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"Travel writing (catatan perjalanan) telah menjadi medium dokumentasi bagi para penjelajah Eropa, termasuk dari Belanda, ketika menjelajahi luar Eropa pada abad ke-16 hingga ke-19. Kini travel writing telah diakui sebagai sumber sejarah penting bagi Belanda dan juga wilayah-wilayah yang dikunjungi penjelajah Belanda. Penelitian ini berfokus pada buku Mijn Indische Reis (1931), catatan perjalanan H.P. Berlage ketika di Hindia Belanda pada tahun 1923. Identitas Berlage sebagai orang Barat yang melakukan perjalanan ke Timur menjadi unsur menarik untuk mengkaji bagaimana penilaian Berlage sebagai orang Barat terhadap budaya Hindia Belanda. Dengan menggunakan pendekatan pascakolonial yakni Orientalisme dari Edward Said, penelitian ini menemukan bahwa terdapat narasi oposisi biner dalam perbandingan budaya antara Hindia Belanda dengan Barat yang dilakukan oleh Berlage. Hasil dari penelitian menunjukkan bahwa terdapat perubahan narasi oposisi biner Berlage sehingga identitasnya terekonstruksi di Timur. Ambivalensi narasi oposisi biner di akhir perjalanan Berlage menunjukkan perubahan pandangan orientalis Berlage sebagai orang Barat dengan mengutarakan kritiknya terhadap praktik kolonial yang dilakukan oleh bangsa Belanda. Sehingga dapat disimpulkan Mijn Indische Reis (1931) adalah medium kritik Berlage terhadap pandangan Barat mengenai Timur

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Travel writing has become a medium of documentation for European explorers, including those from the Netherlands when exploring outside Europe in the 16th to 19th centuries. Now travel writing has been recognized as an important historical source for the Netherlands and also for the regions visited by Dutch explorers. This research focuses on the book Mijn Indische Reis (1931), a travel writing of H.P. Berlage while in the Dutch East Indies in 1923. Berlage's identity as a Westerner who traveled to the East is a unique element in examining how Berlage as a Westerner assessed Dutch Indies culture. By using a postcolonial theoretical approach, namely Orientalism by Edward Said, this research finds that there are binary opposition narratives in the cultural comparison between the Dutch East Indies and the West carried out by Berlage. The results of the research show that there is a change in Berlage's binary opposition narrative so that his identity is reconstructed in the East. The ambivalence of the binary opposition narrative at the end of Berlage's journey shows a change in Berlage's orientalist view as a Westerner by expressing his criticism of colonial practices carried out by the Dutch. So it can be concluded that Mijn Indische Reis (1931) is a medium for Berlage's criticism of Western views on the East."

