Ditemukan 9 dokumen yang sesuai dengan query
Ninuk Irawati Kleden Probonegoro
Jakarta: LIPI Press, 2010
362.5 NIN e
Buku Teks Universitas Indonesia Library
Ninuk Irawati Kleden Probonegoro
Jakarta: LIPI Press, 2010
362.5 NIN s
Buku Teks Universitas Indonesia Library
Ninuk Irawati Kleden Probonegoro
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This article reveals the dialectic relationship between Teater Mamanda and the living conditions of Banjarese community. When we watch Mamanda, we watch the life and culture of the Banjarese. Without any knowledge of Banjarese society and culture we cannot possibly understand the content of a Mamanda performance as a miniature version of Banjarese society and culture. Three areas where Mamanda is performed have been studied using Paul Ricoeur?s textual theory. There are two kinds of ...
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Depok: Faculty of Humanities University of Indonesia, 2010
pdf
Artikel Jurnal Universitas Indonesia Library
Ninuk Irawati Kleden Probonegoro
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Amidst the many changes in the approaches taken by anthropologists today, the author reexamines the works produced in the more humanistic tradition of anthropology. She begins with the question of whether anthropological research can be conducted with an idiographic approach. Through a discussion of Verstehen, experience and hermeneutics, and drawing from her own experiences in the field, the author argues that the methods characteristic of amore humanistic anthropology can be applied to anthropological research and ...
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2006
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Artikel Jurnal Universitas Indonesia Library
Ninuk Irawati Kleden Probonegoro
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Berbagai bentuk karya (seni) yang merupakan ekspresi dapat diperlakukan sebagai identitas atau 'identitas' (baca:representasi), karena dua hal. Pertama, para peneliti berhasil memasuki kandungan mental seniman yang melahirkan karya-karya otentik, seperti misalnya penelitian Kenneth George tentang kaligrafi Pirous. Kedua, proses pemaknaan suatu karya (seni) dianggap cukup penting sehingga pada gilirannya karya itu dapat menjadi ajang kontestasi untuk bisa menjadi representasi identitas. Contoh dari proses pemaknaan ekspresi seni itu, sangat jelas pada kajian Jennifer Santos tentang kerajinan ...
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2005
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Artikel Jurnal Universitas Indonesia Library
Ninuk Irawati Kleden Probonegoro
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This article examines notions of identity in the context of Mamanda, a traditional theatre in Banjar, South Kalimantan. The author Mamanda as a cultural symbol and describes the formulation of its identity using a semiotic approach whereby identity is conceived as a part of a binary composition fluctuating between the opposing notions of 'us' and 'other'. This is illustrated in the oppositions between the theatre's community and the state, individuals and the state, ...
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2002
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Artikel Jurnal Universitas Indonesia Library
Ninuk Irawati Kleden Probonegoro
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The assumption that theater functions as a document of the community falls under question. Such an assumption emerges, for example, from the ideas of Paul Ricoeur on theories of the text, which takes textual discourse as an inscription of oral discourse. Social reality is seen as oral discourse, allowing for the view that the narrative aspect of theater presents its textual discourse. The classic study of the ludruk theater by James Peacock demonstrates haw the ...
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2000
PDF
Artikel Jurnal Universitas Indonesia Library
Ninuk Irawati Kleden Probonegoro
"
Amidst the many changes in the approaches taken by anthropologists today, the author re-examines the works produced in the more humanistic tradition of anthropology. She begins with the question of whether anthropological research can be conducted with an idiographic approach. Through a discussion of Verstehen, experience and hermeneutics, and drawing from her own experiences in the field, the author argues that the methods characteristic of a more humanistic anthropology can be applied to anthropological research ...
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1999
PDF
Artikel Jurnal Universitas Indonesia Library
Ninuk Irawati Kleden Probonegoro
Jakarta: Yayasan Obor Indonesia, 1996
792.095 9 NIN t
Buku Teks SO Universitas Indonesia Library