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"Hashima (Gunkanjima) berhasil tercatat sebagai situs warisan dunia UNESCO pada tahun 2015. Pencatatan pulau ini sempat mendapat penolakan keras dari Korea Selatan karena Jepang tidak mencantumkan sejarah lengkap yang menyangkut kerja paksa warga Korea Selatan dan Tiongkok. Berdasarkan data pemerintah Nagasaki, Hashima mengalami lonjakan pengunjung lebih dari seratus ribu wisatawan setelah namanya tercatat dalam situs warisan dunia UNESCO. Sebelumnya, Hashima hanya dikenal akan dark tourism-nya sebagai pulau hantu, tetapi kini semakin dilirik wisatawan dengan imej yang berbeda setelah pencatatan UNESCO dan pembangunan lokasi wisata penunjang seperti Gunkanjima Digital Museum. Penelitian ini membahas mengenai dark tourism Hashima dan lokasi terkaitnya serta perubahan apa saja yang terjadi setelah pencatatan di UNESCO. Hasil dari penelitian ini menemukan adanya dampak positif seperti lonjakan dan kestabilan kunjungan wisata ke Hashima, dan dampak negatif seperti upaya sanitasi dengan menutupi sejarah kelam Hashima yang dilakukan pemerintah Jepang. Selain itu, penelitian ini juga menemukan adanya pergeseran spektrum dark tourism di balik kesuksesan peningkatan kunjungan pariwisata di Hashima dan lokasi terkaitnya.

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Hashima (Gunkanjima) was successfully listed as a UNESCO world heritage site in 2015. The listing process of this island had received strong rejection from South Korea because Japan did not include its full history of forced labor for South Korean and Chinese citizens. Based on data from the Nagasaki government, Hashima experienced a surge in visitors of more than one hundred thousand tourists after its name was listed as UNESCO’s World Heritage Site. Previously, Hashima was only known for its dark tourism as a ghost island, but now it is increasingly attracting tourists with a different image after the UNESCO listing and the construction of new supporting tourist sites such as the Gunkanjima Digital Museum. This research discusses the dark tourism of Hashima and its related locations as well as any changes that occurred after being registered at UNESCO. The results of this study found positive impacts such as the surge and stability of tourist visits to Hashima, and negative impacts such as sanitation efforts by covering up the dark history of Hashima by the Japanese government. In addition, this study also found a shift in the dark tourism spectrum behind the success of increasing tourism visits in Hashima and its related locations."

"Dark tourism merupakan wisata dengan berkunjung ke tempat terjadinya kekejaman dan pembunuhan yang berhasil menarik minat wisatawan. Hal ini dikarenakan oleh keunikannya yang tidak didapatkan oleh wisatawan jika berkunjung ke jenis wisata lain. Oleh karena itu, wisata ini berpotensi untuk dikembangkan lebih lanjut, terlebih lagi Indonesia memiliki banyak daya tarik wisata dark tourism, salah satunya yaitu Kawasan Kota Tua Jakarta, seperti Pelabuhan Sunda Kelapa, Museum Sejarah Jakarta, dan Toko Merah. Adapun tujuan penelitian ini yaitu mengetahui tingkat kekelaman dark tourism sebagai daya tarik utama, potensi wisata, serta upaya pengembangan wisata di Kawasan Kota Tua Jakarta. Pendekatan yang digunakan yaitu pendekatan kualitatif dengan menggunakan metode skoring pada penilaian tingkat kekelaman dan potensi wisata. Sementara itu, pengumpulan data diperoleh melalui wawancara, observasi lapangan, dan studi pustaka. Selanjutnya data dianalisis menggunakan analisis deskriptif keruangan dan analisis spasial komparatif. Berdasarkan hasil penilaian spektrum dark tourism, diketahui bahwa Pelabuhan Sunda Kelapa tergolong ke dalam tingkatan light-dark, sedangkan Museum Sejarah Jakarta dan Toko Merah tergolong ke dalam tingkatan dark. Sementara itu, berdasarkan penilaian potensi wisata, Toko Merah tergolong ke dalam potensi sedang, sedangkan Museum Sejarah Jakarta dan Pelabuhan Sunda Kelapa memiliki potensi yang tinggi.

