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Bates, Chaterine
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In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but rather as broken, abject, and feminine. Catherine Bates examines the cultural and literary strategies behind this representation and uncovers radically alternative models of masculinity in the lyric tradition of the Renaissance. Focusing on Sidney, Ralegh, Shakespeare, and Donne, she offers astute new readings of a wide range of texts, a sonnet sequence, a blazon, an elegy, a ...
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Cambridge, UK: Cambridge University Press, 2009
e20385331
eBooks Universitas Indonesia Library
