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"Penelitian ini membahas lirik lagu Over De Muur karya Klein Orkest yang dirilis pada tahun 1984. Tujuan penelitian ini adalah untuk menggambarkan keadaan Jerman Barat dan Jerman Timur pada tahun 1984 melalui interpretasi makna dari tanda yang terdapat pada lirik lagu Over De Muur. Interpretasi makna dibedah menggunakan mitologi oleh Roland Barthes. Pertama-tama dilakukan pemilihan kata, frasa, atau kalimat yang berlaku sebagai tanda yang dapat menggambarkan keadaan Jerman Barat dan Jerman Timur pada saat itu. Lalu analisis dilanjutkan dengan menggunakan proses semiosis dua tahap; yang pertama adalah analisis primer yang terdiri dari analisis makna denotatif lalu pada tahap kedua menjabarkan makna konotatif yangterdapat di lirik lagu Over De Muur untuk mengidentifikasi mitos yang terdapat dalam lagu tersebut. Hasilnya menunjukkan bahwa tanda di lirik lagu Over De Muur menggambarkan Jerman Barat dan Jerman Timur memiliki ideologi yang berbeda, tanda tersebut menunjukkanbahwa Jerman Barat negara yang berideologi kapitalis-liberal, sedangkan Jerman Timur berideologi sosialis-komunis.

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This study discusses the lyrics of the song Over De Muur by Klein Orkest which was released in 1984. The purpose of this study is to discuss the situation of West Germany and East Germany in 1984 through the interpretation of the meaning of the signs contained in the Over De Muur song lyrics. The theory used in this research is the theory of myth by Roland Barthes. First, a selection of words, phrases or sentences is needed as a sign that reflected the state of West Germany and East Germany at that time. Then the analysis continued using the two steps semiosis process; The first is a primary analysis consisting of an analysis of denotative meanings and then in the secondary analysis consists of connotative meanings analysis to identify the myths that contained in the lyrics of Over De Muur . The results show that the song Over De Muur portrays that West Germany and East Germany have different ideologies, West Germany with capitalist-liberal ideology and East Germany with socialist-communist ideology."

"Latar belakang: Profesi pengemudi taksi merupakan profesi yang unik, lingkungan kerja luas, jam kerja panjang, sistem pcnggajian yang fluktuatif, dan risiko kecelakaan di jalan raya. Pada PT X 60% kccelakaan dikarenakan mengantuk. Salah satu penyebab kondisi mengantuk adalah adanya kemungkinan obstructive sleep apnea (OSA). Bcbcrapa faktor risiko kemungkinan OSA seperti kegemukan dan hipertensi dijumpai pada pengemudi PT X. Metode: Penelitian ini menggunakan desain cross sectional pada pengemudi taksi X Mampang Jakana Selatan, pada bulan November»Desember 2008. Pengumpulan dilakukan dengan pengisian Kuesioner Berlin, dan pemeriksaan fisik (tekanan darah, bcrat, badan, tinggi badan, dan lingkar leher) pada 280 orang pengemudi. Hasil: Jumlah responden sebanyak 280 orang, didapatkan 70 orang (25%) kemungkinan OSA. Kemungkinan OSA pada pengemudi dipcngaruhi olch bcbcrapa faktor yaitu: IMT 325 (acyusred OR 4.29, p <0.001, 95% Cl 2.04 - 9.05) riwayat keluarga mendengkur (aafiusled OR 2,34, p <0.00l, 95% Cl 1.45 - 3.78), lingkar leher 3 40 cm (afyusred OR 3.37, p 0.002, 95% Cl 1.58 - 7.19), umur 3 36 tahun (argusted OR 2.47, p 0.027, 95% CI I.ll - 5.48) dan jadwal keija tinggi (ac§usted OR 3.07, p 0.0l6, 95% Cl L23 - 7.66). Kesimpulan: Didapat prevalensi kemungkinan OSA pada pengemudi Taksi X sebesar 25%. Kemungkinan OSA pada pcngcmudi Taksi X dipengaruhi oleh faktor indeks massa tubuh 325, riwayat keluarga mendengkur, Iingkar leher 540 cm, umur 336 tahun serta jadwal kerjatinggi.

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Background: Taxi Driver is an unique profession because of the wide environment, the long hours working duration, the fluctuation wages, and the accidental risks. About 60% taxi's accidents in Company X were caused by sleepy conditions. Sleepy conditions may be caused by obstructive sleep apnea (OSA). Some factors that increase the prevalence of suspected OSA, like obesity and hypertension were founded among the taxi drivers in this company.

Method: This study was conducted with cross sectional design. The data was collected from November until December 2008 in Mampang, Jakarta Selatan. Data collection used Berlin's Questionnaire and Physical examinations (blood pressure, weight, height, neck circumference) to 280 drivers.

