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"Homosexuality has become a common issue nowadays that can be easily encountered in many television shows. This paper examines how the issue of homosexuality is being approached in BBC's Sherlock and its fan-produced fan-fiction. It is interesting that even though the show does not attempt to offer queer representation through its plot lines, there are several queer subtexts that can be found within the show. These queer subtexts work subtly in subverting heteronormative assumptions, and they create recognizable representations of queerness in a form of the show's fan-produced fan-fiction. The show is analyzed using queer theory, and focuses on underlying tone of homoeroticism presented within the episodes between the two main characters Sherlock and John. Meanwhile, the fan-fiction is analyzed by using representation theory (1995) by Stuart Hall. The queer theory (1993) used in this article mainly consists of the definitions and concepts provided by Judith Butler. There are two major points that this paper attempts to make. The first one is to discuss homosexuality subtext represented within several episodes of the show. Sherlock, a detective series, presents several scenes that can be read using queer theory. Secondly, this paper attempts to discuss how fan-produced fan-fiction of BBC's Sherlock is able to approach homosexuality by negotiating the nature of relationship between the two characters mentioned previously."

"This book promotes dialogue and debate on the understudied and under-theorized topic of queer masculinities and education, offering scholarly contributions to critical masculinity studies, to gender and sexuality studies and to the field of education. The essays adopt a range of approaches from empirical studies to reflective theorizing, and address themselves to three separate educational realms, the K-12 level, the collegiate level, and the level in popular culture, which could be called ?cultural pedagogy?. "

"Penelitian ini bertujuan untuk memahami bagaimana queer muslim memproduksi ruang alternatif melalui praktik reorientasi pemahaman mengenai gender dan seksualitas dalam Islam. Interpretasi Islam tradisional yang cenderung heteronormatif mengkooptasi ruang dan mode pertukaran narasi yang dapat digunakan oleh kelompok queer muslim sehingga menciptakan perasaan disorientasi. Untuk itu, queer muslim membangun ruang alternatif sebagai situs bagi mereka untuk menukarkan narasi-narasi Islam yang akomodatif. Penelitian ini menemukan bahwa queer muslim menjadikan pengalaman marginalisasi sebagai alat untuk mengonstruksi identitas dan ruang alternatif. Ruang tersebut tidak bersifat eksklusif dan separatis, tetapi dihidupi oleh kelompok queer dan hetero, terutama ustad atau ulama melalui praktik reorientasi dengan cara membaca ulang pengalaman marginalitas dan narasi Islam. Pengetahuan mengenai Islam yang dipertukarkan berakar dari prinsip-prinsip keadilan dan kesetaraan, serta rahmatan lil alamin. Namun, ruang alternatif tidak bersifat vakum dari heteronormativitas sehingga memaksa queer muslim dan ulama melakukan taktik-taktik yang meliputi penavigasian diri dalam jejaring sesama dan struktur heteronormativitas yang dalam kapasitas tertentu menciptakan jarak antara kedua kelompok. Peran orang perantara yang mampu masuk ke dalam jaringan kedua kelompok dan mengorganisasikan sumber daya menjadi penting untuk bisa memperluas dan membuka ruang-ruang alternatif baru.

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This study seeks to explore how queer muslims create alternative spaces by reorienting understandings of gender and sexuality in Islam. Traditional Islamic interpretations, which are typically heteronormative, co-opt the spaces and modes of narrative exchange that are used by queer groups, resulting in a sense of disorientation. For this reason, queer muslims create alternative spaces where they can exchange inclusive Islamic narratives. This study discovers that queer muslims use marginalization experiences as a tool to construct identities and alternative spaces. These spaces are neither exclusive or separatist, but are inhabited by queer and hetero groups, particularly ustad or ulama, through reorientation practices that involve rereading marginalized experiences and Islamic narratives. The knowledge of Islam that is shared is rooted on the principles of justice and equality, as well as rahmatan lil alamin. However, alternative spaces are not a vacuum of heteronormativity, therefore forcing queer muslims and ulama to engage in tactics such as navigating between group networks and heteronormativity structures, which can create a gap between the two groups. Intermediary persons who can access both groups' networks and coordinate resources become important in expanding and opening up new alternative spaces."

