Hasil Pencarian  ::  Simpan CSV :: Kembali

"Musik populer Jepang yang ada pada saat ini sebenarnya telah melewati proses perkembangan yang panjang. Dimulai sebelum Perang Dunia II terjadi dan terus berkembang hingga sekarang. Pengaruh musik Barat juga ikut memberikan pengaruh, terutama pada era postwar dimana musik Barat mulai bisa masuk ke Jepang. Selain itu kependudukan Amerika di Jepang juga telah memberikan pengaruh, termasuk pengaruh musik the Beatles. Pada pertengahan tahun 1960-an the Beatles mulai terkenal secara global, termasuk Jepang. Hingga pada tahun 1966 the Beatles akhirnya melakukan tour ke Jepang dan memberikan dampak dan pengaruh terhadap musik populer Jepang pada saat itu. Hal tersebut dapat dilihat ketika munculnya musik jenis 'Group Sound' di Jepang dan juga munculnya band-band yang mengusung musik tersebut. Oleh karena itu, tugas akhir ini akan membahas mengenai pengaruh the Beatles dalam perkembangan musik populer Jepang.

---

ABSTRACTJapanese popular music nowadays was actually going through a long process of development. It was started before the World War II begin dan keep developing until now. Western music also giving an influence in Japanese popular music, especially when in postwar era where Western music can finally distributed in Japan. Beside that, America`s invasion in Japan after World War II also contributed to the development, including in distributing the Beatles`s music. In the mid 1960s the Beatles strating to be known globally including Japan. Until in 1966 the Beatles finally having a tour to Japan and giving an influence and effect to Japanese popular music at that time. This particular occurrences can be seen at the emergence of `Group Sound` music and bands that upholding the music. Because of it, this research will discuss about the influence of the Beatles on the development of Japanese popular music."

"Cinta merupakan salah satu hal penting yang dimiliki manusia, namun tidak semua orang dapat mengerti dan memahami makna cinta yang ada dalam dirinya secara mendalam, padahal apabila cinta dapat dipahami dan dimengerti secara mendalam maka niscaya manusia akan mampu mencapai eksistensi dirinya, ia akan mampu memenuhi dirinya dengan kemanusiaan yang seutuhnya, karena cinta merupakan kunci untuk mencapai kemanusiaan tersebut. Konsep cinta yang mendalam menjadi sulit dicapai karena makna cinta telah digeneralisasi dan dibatasi sehingga manusia tidak mampu mengeksplor cinta yang dimilikinya yang berakibat pada harapan dalam kehidupan manusia sulit untuk dimunculkan, maka dari itu hadirlah Gabriel Marcel seorang filsuf eksistensialis yang membawa kembali konsep cinta yang lebih mendalam, mematahkan segala konsep cinta yang sudah disempitkan maknanya, cinta yang menghidupkan manusia sebagai being bukan having semata. Hal ini sejalan dengan pemikiran John Lennon yang juga mendefinisikan kembali konsep cinta melalui karya-karya dan pemikirannya yang terangkum dalam lagu All You Need is Love. Skripsi ini akan membuka kembali konsep cinta dan merumuskan ulang makna cinta melalui pemikiran Gabriel Marcel dan John Lennon kita akan melihat cinta sebagai sebuah misteri bukan problema yang harus dipecahkan. Akhirnya melalui lagu All You Need is Love kita dapat memaknai cinta sebagai sebuah hal penting dalam kehidupan manusia yang dimaknai secara mendalam.

