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"Studi ini menganalisis tiga elemen penting dalam hubungan antarras antara Amir dan Emily di drama pemenang Pulitzer Prize karya Ayad Akhtar, Disgraced. Elemen-elemen tersebut adalah: Lukisan Amir karya Emily yang terinspirasi oleh Portrait of Juan de Pareja karya Diego Vel zquez; Kompleks Penyelamat Kulit Putih yang dimiliki Emily; dan kekerasan yang Emily alami di tangan Amir. Dua bagian pertama dari analisis ini akan menggunakan kombinasi teori Konstruksi Identitas milik Stuart Hall, Orientalisme milik Edward Said, dan diskursus neo-Orientalisme yang muncul pasca peristiwa 11 September. Bagian terakhir analisis ini akan menyatukan semua elemen dengan teori Artikulasi milik Stuart Hall. Pada akhirnya, studi ini menyimpulkan bahwa kekerasan yang dilakukan oleh Amir adalah pembalasan untuk dominasi Emily terhadap produksi identitasnya melalui representasi lukisan dan pengaruh Emily dalam keputusan-keputusan krusial yang diambil Amir menyangkut hubungannya dengan keluarganya. Gambaran Emily sebagai korban kekerasan dan empasis terhadap 39;hubungan tribal 39; yang dirasakan Amir dapat membuat drama ini dibaca sebagai teks neo-Orientalis. Dengan memahami Kompleks Penyelamat Kulit Putih yang dimiliki Emily, teks ini dapat dibaca sebagai artikulasi ulang re-artikulasi stereotipe 'orang kulit cokelat barbar' dan 'orang kulit putih bebas'.

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This study analyses the three essential elements of the interracial relationship between Amir and Emily in Ayad Akhtar's Pulitzer Prize winning play, Disgraced. They are Emily's painting of Amir, her husband, in the style of Portrait of Juan de Pareja by Diego Vel zquez Emily's White Saviour Complex and the violence she suffered in the hands of Amir. The first two parts of the analysis will utilise the combination of Identity Construction theory by Stuart Hall, Edward Said's Orientalism, and the post 9 11 discourse of neo Orientalism.

The last part of the analysis will foreground the entire elements by utilising Stuart Hall's theory of Articulation. It will be proved that Amir's violence is an act of retaliation towards Emily's domination over the production of his identity through representation and her influence in his crucial decisions concerning his relationship with his family. Emily's victimisation and the emphasis on Amir's lsquo tribalistic bond'risk a reductionist neo Orientalist reading of the text. By acknowledging Emily's White Saviour Complex, the text can be read as a re articulation of the neo Orientalist stereotypes of 'barbaric brown man' and 'free white woman'."

"This study aims to analyse criticakky the thought of a scholar thought library research.Research focused on first,biographies of Hasan Hanafi.including bis educational background as well as the socio-cultural,economic and political condition that influenced they way be percived realities and histhoughts and second,Hasan Hanafi's thougtss on socio-culture,economic and politics that proved his being a reputable scholar....."

"This thesis will analyze the Marabar Cave incident in the novel A Passage to India as a mere hallucination experienced by Miss Quested. Psychoanalytical approach and interpretation of dreams will be used to analyze the hidden meaning of the hallucination. This analysis will prove that the hallucination is a form of Miss Quested's wish-fulfilment and that it is she who has hidden sexual desire towards Aziz. Then, by using the Orientalism theory by Edward Said, the relation of this meaning and the prejudice that black is lusty will be studied. It will be proved that the prejudice is a construction made to justify white domination. In the end, it is concluded that this novel is an effort of subversive colonial ideology and the empowerment of black man."

"[ABSTRAKPenelitian ini untuk menganalisa tentang Orientalisme, pertukaran budaya, dan isu feminisme di dalam pencarian identitas seseorang. Diangkat dari sebuah novel berjudul The Woman Warrior yang ditulis oleh Maxine Hong Kingston. Novel ini bercerita tentang seorang gadis Tionghoa yang hidup di Amerika dan mengalami kebingungan akan identitas dirinya. Teori yang digunakan meliputi sejarah, sosiologi, dan feminisme. Teori-teori tersebut berkaitan dengan topik yang diangkat dalam penulisan ini, yaitu menganalisa kehidupan seorang gadis dalam konteks sejarah dan budaya Cina dan Amerika. Hasil dari penelitian ini menunjukkan bahwa Kingston terus menerus dilanda kebingungan akan identitasnya, Tionghoa atau Amerika. Ibunya meminta Kingston untuk menjaga tradisi Tionghoa yang sudah diwariskan kepadanya, tetapi lingkungan sosialnya memaksa Kingston untuk beradaptasi. Ilustrasi ini menggambarkan kesulitan mencari jalan tengah untuk kedua budaya yang jauh berbeda dan pengaruh masa lalu ke perkembangan gender dan identitas etnis.