"Film-film bertemakan LGBTQ + semakin populer di kalangan warga Amerika, dan karakter-karakter LGBTQ + semakin sering diperlihatkan di film-film Hollywood sejak abad ke-21. Media umum Amerika sedang meningkatkan keragaman dalam representasi masyarakat, termasuk meningkatkan visibilitas cerita dan karakter LGBTQ +. Salah satunya adalah Call Me by Your Name (2017). Film ini telah memenangkan banyak penghargaan dan diterima dengan baik tidak hanya oleh penonton queer tapi juga penonton heteroseksual. Namun, terdapat masalah dalam penggambaran identitas dan hubungan homoseksual dalam Call Me by Your Name karena adanya unsur heteronormativitas. Penelitian ini disusun dalam bentuk studi pustaka menggunakan analisis tekstual. Penelitian ini bertujuan untuk mengungkap heteronormativitas dalam karakterisasi, plot, dan sinematografi Call Me by Your Name, serta menjelaskan bagaimana penggambaran homoseksualitas sebagai identitas seksual dan hubungan homoseksual dalam film ini berkontribusi pada kesuksesannya. Hasil analisis menunjukan bahwa Call Me by Your Name gagal menampilkan representasi homoseksualitas secara positif karena melanggengkan heteroseksisme dan memberikan gratifikasi kepada penonton heteroseksual.

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LGBTQ+ movies have gained more popularity among American audience, and LGBTQ+ characters have been more visible in Hollywood movies since the twenty-first century. American mainstream media has been working on the diversity of representations, including bringing up the visibility of LGBTQ+ narratives and characters. One of them is Call Me by Your Name (2017). The movie has won numerous awards and been well received by not only queer but also heterosexual audience. However, its portrayals of homosexual identity and relationship are problematic due to the presence of heteronormativity. This research is written in a form of library research using textual analysis. This research aims to find heteronormativity in its characterization, plot, and cinematography, and to elaborate how its heterosexist portrayals of homosexuality as a sexual identity and a homosexual relationship contribute to its success. The findings show that Call Me by Your Name fails to offer a positive representation of homosexuality because it perpetuates heterosexism and gratifies heterosexual audience."

"Homoseksualitas telah dianggap sebagai masalah yang sangat kontroversial di Indonesia. Namun, Glee, sebuah serial TV Amerika yang memiliki konten LGBT yang kuat dan disutradarai oleh seorang showrunner homoseksual bernama Ryan Murphy, ditayangkan di stasiun TV Indonesia yaitu RCTI dan GlobalTV dari 2010 hingga 2011 dan kembali ditayangkan di 2015 dan diterima dengan baik oleh penonton Indonesia. Survei daring dan wawancara mendalam dilakukan untuk mengungkap persepsi penonton Indonesia tentang Glee. Menggunakan konsep respon audiens oleh Stuart Hall, penelitian ini menemukan bahwa meskipun para responden menikmati tontonan serial ini, Glee diterima dengan baik di Indonesia karena unsur-unsur musikal dan dramatisnya menutupi konten LGBT-nya yang kuat.

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Homosexuality has been considered a highly controversial issue in Indonesia. However, Glee, an American series which has strong queer content and directed by an openly homosexual showrunner Ryan Murphy, was aired on Indonesian TV stations namely RCTI and GlobalTV from 2010 to 2011 and again in 2015 and well-received by Indonesian audience. Online survey and in-depth interviews were conducted to unravel Indonesian audience perception of Glee. Using Stuart Halls concept of audience response, this research found that although the respondents enjoyed watching the series, Glee is well-received in Indonesia because its musical and dramatic elements overshadow its strong queer contents."

"Perkembangan internet menjadi ruang publik yang lebih demokratis dan inklusif membuka jalan bagi komunitas-komunitas subkultural untuk semakin berkembang. Salah satunya adalah fandom, yang mana praktik utamanya merupakan penciptaan fanwork layaknya fanfiction atau fiksi buatan penggemar, yaitu sebuah narasi yang menggabungkan kreativitas penulisnya serta sumber materi asli dari teks yang diangkat menjadi fanfiction sebagai alur cerita. Fanfiction sendiri digadang-gadang sebagai ruang produksi feminis karena demografi partisipannya didominasi oleh perempuan serta individu queer—dua populasi yang kerap tertindas dibawah hegemoni heteronormativitas dalam realitas sehari-hari. Salah satu genre paling populer dari fanfiction adalah Slash; fanfiction yang menggambarkan kedua karakter dari suatu media menjalani hubungan homoseksual, terlepas dari fakta bahwa karakter tersebut adalah heteroseksual dalam media tersebut ataupun tidak. Berangkat dari fenomena ini, peneliti pun melihat adanya indikasi bahwa fiksi slash turut berfungsi sebagai media bagi penulis yang mengidentifikasi diri mereka sebagai queer untuk menampilkan perlawanan mereka terhadap hegemoni heteronormativitas. Menggunakan konsep Hegemoni Budaya dan Kontra-Hegemoni sebagai pendekatan, peneliti menemukan bahwa kontra-hegemoni terhadap heteronormativitas ditampilkan dalam fiksi slash dengan penggambaran realitas yang bertolak belakang oleh individu queer, serta sebagai bentuk eskapisme dari realitas yang kerap mensubordinasi mereka. Penulis membentuk sebuah komunitas queer sebagai ruang aman bagi identitas queer mereka sekaligus untuk mengeksplorasi identitas gender maupun seksual dalam suatu teks media, yang mana dapat dituangkan menjadi bentuk fiksi slash yang diunggah dalam situs Archive of Our Own selaku saluran yang aman bagi penulis queer.