---

Love is one of essential things that belong to human, but not every human can understand the significance of love itself nonetheless. In point of fact, if love is capable of being understood wholeheartedly, then all human will definitely be able to get hold of their own existences along with the power to satisfy their quality of life, one of which is an absolute humanity since love is the greatest key to reach the humanity itself. The concept of profound love becomes hard to reach since the significance of love has been generalized and limited that humans cannot explore the love they possess which causes their hopes in life turn out to be difficult to achieve. Therefore, Gabriel Marcel, an existentialist philosopher, brings back the concept of profound love which livens up humans not just as having but being, and he breaks the entire concept of love whose significance has been narrowed. Then all of this comes along with John Lennon’s idea which redefines the concept of love all the way through both his artworks and thoughts that have been summarized in All You Need is Love song. This thesis will reopen the concept of love and reformulate the significance of love through the thoughts of Gabriel Marcel and John Lennon which make us able to see love as a mystery not a problem that has to be solved. Finally, right through All You Need is Love song, we are able to understand love as the essential role of life. "

"ABSTRAKSkripsi ini membahas mengenai wacana homoseksualitas di dalam film All YouNeed is Love - Meine Schwiegertochter ist ein Mann dalam kaitannya dengankonsep heteroseksualitas. Penelitian ini menggunakan metode analisis deskriptifdan studi kepustakaan. Hasil dari penelitian ini menyatakan bahwa wacanahomoseksualitas yang terepresentasi di dalam film dapat hadir karena masyarakatyang masih berpegang pada norma heteroseksual sebagai pedoman hidupsehingga mereka menganggap pilihan untuk menjadi homoseksual adalah halyang abnormal dan keberadaan kelompok minoritas tersebut menjadi marjinal.Film ini mengkritik masyarakat yang intoleran tersebut dan menawarkanperspektif humanis dalam menyikapi isu homoseksual.

---

ABSTRACTThis thesis discusses the discourse about homosexuality in the film All You Need

is Love - Meine ist ein Mann Schwiegertochter in relation to the concept of

heterosexuality. This research used descriptive analysis and literature study. The

results of this study stated that present discourse encompassing homosexuality

that represented in the film because people who still hold to the heteronormativity

as a way of life so that they consider the choice to be homosexual is abnormal and

the existence of homosexuality is marginalized. The film is criticizes an intolerant

society and offer a more humanistic perspective in addressing the issue of

homosexuality."

"Music Education for Social Change: Constructing an Activist Music Education develops an activist music education rooted in principles of social justice and anti-oppression. Based on the interviews of 20 activist-musicians across the United States and Canada, the book explores the common themes, perceptions, and philosophies among them, positioning these activist-musicians as catalysts for change in music education while raising the question: amidst racism and violence targeted at people who embody difference, how can music education contribute to changing the social climate?Music has long played a role in activism and resistance. By drawing upon this rich tradition, educators can position activist music education as part of a long-term response to events, as a crucial initiative to respond to ongoing oppression, and as an opportunity for youth to develop collective, expressive, and critical thinking skills. This emergent activist music education—like activism pushing toward social change—focuses on bringing people together, expressing experiences, and identifying (and challenging) oppressions. Grounded in practice with examples integrated throughout the text, Music Education for Social Change is an imperative and urgent consideration of what may be possible through music and music education."

"[ABSTRAKKedatangan grup musik The Beatles pertama kali ke New York menjadi jalanpembuka bagi kejayaan musisi Inggris berbakat lainnya di Amerika Serikat.Peristiwa tersebut lebih dikenal dengan istilah British Invasion. Hal ini ditandaiketika musisi Inggris berhasil mendominasi tangga lagu US Billboard sejak tahun1964-1974. Kehadiran The Beatles menjadi sebuah fenomena budaya baru dalamkehidupan masyarakat Inggris. Budaya Populer Inggris pada era British Invasionmendominasi dan melakukan hegemoni budaya terhadap masyarakat AmerikaSerikat dan dunia. Musisi Inggris menawarkan nilai-nilai baru yang dapat diterimadengan baik oleh masyarakat Amerika Serikat.