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ABSTRACTThis study is to analyze the Orientalism, cross cultural and feminine issues in order to find someone?s identity in The Woman Warrior, a novel written by Maxine Hong Kingston, since this novel talks about a Chinese girl who lives in America and is confused about her identity. The theoretical approach will be historical, sociological and feminist theories because they are related to the study which is to analyze a woman's life in the historical and cultural context of Chinese - American society. The result shows that Kingston is still confused to which identity she belongs to, Chinese or American. Her mother asks her to keep her Chinese tradition culture. On the other hand, her society pushes her to adapt the American culture. The narratives illustrate the impossible task of negotiating two different cultures and finding a balance to construct gender and ethnic identity. Finally, in all of narratives a similar thread reappears in the form of the past and its influence on the progression of their gender and ethnic identities.;This study is to analyze the Orientalism, cross cultural and feminine issues in order to find someone?s identity in The Woman Warrior, a novel written by Maxine Hong Kingston, since this novel talks about a Chinese girl who lives in America and is confused about her identity. The theoretical approach will be historical, sociological and feminist theories because they are related to the study which is to analyze a woman's life in the historical and cultural context of Chinese - American society. The result shows that Kingston is still confused to which identity she belongs to, Chinese or American. Her mother asks her to keep her Chinese tradition culture. On the other hand, her society pushes her to adapt the American culture. The narratives illustrate the impossible task of negotiating two different cultures and finding a balance to construct gender and ethnic identity. Finally, in all of narratives a similar thread reappears in the form of the past and its influence on the progression of their gender and ethnic identities., This study is to analyze the Orientalism, cross cultural and feminine issues in order to find someone’s identity in The Woman Warrior, a novel written by Maxine Hong Kingston, since this novel talks about a Chinese girl who lives in America and is confused about her identity. The theoretical approach will be historical, sociological and feminist theories because they are related to the study which is to analyze a woman's life in the historical and cultural context of Chinese - American society. The result shows that Kingston is still confused to which identity she belongs to, Chinese or American. Her mother asks her to keep her Chinese tradition culture. On the other hand, her society pushes her to adapt the American culture. The narratives illustrate the impossible task of negotiating two different cultures and finding a balance to construct gender and ethnic identity. Finally, in all of narratives a similar thread reappears in the form of the past and its influence on the progression of their gender and ethnic identities.]"

"ABSTRAKTulisan ini bertujuan untuk memberikan gambaran pentingnya studi orientalisme sebagai konsep dalam media dengan meninjau perbandingan antara dua artikel. Kedua artikel tersebut mengkaji orientalisme dalam liputan pemberitaan media cetak nasional terhadap negara-negara Timur Tengah (Irak dan Iran) di dua negara yang berbeda (Slovenia dan Amerika Serikat). Tulisan ini menemukan bahwa liputan berita yang dimuat dalam Delo, The New York Times, The Washington Post maupun The Wall Street Journal, menunjukkan asumsi-asumsi orientalisme sebagai gaya berpikir yang dilandaskan pada perbedaan ontologi dan epistemologi antara Timur dan Barat. Perbedaan tersebut kemudian membuat liputan yang dimuat, baik berupa gambar ataupun editorial, tidak berimbang dan memungkinkan adanya misrepresentasi.

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ABSTRACTThe study is aimed to describe the importance of orientalism as a concept employed in the media by reviewing the comparison of two international journals noted the description of orientalism in the national news report regarding Middle East countries (Iran and Iraq) in the two distinct countries (Slovenia and United States). This studi discovered that news report comprised in Delo, The New York Times, The Washington Post and The Wall Street Journal have presented orientalism assumtions as a paradigm laid based on the ontological and epistemological difference of the East and the West. These differences then resulted to produce unbalanced and misrepresented news either in the form of pictorial or editorial news."

