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Ninuk Irawati Kleden Probonegoro
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This article reveals the dialectic relationship between Teater Mamanda and the living conditions of Banjarese community. When we watch Mamanda, we watch the life and culture of the Banjarese. Without any knowledge of Banjarese society and culture we cannot possibly understand the content of a Mamanda performance as a miniature version of Banjarese society and culture. Three areas where Mamanda is performed have been studied using Paul Ricoeur?s textual theory. There are two kinds of ...
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Depok: Faculty of Humanities University of Indonesia, 2010
pdf
Artikel Jurnal Universitas Indonesia Library
