016) karya Russell T. Davies. Film ini memasukkan fasisme ke dalam narasinya dan menghadirkan kisah cinta dan pernikahan antara laki-laki dan perempuan dengan tambahan unsur homoseksualitas di bawah pemerintahan yang otoriter. Artikel ini mengkaji signifikansi fasisme dalam film dan bagaimana pasangan heteroseksual dan homoseksual digambarkan dalam kaitannya dengan fasisme. Dengan mengacu pada teori adaptasi dan konsep seksualitas, penulis berpendapat bahwa fasisme adalah metafora dari sistem opresif yang masih ada pada masyarakat dewasa ini. Sistem ini mempertahankan heteronormativitas melalui pasangan heteroseksual yang ditampilkan dalam film. Namun, homoseksualitas dihadirkan sebagai kekuatan yang dapat menumbangkan fasisme. Homoseksualitas menunjukkan bahwa film A Midsummer Night’s Dream (2016) mendukung hak-hak LGBT.

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.As one of the most celebrated playwrights in history, Shakespeare’s works have been read and adapted every so often. The production of Shakespearean adaptation varies depending on the adapter’s intentions, and the end product may differ from the source text to an extent. One radical film adaptation is A Midsummer Night's Dream (2016) by Russell T. Davies. This film incorporates fascism into its narrative and presents the story of love and marriage between men and women with the addition of homosexuality under an authoritarian government. The article examines the significance of fascism in the film and how heterosexual and homosexual couples are portrayed in relation to it. By referring to the theory of adaptation and the concept of sexuality, the author argues that fascism is a metaphor for an oppressive system that persists in many societies today. It preserves heteronormativity through heterosexual couples shown in the film. However, homosexuality is presented as a force that can subvert fascist power, showing how the film advocates LGBT rights."

"Although frequently dismissed as mere entertainment, popular music can be utilized as a site for constructing and representing identities. This is exemplified by Indonesian R&B/hip-hop singer Agnez Mo who aspires to, among others, represent Indonesia through her English works. This study explores the Indonesian identity Mo portrays in the lyrics and images of her music video Long As I Get Paid (2017). Carlsson’s (1999) theory on music video textual analysis is utilized in this study. Results are then understood in relation to Orientalism and self-Orientalism. This study finds that Mo constructs the identity of a feminine, strange, exotic, and sexually assertive Eastern woman who willingly sells herself to a Western man for money. Moreover, she is depicted ignoring the criticisms she receives for it. Such portrayal is a reiteration of classic Orientalist stereotypes. Furthermore, Mo being the one to Orientalize herself ultimately makes her actions fall under self-Orientalism. This study’s findings indicate that the concept of self-Orientalism is relevant not only to the realms of advertising and tourism– which are what a large number of previous studies on self-Orientalism focus on – but also popular culture."

"Pinokio merupakan sebuah karakter yang sangat dikenal dari bagaimana dia belajar menjadi anak laki-laki sungguhan. Ceritanya juga sangat terkenal dengan keunikan dari hidung tokoh utamanya yang dapat bertambah panjang ketika dia berbohong. Formula cerita ini secara terus menerus digunakan dan dapat ditemukan dengan mudah di seluruh adaptasi Pinokio. Namun, apakah cerita Pinokio hanya tentang menggambarkan hidung Pinokio? Film tentu menawarkan banyak aspek lain yang dapat dilihat. Guillermo del Toro's Pinocchio (2022) telah menunjukkan hal tersebut dengan membuat alur cerita yang tidak hanya semata-mata menghadirkan tentang bagaimana tokoh utama Pinokio menjadi anak laki-laki sungguhan. Meskipun Pinokio yang banyak dikenal sebagai tokoh terkenal dalam sastra anak, tulisan ini bertujuan untuk melihat penggambaran dari fasisme dan bagaimana hal tersebut dikritik lewat cerita Pinokio. Dengan demikian, penulisan ini membahas fasisme dalam sebuah film Hollywood dan bagaimana film tersebut menggambarkan paham tersebut.

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Pinocchio is a well-known character who is majorly recognized by how the wooden puppet learns to be a real boy. The story is also widely famous for the uniqueness of the main character when his nose grows longer as he lies. This same formula has been continuously used and can be easily found in every adaptation of Pinocchio. However, does it mean that the story of Pinocchio is only about depicting Pinocchio’s nose? Motion pictures certainly offer many aspects to be seen. Guillermo del Toro’s Pinocchio (2022) has stepped this notion up by creating storylines that do not simply present how the main character is portrayed to be a real boy. Even though Pinocchio is mostly known as a famous character in children's literature, this paper aims to see the portrayal of fascism and how it is criticized through the story of Pinocchio. Therefore, this paper deals with fascism in a Hollywood film and how it captures elements of fascism."

"Peaky Blinders Season 5 (2019) merupakan musim kelima dari serial "Peaky Blinders", yang merupakan serial Netflix yang mengisahkan tentang sebuah kelompok kriminal di kota Birmingham, Inggris, pada masa Perang Dunia pertama. Artikel ini akan menganalisis tindakan Thomas Shelby, penjahat dan karakter utama dalam serial Netflix Peaky Blinders musim ke-5 (2019), menggunakan teori Psikoanalisis Freud. Thomas Shelby adalah seorang penjahat, tetapi dia juga dianggap pahlawan oleh karakter lain di Peaky Blinders musim ke-5. Saya menemukan bahwa kondisi psikologis Thomas Shelby dapat digunakan untuk menjelaskan setiap tindakan agresifnya dan dapat mengubah cara pandang orang-orang di sekitarnya terhadap kejahatannya menggunakan metode yang dikembangkan oleh Sigmund Freud. Saya menyimpulkan bahwa alasan psikologis di balik tindakan agresif Thomas Shelby dapat mengubahnya dari penjahat menjadi pahlawan bagi orang-orang yang terpinggirkan di sekitarnya karena Id dan Superego yang muncul secara seimbang dan bersamaan. Situasi ini dijelaskan oleh Sigmund Freud dalam “Mekanisme Pertahanan” yang masih menjadi bagian dari teori Psikoanalisis. Kemunculan Id dan Superego secara bersamaan dapat menimbulkan pembenaran tindak pidana bagi pelaku kejahatan dan memperoleh simpati dari masyarakat.

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Peaky Blinders Season 5 (2019) is the fifth season of "Peaky Blinders" series, which is a Netflix series that tells the story of a criminal group in the city of Birmingham, England, during the first World War. This article will analyze the actions of Thomas Shelby, a criminal and main character in Netflix series Peaky Blinders Season 5 (2019), using Freud’s Psychoanalysis theory. Thomas Shelby is a criminal, but he is also considered a hero by other characters in Peaky Blinders season 5. I find that the psychological condition of Thomas Shelby could be used to explain each of his aggressive actions and it could change the perspective of people surrounding him towards his crime using the method developed by Sigmund Freud. I conclude that the psychological reasons behind the aggressive acts of Thomas Shelby could turn him from a criminal into a hero for marginalized people surrounding him because the Id and Superego that appear in balance and simultaneously. This situation is described by Sigmund Freud in “Defense Mechanism,” which is still a part of Psychoanalysis theory. The simultaneous appearance of Id and Superego can lead to justification of criminal acts for criminals and gain sympathy from people."