"Saat ini, representasi stereotip budaya dalam serial drama televisi telah menjadi hal yang biasa. Banyak serial drama televisi mencoba memasukkan unsur stereotip budaya dalam praktik mereka. Bahkan dalam serial drama televisi kejahatan yang agak baru seperti, Criminal Minds: Beyond Borders 2016 , stereotip budaya diekspos dan digambarkan dalam serial ini. Sebagai putaran kedua dari franchise Criminal Minds 2005 - 2016 , Criminal Minds: Beyond Borders 2016 mencoba untuk mendapatkan perhatian dan menjangkau khalayak dengan menggambarkan isu stereotip budaya melalui pemisahan dua kelompok besar, yaitu orang Amerika dan orang Timur Asia, Afrika, dan Timur Tengah . Stereotip digambarkan melalui tiga elemen yang berbeda, yaitu dialog, karakter, dan plot. Dengan menerapkan orientalisme sebagai kerangka analisis untuk menafsirkan dan memeriksa stereotip budaya yang ada di dalam korpus, penelitian ini berpendapat bahwa Criminal Minds: Beyond Borders 2016 menggambarkan Amerika sebagai yang lebih unggul dalam kaitannya dengan mitra Timur dan hal itu telah merugikan negara-negara Timur.

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Nowadays, the representation of cultural stereotypes in television drama series has become commonplace. Many television drama series are trying to insert the element of cultural stereotypes in their practices. Even in a rather new crime television drama series such as, Criminal Minds Beyond Borders 2016 , cultural stereotypes are being exposed and depicted in the series. As the second spin off of the franchise Criminal Minds 2005 ndash 2016 , Criminal Minds Beyond Borders 2016 is trying to get attention and reach the audiences by portraying the issue of cultural stereotypes through the separation of two big groups, which are the Americans and the Eastern people Asian, African, and Middle Eastern. The stereotypes are being illustrated through three different elements, which are dialogue, characters, and plot. By applying orientalism as the analytical framework to interpret and examine the cultural stereotypes that exist in the corpus, this study argues that Criminal Minds Beyond Borders 2016 represents America as superior in relation to the East counterparts and it somehow disfigures the East countries."

"ABSTRAKJurnal ini meneliti ideologi media dalam tiga media internasional, yaitu The Jakarta Post 2015 , The Guardian 2015 , dan The New York Times 2015 lewat teori orientalisme Said dalam Patrick Wolfe 1997 . Artikel berita yang dipilih dari masing-masing media menyoal pembatalan mata acara Ubud Writers and Readers Festival UWRF 2015, secara urut berjudul Being Silenced in Ubud , Indonesian writers 39; festival forced to cancel events linked to 1965 massacre , dan At a Bali Festival, Indonesia Enforces Silence About Its Bloody Past , dikaji menggunakan metode analisis wacana kritis komparatif dari Fairclough 2015 . Penelitian ini, menitikberatkan pada analisis representasi, dibagi menjadi tiga bagian analisis, yaitu analisis komparatif pada representasi proses, representasi aktor sosial, dan representasi ruang-waktu dalam tiap artikel berita. Temuan pertama adalah bahwa The Jakarta Post, sebagai media timur, membawa politik yang spesifik dan lokal dengan menarasikan masyarakat sipil Indonesia sebagai protagonis dan panitia penyelenggara festival sebagai antagonis, tetapi dengan fokalisasi yang lemah. Kedua, The Guardian, sebagai media barat, membawa politik yang umum dan global dengan menarasikan pemerintahan global sebagai protagonis dan pemerintah nasional yang otoriter sebagai antagonis dengan memfokalisasi sentimen pemerintah nasional terhadap bangsa asing. Terakhir, The New York Times, sebagai media barat, mirip dengan The Guardian, tetapi dengan fokalisasi yang berbeda - artikel berita The New York Times merepresentasikan keterlibatan Amerika Serikat AS sebagai protagonis dan narasi sejarah tragedi 1965 terkait pembatalan mata acara UWRF 2015.

