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Ditemukan 4 dokumen yang sesuai dengan query
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Rochmadony Trisandi Sanjaya
Perilaku Otaku pada karakter Izumi Konata di dalam Anime Lucky Star = Otaku behavior on character Izumi Konata in Lucky Star Anime / Rochmadony Trisandi Sanjaya
"[ ABSTRAK
“Otaku” adalah istilah yang dipakai untuk orang-orang yang tenggelam dalam subkultur budaya modern Jepang.
Dalam kesehariannya “otaku” membeli barang yang berkaitan dengan subkultur tersebut demi memuaskan
dirinya. Izumi Konata adalah karakter dalam karya “manga” berjudul “Lucky Star” yang dibuat oleh Yoshimizu
Kagami. Manga tersebut kemudian diadaptasi menjadi sebuah “anime” yang dibuat oleh Kyoto Animation pada
tahun 2007. Dalam karya tersebut Konata digambarkan sebagai seorang “otaku” yang mampu bersosialisasi
dengan lingkungannya. Makalah ini meneliti tentang sifat otaku yang ada dalam diri tokoh Konata dengan
berpegang kepada enam prinsip perilaku seorang otaku.
ABSTRACT
“Otaku” is a term used to called people who drown in modern Japanese subculture. In their everyday lives
“otaku” buy goods which have connection with that subculture to satisfy themselves. Izumi Konata is a character
in manga titled “Lucky Star”, which created by Yoshimizu Kagami. The manga later then adapted into an
“anime” which created by Kyoto Animation in 2007. In that work Konata described as an “otaku” that could
socialize with her environment. This paper researching about “otaku” character that exist inside Konata by
refering into six principal “otaku” behavior.;“Otaku” is a term used to called people who drown in modern Japanese subculture. In their everyday lives
“otaku” buy goods which have connection with that subculture to satisfy themselves. Izumi Konata is a character
in manga titled “Lucky Star”, which created by Yoshimizu Kagami. The manga later then adapted into an
“anime” which created by Kyoto Animation in 2007. In that work Konata described as an “otaku” that could
socialize with her environment. This paper researching about “otaku” character that exist inside Konata by
refering into six principal “otaku” behavior., “Otaku” is a term used to called people who drown in modern Japanese subculture. In their everyday lives
“otaku” buy goods which have connection with that subculture to satisfy themselves. Izumi Konata is a character
in manga titled “Lucky Star”, which created by Yoshimizu Kagami. The manga later then adapted into an
“anime” which created by Kyoto Animation in 2007. In that work Konata described as an “otaku” that could
socialize with her environment. This paper researching about “otaku” character that exist inside Konata by
refering into six principal “otaku” behavior.]"
Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2015
MK-PDF
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Konflik Ibu dan anak dalam film J'AI TUÉ MA MÈRE karya Xavier Dolan = Mother and son's conflict in Xavier Dolan film's J'AI TUÉ MA MÈRE
"[ ABSTRAK
Artikel ini membahas tentang konflik ibu dan anak dalam film J?ai Tué Ma Mère karya Xavier Dolan. Artikel ini menggunakan teknik penelitian kualitatif dengan data studi kepustakaan. Data yang digunakan dalam analisis meliputi aspek naratif dan aspek sinematografis dalam film. Analisis menunjukkan bahwa konflik yang terjadi antara tokoh ibu dan anak dalam film ini disebabkan oleh beberapa faktor, yaitu perbedaan, kesulitan berkomunikasi, dan adanya keputusan sepihak orang tua tokoh utama.
ABSTRACT This article examines the conflict between mother and son in Xavier Dolan?s film J?ai Tué Ma Mère. This article uses qualitative method with a document review method. The data examined in the analysis include narrative elements and cinematography in film. The analysis shows that the conflict between mother and son in the film is provoked by several causes; personal differences, communication problems, and one-sided decisions made by the parents.;This article examines the conflict between mother and son in Xavier Dolan?s film J?ai Tué Ma Mère. This article uses qualitative method with a document review method. The data examined in the analysis include narrative elements and cinematography in film. The analysis shows that the conflict between mother and son in the film is provoked by several causes; personal differences, communication problems, and one-sided decisions made by the parents., This article examines the conflict between mother and son in Xavier Dolan’s film J’ai Tué Ma Mère. This article uses qualitative method with a document review method. The data examined in the analysis include narrative elements and cinematography in film. The analysis shows that the conflict between mother and son in the film is provoked by several causes; personal differences, communication problems, and one-sided decisions made by the parents.]"
Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2015
MK-PDF
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Divika Nur Fadhilah
Institusi sebagai penentu utama pada proses pengakuan diri homoseksual dalam film Prayers for Bobby (2009) = Institution as a Major Determinant of Homosexuals Coming Out Process in Prayers for Bobby (2009)
"[ ABSTRAK
Film Prayers for Bobby (2009) mengangkat permasalahan mengenai homoseksualitas dan proses
pengakuan diri. Dengan menggunakan metode analisis film, penulis menganalisis bagaimana institusi
berpengaruh terhadap kondisi psikologis karakter homoseksual selama proses pengakuan diri. Hingga
saat ini, belum terdapat banyak penelitian yang menganalisis hubungan dalam institusi sosial, seperti
keluarga, agama, dan masyarakat yang memberikan tekanan dalam pembentukan identitas karakter
homoseksual. Penelitian ini menggunakan teori Weeks mengenai seksualitas (1986) dan teori Hill
mengenai tahapan-tahapan dalam proses pengakuan diri (2002) sebagai kerangka teori. Hasil utama
penelitian ini menunjukkan bahwa karakter homoseksual di dalam film gagal untuk melewati seluruh
tahapan proses pengakuan diri karena adanya pengekangan dari institusi. Kegagalan pengakuan diri
tersebut menyebabkan karakter utama untuk bunuh diri, yang juga mencerminkan ketidakstabilan
kondisi psikologisnya.
ABSTRACT Prayers for Bobby (2009) raises the issue of homosexuality and the coming out process. Using film
analysis, the author analyzes how institutions affect the psychological condition of a homosexual
character during the process of coming out. There has not been a lot of research that see the relation
among institutions, such as family, religion, and society in repressing the identity formation of
homosexuals. This research uses Weeks? sexuality (1986) and Hill?s stages of coming out process
(2002) as the frameworks. The major findings show that the homosexual character in the film fails to
pass the stages of coming out process due to the repression by the institutions. This failure of coming
out has caused the main character to commit suicide, which in fact reflects his unstable psychological
condition., Prayers for Bobby (2009) raises the issue of homosexuality and the coming out process. Using film
analysis, the author analyzes how institutions affect the psychological condition of a homosexual
character during the process of coming out. There has not been a lot of research that see the relation
among institutions, such as family, religion, and society in repressing the identity formation of
homosexuals. This research uses Weeks’ sexuality (1986) and Hill’s stages of coming out process
(2002) as the frameworks. The major findings show that the homosexual character in the film fails to
pass the stages of coming out process due to the repression by the institutions. This failure of coming
out has caused the main character to commit suicide, which in fact reflects his unstable psychological
condition.]"
2015
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Benito Calvin Alexander Manope
Simbolisasi Gajah Sebagai Harapan Dalam Film An Elephant Sitting Still《Dà Xiàng Xídì'érzuò》 = The Symbolization of Elephant as Hope in the Film An Elephant Sitting Still《Dà Xiàng Xídì'érzuò》
"An Elephant Sitting Still (Dà xiàng xídì'érzuò) merupakan film pertama sekaligus film terakhir karya Hu Bo (胡波), seorang produser dan novelis Cina terkenal. Film ini yang dirilis pada 2018 ini mengisahkan tentang kehidupan empat tokoh utama yaitu Yu Cheng, Wei Bu, Huang Ling, dan Kakek Wang Jin yang tinggal di wilayah kumuh dan penuh dengan permasalahan. Terlepas dari berbagai masalah yang dihadapi, mereka semua melakukan perjalanan ke kota Cina utara untuk melihat gajah yang duduk di Manzhouli. Pada akhirnya mereka tetap tidak dapat melihat gajah tersebut. Penelitian ini akan membahas mengenai pemaknaan gajah yang duduk di Manzhouli dan keterkaitannya dengan alur pada film An Elephant Sitting Still (Dà xiàng xídì'érzuò). Dalam penelitian ini metode yang digunakan adalah metode kualitatif dengan metode pengumpulan data berupa studi pustaka. Hasil penelitian ini menunjukan bahwa gajah yang duduk film ini merupakan sebuah simbolisasi yang lebih mendalam dari sekedar harapan.
An Elephant Sitting Still (Dà xiàng xídì'érzuò) is the first and last film by Hu Bo (胡波), a famous Chinese producer and novelist. The film, released in 2018, tells the story of the lives of the four main characters Yu Cheng, Wei Bu, Huang Ling, and Grandpa Wang Jin who live in a slum and are full of problems. Despite their problems, they all travel to a northern Chinese city to see the elephant sitting in Manzhouli. In the end, they still cannot see the elephant. This research will discuss the meaning of the elephant sitting in Manzhouli and its relationship with the plot in the film An Elephant Sitting Still (Dà xiàng xídì'érzuò). In this research, the method used is qualitative method with data collection method in the form of literature study. The results of this study show that the film's sitting elephant is a symbolisation that is deeper than just hope."
Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2023
MK-pdf
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library