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The progression of the internet into a more democratic and inclusive public space paved the way for subcultural communities to thrive. One of them includes fandom, which main practice’s is the creation of fanwork such as fanfiction or fan-created fictional works, namely a narrative that combines the creativity of the author and the original source material from the text which is utilized as the basis of its storyline. Fanfiction itself is touted as a feminist production space due to women and queer individuals dominating it’s demography—none other than the most oppressed population under the hegemony of heteronormativity. One of the most popular genres of fanfiction is Slash; a fanfiction that depicts two characters from a particular medium being in a homosexual relationship regardless of the fact whether the characters are heterosexual in source material or not. Departing from this phenomenon, the researcher finds indications of slash fiction being a medium where the resistance of the writers’ towards heteronormativity is located, especially for those who identify themselves as queer. Using the concept of Cultural Hegemony and Counter-Hegemony as an approach, the researcher found that counter- hegemony towards heteronormativity is shown in slash fiction by depicting reality as the complete opposite of that in our everyday by queer individuals, as well as as a form of escapism from it which often subordinates them. Writers form a queer community as a safe space for their queer identity as well as to explore gender and sexual identity in a popular media texts, which can be transformed into a slash fiction which is uploaded on the Archive of Our Own website as a safe channel for queer writers."

" Penelitian ini bertujuan untuk mengidentifikasi bagaimana identitas queer digambarkan pada tokoh Minato dan Yori serta bagaimana masyarakat Jepang dalam film merespons identitas queer dalam film Kaibutsu (2023) karya Koreeda Hirokazu. Teori yang digunakan penulis adalah queer theory milik Eve Sedgwick tentang konsep closetedness dalam buku Epistemology of the Closet (1990) dengan metode analisis film milik Joseph M. Boggs dan Dennis W. Petrie (2011). Temuan penelitian ini adalah Minato dan Yori menerapkan closetedness dengan menciptakan kebohongan untuk melindungi identitas queer mereka dan masyarakat Jepang dalam film digambarkan sebagai masyarakat yang menindas dan menolak identitas queer Minato dan Yori, yang memperkuat tekanan untuk tetap tertutup mengenai identitas mereka.

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This study aims to identify how queer identity is portrayed in the characters of Minato and Yori and how Japanese society in the film responds to queer identity in Koreeda Hirokazu’s Kaibutsu (2023). The theory used by the author is Eve Sedgwick’s queer theory about the concept of closetedness in the book Epistemology of the Closet (1990) with Joseph M. Boggs and Dennis W. Petrie’s film analysis method (2011). The findings of this study are that Minato and Yori apply closetedness by creating lies to protect their queer identities and Japanese society in the film is portrayed as a society that oppresses and rejects Minato and Yori’s queer identities, which reinforces the pressure to remain closeted about their identities.

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"A Companion to Lesbian, Gay Bisexual, Transgender, and Queer Studies is the first single-volume survey of current discussions taking place in this rapidly developing area of study. --The Companion breaks new ground for scholarship on gender and sexuality. Recognizing the multidisciplinary nature of the field, the editors gathered original essays by established and emerging scholars, addressing the politics, economics, history, and cultural impact of sexuality. The book engages the futures of queer studies by asking what sexuality stands in for, what work it does, and how it continues to structure discussions in various academic disciplines as well as contemporary politics. --Book Jacket."

"ABSTRACTThis essay presents a theoretical discussion, analysis, and formulation to reconfigure new meanings, potentialities, and multiplicities of homosexual relationships. After a brief discussion on the rapid popularisation of marriage equality as the primary goal of queer movements, an overview of queer critique of marriage is provided. Attention given to the notion of homo normativity and the sharp criticism from queer negativity/queer anti social. For these critiques, subjects are encouraged to occupy the abject position, which I argue, only further depoliticise queer politics. After a critical overview of this political stance, I offer Foucault and Deleuze accounts to explore multiple forms of relationships beyond marital institution, focusing on the ways in which relationships are to be understood as in terms of potentialities, intensities, and emergent forms and functions beyond the existing language capacities and formalised forms. This essay should, however, not situated as masterly or prescriptive, but rather a modest effort to spur more critical concerns, discussions, and debates among queer Indonesians."