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"This book combines material and the social perspectives of preservation and historical interpretation in urban landscapes. The essays in this volume focus on the social life of historic cities and large-scale sites. This book examines the ways that cities are dynamically changing as they are made and then remade by the people who inhabit or simply visit them, and concentrate on change, pluralism, and fragmentation. It includes an introductory essay that explains the heritage principle under study, the challenges of scale in the environment of a city or large comple and its development as seen in the policy instruments of ICOMOS, UNESCO, and other major heritage organizations.The combination of wide-ranging case studies (including essays on North America, South America, Central America, the Middle East, and Europe)."

"Summary: "Can states adopt protectionist cultural policies? What are the limits, if any, to state intervention in cultural matters? A wide variety of cultural policies may interfere with foreign investments, and a tension therefore exists between the cultural policies of the host state and investment treaty provisions. In some cases, foreign investors have claimed that cultural policies have negatively affected their investments, thereby amounting to a breach of the relevant investment treaty. This study maps the relevant investor-state arbitrations concerning cultural elements and shows that arbitrators have increasingly taken cultural concerns into consideration in deciding cases brought before them, eventually contributing to the coalescence of general principles of law demanding the protection of cultural heritage"

"The reconstruction of society after conflict is complex and multifaceted. This book investigates this theme as it relates to cultural heritage through a number of case studies relating to European wars since 1864. The case studies show in detail how buildings, landscapes, and monuments become important agents in postconflict reconstruction, as well as how their meanings change and how they become sites of competition over historical narratives and claims. Looking at iconic and lesser-known sites, this book connects broad theoretical discussions of reconstruction and memorialization to specific physical places, and in the process it traces shifts in their meanings over time. This book identifies common threads and investigates their wider implications. It explores the relationship between cultural heritage and international conflict, paying close attention to the long aftermaths of acts of destruction and reconstruction and making important contributions through the use of new empirical evidence and critical theory. Marie Louise Stig Sorensen is a Reader in Archaeology at the University of Cambridge and Professor of Bronze Age Studies at Leiden University. She coordinates the University of Cambridge's postgraduate degree program in archaeological heritage and museums, one of the first degree courses in this field"

"In a visual and artifact-filled world, cataloging one-of-a-kind cultural objects without published guidelines and standards has been a challenge."

"Ketentuan-ketentuan mengenai perlindungan benda budaya pada masa konflik bersenjata dapat ditemukan dalam Convention IV respecting the Laws and Customs of War on Land, Convention IV relative to the Protection of Civilian Persons in Time of War dan kedua protokol tambahannya, serta Convention for the Protection of Cultural Property in the Event of Armed Conflict dan kedua protokolnya. Ketiga perangkat instrumen hukum humaniter internasional di atas memuat kewajiban negara untuk menghormati benda budaya pada masa konflik bersenjata. Beberapa prinsip dasar di dalamnya diakui sebagai hukum kebiasaan internasional. Penerapan dari ketentuanketentuan hukum internasional terkait benda budaya dapat dilihat dengan menelaah praktik International Criminal Tribunal for the Former Yugoslavia. Dua kasusnya, yakni Prosecutor v. Miodrag Jokic dan Prosecutor v. Pavle Strugar, menunjukkan pelaksanaan proses peradilan terhadap pelaku dalam penghancuran Kota Tua Dubrovnik.

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The rules on the protection of cultural property during armed conflicts can be found in Convention IV respecting the Laws and Customs of War on Land, Convention IV relative to the Protection of Civilian Persons in Time of War and its two additional protocols, as well as Convention for the Protection of Cultural Property in the Event of Armed Conflict and its two protocols. These three sets of international treaties govern a state?s obligations concerning respect towards cultural property in times of armed conflict. Several provisions contained therein are acknowledged as customary international law. The implementation of the rules in international humanitarian law concerning cultural property can be seen by inspecting the practice of the International Criminal Tribunal for the Former Yugoslavia. Its two cases, namely Prosecutor v. Miodrag Jokic and Prosecutor v. Pavle Strugar, illustrates the judicial process involved in convicting perpetrators responsible for the destruction of the Old City of Dubrovnik."