---

ABSTRACTThe arrival of musical group The Beatles for the first time in New York isconsidered as the pioneer in opening the way of other talented British musicians?to gain triumph in the United States. The event is more known as the BritishInvasion. It is characterized when British musicians successfully dominated USBillboard charts since 1964-1974. The presence of the Beatles was a new culturalphenomenon in British life at that time. British popular culture during the BritishInvasion era dominated and caused cultural hegemony to the United States and theworld. British musicians offer new values that are well-accepted by the Americanpublic.;The arrival of musical group The Beatles for the first time in New York isconsidered as the pioneer in opening the way of other talented British musicians?to gain triumph in the United States. The event is more known as the BritishInvasion. It is characterized when British musicians successfully dominated USBillboard charts since 1964-1974. The presence of the Beatles was a new culturalphenomenon in British life at that time. British popular culture during the BritishInvasion era dominated and caused cultural hegemony to the United States and theworld. British musicians offer new values that are well-accepted by the Americanpublic.;The arrival of musical group The Beatles for the first time in New York isconsidered as the pioneer in opening the way of other talented British musicians?to gain triumph in the United States. The event is more known as the BritishInvasion. It is characterized when British musicians successfully dominated USBillboard charts since 1964-1974. The presence of the Beatles was a new culturalphenomenon in British life at that time. British popular culture during the BritishInvasion era dominated and caused cultural hegemony to the United States and theworld. British musicians offer new values that are well-accepted by the Americanpublic., The arrival of musical group The Beatles for the first time in New York isconsidered as the pioneer in opening the way of other talented British musicians’to gain triumph in the United States. The event is more known as the BritishInvasion. It is characterized when British musicians successfully dominated USBillboard charts since 1964-1974. The presence of the Beatles was a new culturalphenomenon in British life at that time. British popular culture during the BritishInvasion era dominated and caused cultural hegemony to the United States and theworld. British musicians offer new values that are well-accepted by the Americanpublic.]"

"Penelitian ini mengkaji kode kultural di musik video `This Land` dan kaitannya dengan sejarah diskriminasi, penindasan, dan kekerasan rasial di Amerika menggunakan teori semiotika Roland Barthes dan representasi Stuart Hall. Menggunakan kedua teori tersebut, penelitian ini menemukan bahwa video musik “This Land” menguak akar settler colonialism dalam ideologi supremasi kulit putih yang melegitimasikan sistem penindasan terhadap orang kulit hitam dan orang kulit berwarna. Dengan demikian, video musik ini merepresentasikan isu rasisme kontemporer sebagai sebuah sistem yang bertahan sepanjang sejarah dan tetap direpresentasikan melalui simbol-simbol. Terakhir, penelitian ini menemukan bahwa `This Land` mendekonstruksi ideologi supremasi kulit putih dan wacana rasisme yang diwakilkan melalui simbol-simbol tersebut.

---

This study examines the cultural codes linked to the history of racial discrimination, oppression, and violence in America in the music video of `This Land`, by applying Barthes` classification of codes and Hall`s theory of representation. The music video foregrounds American settler colonial roots of white supremacy ideology that legitimizes a system of oppression towards black people and colored people alike. As such, the music video represents racial issue in contemporary America as a system that persists throughout the history, and remains represented through symbols. Lastly, this study finds that “This Land” deconstructs and subverts the ideology of white supremacy and discourse of racism embodied in the symbols."

"Video klip musik bukan lah hal yang asing untuk dijadikan media kritik atau media protes. Melalui video klip suatu musisi dapat menyampaikan opini, perspektif dan kritik terhadap suatu instansi atau pun organisasi. Menggunakan video klip musik, kritik dan protes dapat dengan mudah diterima dan dipahami oleh konsumen musisi itu sendiri. Oleh Karena itu, pada era globalisasi seperti dewasa ini video klip musik adalah salah satu cara yang paling mudah untuk menarik perhatian masyarakat terlebih para penikmat musik. Selain dapat menarik perhatian dari penikmat musik, musisi tersebut juga dapat mendapatkan simpatisan yang akan mendukung kritik sang musisi agar kritik dan protes tersebut dapat disuarakan lebih luas lagi. Dalam penerapannya, mayoritas kritik yang diangkat oleh musisi seperti Pussy Riot dalam video klip musiknya adalah konflik hubungan pemerintah dengan rakyatnya.Video klip Pussy Riot yang berjudul “Chaika” dirilis pada tahun 2016 adalah salah satu video klip yang mengkritik seorang jaksa Rusia bernama Yury Chaika dan pemerintahan Vladimir Putin. Penelitian ini menggunakan metode analisis wacana kritis oleh Fairclough dan juga didukung oleh teori Counter-Hegemony dari Antonio Gramsci dan teori Putinisme. Hasil penelitian adalah kritik dan protes yang dilakukan Pussy Riot melalui representasi dalam video klip “Chaika”.