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Dark Tourism is a tour by visiting places of atrocities to murders that have succeeded in attracting tourism, because of its uniqueness that tourists will not get when visiting other types of tourism. Therefore, dark tourism has the potential to be developed further, especially Indonesia has a lot of dark tourism attractions, in the Kota Tua Jakarta, such as Pelabuhan Sunda Kelapa, Museum Sejarah Jakarta, and Toko Merah. The purpose of this study is to determine the dark level of dark tourism as the main attraction, tourism potential, and tourism development efforts. The approach used in this study is a qualitative using the scoring method in assessing the dark level of dark tourism and assessing tourism potential. Meanwhile, data collection was obtained through interviews, field observations, and literature studies. Furthermore, the data analysis in this study is descriptive analysis with a spatial approach, and comparative spatial analysis. Based on the results of the dark tourism spectrum assessment, it is known that Pelabuhan Sunda Kelapa belongs to the light-dark level, while the Museum Sejarah Jakarta and Toko Merah belong to the dark level. Meanwhile, based on the assessment of tourism potential, Toko Merah dan is classified as a medium potential to be developed, while the Museum Sejarah Jakarta and Pelabuhan Sunda Kelapa have high potential value."

"The book examines the extent to which Coser's (1956) 16 propositions can apply to tourism impact studies and, where possible, to enhance, deepen and challenge the original theory, using evidence from communities in China that differ from the context used by Coser. The combination of ethnographic description and sociologically-oriented analysis, drawing upon both Chinese and western paradigms that are, at times very different in their underlying value system, challenges several of Coser's suppositions. The book will also draw upon subsequent publications by the authors, both severally and separately. These publications have utilised different concepts and paradigms, including for example the use of Valene Smith's concept of the "culture broker" and Turner's concepts of marginalised peoples, and the paradigms of constructionism and interpretive research work used in other studies by the authors. The sum of the work, it is suggested,adds to our canon of knowledge about social conflict in tourismdevelopment as well as impacts of tourism on disadvantaged ethniccommunities in China. "

"ABSTRAKsiIndustri perfilman sudah menjadi bagian yang tidak asing lagi bagi masyarakat. Terus munculnya film box office menjadikan peneliti tertarik untuk mengambil film sebagai tema penelitian. Penelitian ini bertujuan untuk melihat pengaruh dari film terhadap pembentukan imej tempat yang menjadi latar tempat filmnya serta kemudian menimbulkan intensi untuk mengunjungi lokasi tersebut. Data diperoleh melalui penyebaran kuesioner kepada 347 responden berusia minimal 16 tahun yang pernah menonton sepuluh judul film horror ataupun romantis yang ditentukan oleh peneliti dalam kurun waktu enam bulan terakhir. Analisis data dilakukan menggunakan analisis deskriptif dan partial least squares menggunakan Smart PLS 3.0. Hasil penelitian menunjukkan bahwa imej yang terbentuk pada film horror tidak berpengaruh positif terhadap sikap untuk mengunjungi tempat yang menjadi latar di film tersebut sedangkan pada film romantic imej yang terbentuk berpengaruh positif terhadap sikap untuk mengunjungi tempat yang menjadi latar di film tersebut.

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ABSTRACTAbstractFilm industry has now become familiar and prominent in the ears of modern people. Continous premieres of box office films peaked interest to make film as the main theme of this research. The purpose of the research is to see how far films can influence the image of a place used in the backgrounds and if those locations be picked later on as a destination to go. Data are collected through spreading questionnaires to 347 respondents whose age range starts from 16 years old, having watched ten selected tittles of both romantic and horror films in the span of last six months. Data analysis is conducted using descriptive analysis and partial least squares with Smart PLS 3.0. The result shows that image shaped by horror films are not positive towards intention to visit the place chosen as the background, wheras romantic films provide positive image and results to attitude towards visiting the place shown in the film. "