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"Penelitian ini mengangkat peran organisasi perempuan Aceh di tengah konflik Aceh yang didominasi oleh kelompok laki-laki. Peran mereka adalah pemberdayaan perempuan, advokasi dan investigasi perempuan korban konflik. Selain itu, dilakukan pemberdayaan ekonomi, advokasi kebijakan, dan penanganan perempuan di pengungsian. Penelitian ini menggunakan teori Ethics of care dengan pendekatan kualitatif yang menggunakan metode wawancara mendalam dan analisis data sekunder.Narasumber penelitian sebanyak 15 organisasi yaitu Flower Aceh, KKTGA, YPW. MiSPI, RPuK, Daulat Remaja, Matahari, Balai Syura Inong Aceh, Data Lajuna. ORPAD, Srikandi Aceh, SpuRA, Lampuan Aceh, PIIA dan Perempuan Merdeka.Temuan lapangan menunjukkan bahwa peran mereka yang lebih dominan adalah menangani dampak konflik. Implikasinya adalah tercipta koalisi perempuan yang kuat di tingkat pusat dan akar rumput; pelibatan perempuan dalam kehidupan sosial dan politik mulai menjadi wacana, munculnya data perempuan sebagai korban konflik; lahirnya revisi kebijakan yang berperspektif perempuan, dan menawarkan alternatif lain dalam penyelesaian konflik Aceh, yaitu pendekatan kepedulian yang tidak melahirkan kekerasan.

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The Role Of Acehnese Women Organizations in Armed-Conflict Resolution in AcehThis research investigates the roles of non-governmental Acehnese women's organizations in handling the impacts of armed-conflicts in Aceh. Employing qualitative approach, data are gathered through in-depth interviews and secondary sources and are analyzed against Ethics of Care. Fifteen (I5) women's organizations are selected as subjects: Flower Aceh, KKTGA, YPW, MiSPI, RPuK, Daulat Remaja, Matahari, Balai Syura inong Aceh, Dara Lajuna, ORPAD, Srikandi Aceh, Spurs, Lampuan Aceh, PHIA, and Perempuan Merdeka.

The roles taken by these women's organizations among others are empowering women especially in terms of economics, investigating and advocating women victims of conflicts, taking parts in public policy making process, and tackling women's problems in refugee's (IDPs) camps. Study concludes that they are more intensely involved in addressing the various impacts of the armed-conflicts. This leads to a stronger coalition between women's organizations both in upper and grass root levels; emerging discourse on women's participation in social and political arena; availability of data of women as victims; more women's perspective policy-makings, and most important, the possibility of using Care approach instead of repressive and violent one to resolve the existing conflicts."

"Film Nocturnal Animals 2016 membuka perdebatan tentang keberadaan substansi dibalik mewahnya gaya yang diimplementasikan di film itu oleh sang sutradara yang juga seorang desainer terkemuka, Tom Ford. Salah satu bagian subtansi film tersebut adalah cerita bahwa dibalik modernitas dan kemewahan, kedua karakter utamanya, Edward dan Susan, adalah dua orang yang menderita trauma dan kehilangan. Disampaikan dengan dua struktur narasi yang berbeda yakni atemporal dan linear serta dikemas dalam dua dunia atau latar yang berbeda yaitu fiksional dan nyata, trauma dan kehilangan ternyata memiliki peran dalam pembentukan subjektivitas kedua karakter tersebut. Menggunakan pendekatan psikoanalisa serta konsep yang diperkenalkan oleh Todd McGowan tentang atemporal cinema dan kehilangan sebagai pembentuk subjektivitas, skripsi ini bertujuan mencari fungsi sesungguhnya dari peradaban kontemporer dan kehilangan dalam pembentukan subjektivitas seseorang. Pada akhirnya, studi ini menyimpulkan bahwa dalam pembentukan subjektivitas, seseorang harus mengalami kehilangan dan menemukan kepuasaan dari pengalaman tersebut terlepas dari pengaruh peradaban kontemporer.

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Nocturnal Animals 2016 opens a discussion on the existence of its substance underneath all the lavish style implemented by its fashion designer director, Tom Ford. One of the most pivotal substances in the movie is the story behind all the sophistication about the lead characters, Edward and Susan, who suffer from traumatic loss. Told through two different narrative structures, namely atemporal and linear as well as set in two different settings of fictional and reality, traumatic loss, in fact, has significance in constructing someone's subjectivity.

Using psychoanalytic approach and theories initiated by Todd McGowan on atemporal cinema and loss as an element of subjectivity, this study explores the function of loss in contemporary era in the construction of subjectivity. In the end, the study finds that in constructing subjectivity, one must embrace loss and find enjoyment in it regardless of the influence of civilized contemporary era. "

"Reduplication is a morphological operation in many Austronesian languages, including Acehnese. This process is very productive in Acehnese, and it occurs with many patterns. This study aims to find out the reduplication patterns in Acehnese based on nine literary works written in the 19th century or earlier. The study also focuses on reduplicated patterns and how affixation is treated in reduplication. The study was qualitative, and thus the data were analyzed qualitatively. The data collection and analysis included data extraction, data classification, data display, and data interpretation. The conclusion was verified by comparing the interpretation and tokens from the data. The results showed that reduplication in Acehnese appeared in total reduplication and partial reduplication. Each pattern involved rhythmic reduplications where vowel and some consonant alterations appeared in the reduplicants. In addition, some of those patterns were lexicalized reduplication, where the reduplication did not have any stem or non-reduplicated form. More than half of the lexicalized reduplicated words were onomatopoeia, words imitating sounds. Finally, only prefixes meu-, peu-, and teu- are found in Acehnese reduplication. These findings have provided comprehensive information regarding the patterns of Acehnese reduplication, which revealed that reduplication is a significant process of word formation in the language."