---

Music Video is not a foreign platform to critic or to protest. A musician can express their relevant opinion or protest against an instantion or an organization through a music video. Criticism and protest can be accepted and can be understood easier by the consumers with music video as the platform. Particularly in this era of globalization music video is one of the easiest way for musicians to draw attention from the music lovers. Other than drawing attention from the music lovers, a musician can also gain more supporters who support the musician so that the criticism and protest of the musician can be heard even more. In it’s application, majority of the criticism which is voiced by musicians such as Pussy Riot, is the conflict between the Government and the citizens. Music video titled “Chaika” produced by Pussy Riot in the year 2016 is a music video that is used by the Pussy Riot to critic a Russian Prosecutor named Yury Chaika and the President Putin’s reign. The music video This research uses the method of Critical Discourse Analysis by Fairclough. Moreover this research also use the theory of Counter-Hegemony by Antonio Gramsci and Putinism theory to support the writing. The result of this research elaborates how Pussy Riot uses Music Video of “Chaika” as a platform to express Counter-Hegemony against the Putin’s reign through “Chaika” music video visual and lyrics."

"Dalam perdebatan tentang musik, terdapat gagasan bahwa akses manusia kepada musik dapat dicapai melalui emosi. Gagasan ini memiliki kelemahan, yaitu bahwa kita menyandarkan pemahaman kita pada hal yang bersifat tidak stabil. Akses yang layak bagi manusia adalah melalui kognisi. Kognisi bekerja melalui proses sosial, lebih daripada proses individual. Melalui interaksi sosial, manusia mendapatkan kontak yang intens terhadap musik dan nilai-nilai estetika yang berkembang. Dalam interaksi sosial, pola pikir dan perilaku manusia mengalami modifikasi atas dasar gaya-gaya sosial yang bekerja di dalam masyarakat. Kognisi manusia dapat mengalami tekanan tertentu yang mendorongnya untuk memiliki kepekaan tertentu terhadap kualitas musikal, sehingga manusia dapat memiliki kecerdasan selera tertentu, dengan intervensi yang kuat dari pendidikan.

---

In the academic debate, there is an idea of human’s understanding of music, which is reached by the human’s emotion. This idea had a weakness, i.e. we cannot rely our understanding on that unstable thing. The proper access for human understanding is through the cognition. Human’s cognition is worked under the force of the social process, rather than an individual force. Through the social interaction, human makes some intense contacts to the music and any developed aesthetic’s value. With those social interactions, human’s mind and behaviour are modified under the social forces. Human’s cognition has been driven to be able to get some certain sensitivities to the musical quality, so that human can modified his/her own particular inteligence of taste, with a strong intervention of eduacational system.;In the academic debate, there is an idea of human’s understanding of music, which is reached by the human’s emotion. This idea had a weakness, i.e. we cannot rely our understanding on that unstable thing. The proper access for human understanding is through the cognition. Human’s cognition is worked under the force of the social process, rather than an individual force. Through the social interaction, human makes some intense contacts to the music and any developed aesthetic’s value. With those social interactions, human’s mind and behaviour are modified under the social forces. Human’s cognition has been driven to be able to get some certain sensitivities to the musical quality, so that human can modified his/her own particular inteligence of taste, with a strong intervention of eduacational system."