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ABSTRACTThis research analyzes the media ideology incorporated in three different international media, namely The Jakarta Post 2015 , The Guardian 2015 , and The New York Times 2015 in the framework of Said rsquo s in Patrick Wolfe 1997 orientalism. The news reports chosen from each media are of the cancellation in Ubud Writers and Readers Festival UWRF 2015, orderly entitled ldquo Being Silenced in Ubud rdquo , ldquo Indonesian writers rsquo festival forced to cancel events linked to 1965 massacre rdquo , and ldquo At a Bali Festival, Indonesia Enforces Silence About Its Bloody Past rdquo , dissected with Fairclough rsquo s 2015 comparative critical discourse analysis. The research, emphasizing on the representation analysis, is divided into three parts of analysis, which are the comparative analysis on the representation of process, the representation of social actors, and the representation of space time in each news reports. The first finding is that The Jakarta Post, as the Orient media, carries specific and local politics by framing Indonesian national civil society as the protagonist and the festival organizers as the antagonist, yet with weak focalization. Second, The Guardian, as the West media, carries generic and global politics by framing the international governance as the protagonist and the authoritarian national governance as the antagonist with focalization on the national governance rsquo s sentiment towards the foreign. Lastly, The New York Times, as the West media, is similar to The Guardian, yet with different focalization ndash it represents the United States of America rsquo s involvement as the protagonist and the narrative history of the 1965 tragedy in accordance to the cancellation in UWRF 2015."

"Konsep Edward Said (1978) tentang Orientalisme telah memainkan peran penting dalam membentuk bagaimana Barat memandang Timur lebih rendah daripada mereka. Hal ini juga memengaruhi beberapa negara Asia untuk menggambarkan diri mereka dengan cara Barat memandang mereka: rekan yang lebih rendah dari Barat. Fenomena ini disebut self-Orientalism, dan terdapat di berbagai media, termasuk iklan pariwisata. Dengan menggunakan kerangka teori Communicative Event Analysis milik Fairclough, penelitian ini mencoba untuk menemukan bukti self-Orientalism di iklan Wonderful Indonesia The More You Feel the More You Know (2018) dan apa yang mendorong Indonesia untuk menerapkan konsep tersebut. Penelitian ini dibagi menjadi empat bagian: kerangka waktu yang bergeser, orang-orang lokal yang ramah tetapi tidak berdaya, posisi Putri Marino yang ambigu, dan menampilkan modernitas. Hasilnya menunjukkan bahwa Orientalisme sendiri, sebagaimana dibuktikan dalam iklan ini secara dominan diinternalisasi oleh pengaruh Barat daripada keinginan Indonesia untuk mencapai modernitas. Hal ini karena `cultural inferiority complex`, yang meyakini bahwa budaya Barat lebih baik daripada budaya Indonesia, telah berakar dalam masyarakat Indonesia sejak masa kolonial.

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The concept of Edward Said`s (1978) Orientalism has played an important role in shaping how the West (Occident) perceives the East (Orient) to be inferior to them. It has also influenced some Asian countries to depict themselves in a way the West views them: an inferior counterpart to the West. This phenomenon is called self-Orientalism, and it is evident in various media, including tourism advertisements. By using Fairclough`s three-dimensional Communicative Event Analysis, this paper tries to find evidence of self-Orientalism in Wonderful Indonesia`s The More You Feel the More You Know (2018) and what prompts Indonesia to apply such concept. This paper is divided into four sections: the shifting time frame, the friendly but helpless local people, the ambiguous position of Putri Marino, and displaying modernity. The results show that self-Orientalism, as evidenced in this advertisement are dominantly internalized by Western influences rather than Indonesia`s striving for modernity. This is because the `cultural inferiority complex`, which believes that Western culture is better than Indonesian culture, has rooted within Indonesian society since the colonial period."

"ABSTRACTThe purpose of this study is to explain about womens positions and roles that are represented in films as agents who frame identity and ethnical stereotype of the East. By using intersectional feminist perspective, the study analyze texts from three Indonesian films which using film sets in the regions of Eastern Indonesia as follows: Aisyah: Let Us Be a Family (2016), Salawaku (2016), and Marlina, the Murderer in Four Acts (2017). Findings show that films about Eastern Indonesia still embed with the perspectives of orientalism and colonialism. Women from non Eastern Indonesia are commonly represented to having superior positions and important roles in educating and spreading the feeling of nationalism. On the other hand, Eastern Indonesian women are mostly represented inferior and alienated from their communities and nature."