Result: This research showed that there are 25%, it?s mean 70 respondents from 280 respondents have OSA prevalence. Prevalence of OSA among taxi?s drivers is caused by several factors. The factors are Body Mass index (BMI) 3 25 (adjusted OR 4.29, p < 0.00l, 95% Cl 2.04 - 9.05), snoring historical in family (adjusted OR 2.34, p < 0.001 , 95% CI 1.45 - 3.78), neck circumference 3 40 cm (adjusted OR 3.37, p 0.002, 95% CI 1.58 - 7.l9), age 2 36 years old (adjusted OR 2.47, p 0.027, 95% Cl 1.ll - 5.48) and high work schedule (adjusted OR 3.07, p 0.0l6, 95% Cl 1.23 - 7.66).

Conclusion: This research has founded that there are 25%, it?s mean 70 respondents from 280 respondents have suspected OSA. Prevalence of suspected OSA among taxi?s drivers is caused by BMI 2 25, snoring historical in family, neck circumference 5 40 cm, age 3 36 years old and high work schedule."

"ABSTRAKKota urban merupakan sebuah wilayah yang heterogen dengan mayoritas masyarakatnya bersifat individualis dan bekerja dibidang nonpertanian, terdapat gedung-gedung dan jalur lalu lintas padat, juga terjadi transaksi ekonomi tanpa henti. Berlin pada periode 1900-1930 merupakan kota pertama di Eropa yang mengalami kemajuan industri dan teknologi yang pesat sehingga terjadi berbagai fenomena baru layaknya sebuah kota metropolitan. Citra kota urban Berlin 1900-1930 mendorong para penyair untuk menuangkannya kedalam puisi beraliran Ekspressionismus. Penggambaran kota Berlin 1900-1930 tergambarkan dalam dua karya sastra puisi korpus data, yaitu puisi Auf der Terrasse des Caf Josty Paul Boldt 1912 dan Besuch Vom Lande Erich K stner 1929 . Metode kualitatif digunakan dalam artikel ini untuk membahas fokus kajian secara deskriptif dan mendalam, dengan mengacu pada teori produksi ruang Henri Levebre dalam ldquo;The Production of Space rdquo; 1991 dan teori representasi kota dan ruang publik dari Louis Wirth dalam ldquo;Urbanism as a Way of Life rdquo; 1938 . Analisis kedua puisi ini memperlihatkan bahwa kota Berlin pada awal abad ke-20 benar-benar mengalami perubahan besar, bisa dilihat dari karakteristik dan interaksi masyarakatnya, dimana Berlin menjadi sebuah kota dengan lalu lintas yang padat, gedung-gedung mengisi setiap ruang sudut kota, dan menjadi kota dengan citra yang cukup mengerikan dimata para penyair Berlin.

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ABSTRACT<>br>Urban city is a heterogeneous area with the majority of its society are individualist and working in non agricultural fields, there are so many buildings and the traffic lanes are solid, the economic transactions also never stopped. Berlin in the period 1900 1930 is the first urban city in Europe which its industrial and technology rapidly evoled, so there are so many various new phenomenon like a metropolis. The image of the urban city Berlin 1900 1930 encourage the poets to make it into an expressionism poems. The image of Berlin city 1900 1930 can be seen in the poems Auf der Terrasse des Caf Josty Paul Boldt 1912 and Besuch Vom Lande Erich K stner 1929 . Qualitative methods are used in this article to discuss the focus of the study in descriptive and in depth way. This article are using Henri Levebre 39 s space production theory in The Production of Space 1991 and Louis Wirth 39 s theory of city and public space in ldquo Urbanism as a Way of Life 1938 . The analysis of these two poems shows that Berlin at the beginning of the twentieth century was really run into a major changes, it can be seen from the characteristics and interactions of its society. Berlin became a city with a heavy traffic, buildings in every corner of the city, and Berlin turns into a city with a pretty horrible image in the eyes of Berlin poets."

"This book asks how particular news events become global iconic events, while others fade into oblivion. Focusing on journalists covering the fall of the Berlin Wall and on subsequent retellings of the event (from Legoland reenactments to segments of the Berlin Wall installed in shopping malls), it discusses how storytellers build up certain events so that people in many parts of the world remember them for long periods of time. The East German border opening that we now summarize as the fall of the Berlin Wall was in fact unintentional, confusing, and prompted in part by misleading media coverage of bureaucratic missteps. But its global message is not about luck or accident or happenstance in history. Incarnated as a global iconic event, the fall of the Berlin Wall has come to communicate the momentary power that vulnerable ordinary people can have. The events story, branded into a simple phrase, a short narrative and a recognizable visual scene, provides people from China to Turkey to the United States with a contemporary social myth. This myth shapes our debates about separation walls and fences, borders and refugees, and the possibilities of human freedom to this day."