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Arps, Bernard

" The puppets are flat, the screens againts which they are placed and moved iswhite and devoid scenery. In what kinds of space do the stories of the clasical shadow-play of Java, Bali, Lombok, and the Malay World unfold despite this double flatness? How do performers use not only puppets and screen but also music and language to bring space into being?What must spectators know and do to make sense of these storytelling techniques? As a ... "

Depok: Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2016

909 UI-WACANA 17:3 (2016)

Artikel Jurnal  Universitas Indonesia Library

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