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"CONTENTS :FOREWORD ACKNOWLEDGEMENTS INTRODUCTION HOW TO USE THE BOOK CHAPTER 1: PREPARING FOR PART 3 CHAPTER 2: PROFESSIONAL DEVELOPMENT: LEARNING FROM EXPERIENCE IN THE WORKPLACE AND THE PEDR CHAPTER 3: WRITTEN EXAMINATIONS CHAPTER 4: THE CASE STUDY CHAPTER 5: THE ORAL EXAMINATION CHAPTER 6: AFTER PART 3 NOTES APPENDICES: APPENDIX 1: THE PART 3 CRITERIA (ARB AND RIBA) APPENDIX 2: USEFUL SOURCES AND LINKS APPENDIX 3: SCHOOLS OF ARCHITECTURE OFFERING PART 3 IN THE UK AND OTHER PROVIDERS (RIBA) INDEX "

"Year out: a rough guide to gaining professional experience is a user-friendly guide for architecture students about to embark on their first year's practical training.Almost everything is covered in this guide, from the first thoughts about choosing the type of architectural office through to the problems that may occur in your new job, during your Year out."

"Written by a respected construction lawyer and a practicing architect, Geeting paid starts by describing the problems which may face an architect's practice in pursuing fee claims and looks at the practicle and contractual steps which might be taken to reduce these risks. Intended as convenient and readable guide that can be turned to for help in dealing with day to day problems, Getting paid contains very little discussion of theory, and references to cases have been kept to a minimum."

"Architects draw buildings, and the buildings they draw are usually populated by representations of the human figure-drawn, copied, collaged, or inserted-most often to suggest scale. It is impossible to represent architecture without representing the human form. This book collects more than 1,000 scale figures by 250 architects but presents them in a completely unexpected way: it removes them from their architectural context, displaying them on the page, buildingless, giving them lives of their own. They are presented not thematically or chronologically but encyclopedically, alphabetically by architect (Aalto to Zumthor). In serendipitous juxtapositions, the autonomous human figures appear and reappear, displaying endless variations of architecturally rendered human forms. Some architects' figures are casually srcawled; others are drawn carefully by hand or manipulated by Photoshop; some are collaged and pasted, others rendered in charcoal or watercolors."