"ABSTRAK Pada abad 21, jumlah penampilan tokoh wanita yang kuat atau tangguh di film-film Hollywood mengalamikenaikan. Terdapat sejumlah jalan cerita di mana tokoh wanita berperan sebagai pahlawan atau sosok yang kuatatau tangguh menghadapi tokoh-tokoh lainnya di film-film Hollywood. Menganalisa ?The Girl with the DragonTattoo? dan ?Gone Girl? karya David Fincher, jurnal ini menyampaikan argumen bahwa representasi tokoh wanitadi kedua film tersebut hanya sampai pada titik tertentu. Memberikan sejumlah analisis mengenai hubungan antarakarakter pria dan wanita di kedua film tersebut, jurnal ini menunjukkan bahwa representasi tokoh wanita kuat atautangguh di ?The Girl with the Dragon Tattoo? dan ?Gone Girl? karya David Fincher sangat berkaitan denganterjadinya ketidakseimbangan kekuasaan atau power imbalance di dalam hubungan, dan hanya jatuh pada konsepbinary opposition, di mana tokoh wanita dilihat sebagai sosok yang kuat atau tangguh hanya di saat merekamengalami pembalikkan kekuasaan atau reversal of power di dalam hubungan.ABSTRACT In the 21st century, the number of appearances of strong female characters in Hollywood movies is increasing.There are a lot of circumstances in which female characters play as heroines or are powerful over other charactersin Hollywood movies. Examining David Fincher?s ?The Girl with the Dragon Tattoo? and ?Gone Girl?, this paperargues that the portrayal of strong female characters in the two films is only to a particular extent. By presenting anumber of analyses of how relationships go between male and female characters in the two films, the paper showsthat the representation of strong female characters in David Fincher?s ?The Girl with the Dragon Tattoo? and?Gone Girl? is strongly related with the occurrence of power imbalance in relationships yet only falls under theconcept of binary opposition, in which female characters are seen as strong or powerful only when they undergoreversal of power in relationships.;In the 21st century, the number of appearances of strong female characters in Hollywood movies is increasing.There are a lot of circumstances in which female characters play as heroines or are powerful over other charactersin Hollywood movies. Examining David Fincher?s ?The Girl with the Dragon Tattoo? and ?Gone Girl?, this paperargues that the portrayal of strong female characters in the two films is only to a particular extent. By presenting anumber of analyses of how relationships go between male and female characters in the two films, the paper showsthat the representation of strong female characters in David Fincher?s ?The Girl with the Dragon Tattoo? and?Gone Girl? is strongly related with the occurrence of power imbalance in relationships yet only falls under theconcept of binary opposition, in which female characters are seen as strong or powerful only when they undergoreversal of power in relationships.;In the 21st century, the number of appearances of strong female characters in Hollywood movies is increasing.There are a lot of circumstances in which female characters play as heroines or are powerful over other charactersin Hollywood movies. Examining David Fincher?s ?The Girl with the Dragon Tattoo? and ?Gone Girl?, this paperargues that the portrayal of strong female characters in the two films is only to a particular extent. By presenting anumber of analyses of how relationships go between male and female characters in the two films, the paper showsthat the representation of strong female characters in David Fincher?s ?The Girl with the Dragon Tattoo? and?Gone Girl? is strongly related with the occurrence of power imbalance in relationships yet only falls under theconcept of binary opposition, in which female characters are seen as strong or powerful only when they undergoreversal of power in relationships.;In the 21st century, the number of appearances of strong female characters in Hollywood movies is increasing.There are a lot of circumstances in which female characters play as heroines or are powerful over other charactersin Hollywood movies. Examining David Fincher?s ?The Girl with the Dragon Tattoo? and ?Gone Girl?, this paperargues that the portrayal of strong female characters in the two films is only to a particular extent. By presenting anumber of analyses of how relationships go between male and female characters in the two films, the paper showsthat the representation of strong female characters in David Fincher?s ?The Girl with the Dragon Tattoo? and?Gone Girl? is strongly related with the occurrence of power imbalance in relationships yet only falls under theconcept of binary opposition, in which female characters are seen as strong or powerful only when they undergoreversal of power in relationships."

"Oposisi biner adalah metafisika kehadiran. Oposisi biner ini terdapat dalam struktur sehingga memunculkan hierarki. Hierarki ini merupakan sejarah filsafat barat. Oposisi biner memunculkan makna yang stabil dan pasti. Hal inilah yang didekonstruksi oleh Derrida. Dekonstruksi Derrida ini memunculkan konsekuensi tentang makna teks. Metode dekonstruksi digunakan untuk menemukan dan menunjukkan konsekuensi dekonstruksi Derrida itu. Dekonstruksi Derrida terhadap oposisi biner tidak untuk mencari makna, melainkan menciptakan makna yang terkait dengan teks, konteks, intertekstualitas, penafsir, dan permainan bahasa. Derrida menolak oposisi biner dan muncul pluralitas makna.

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The binary opposition is a metaphysics of presence. This binary opposition can be found in structure that emerge hierarchy. This hierarchy is history of Western philosophy. The binary opposition emerge stable and certain meaning. This case is deconstructed by Derrida. This deconstruction of Derrida emerge the consequence about meaning of text. The method of deconstruction is used to find out and to point out that consequence of Derrida's deconstruction. The deconstruction of Derrida on the binary opposition is not looking for meaning, but it creates meanings that related to text, context, intertextuality, interpreter, and language games. Derrida rejected binary opposition and emerge plurality of meanings."

"Film Spy (2015) memberikan penggambaran baru tentang agen rahasia yang belum pernah ditunjukkan dalam film-film Hollywood sebelumnya. Film tersebut menampilkan agen rahasia wanita bernama Susan Cooper sebagai karakter utama dan menggambarkan dirinya sebagai agen rahasia yang lebih mumpuni dalam menjalankan misi dibandingkan dengan agen rahasia laki-laki bernama Rick Ford. Jurnal ini menjabarkan bagaimana penggambaran baru tentang agen rahasia dalam film Spy muncul sebagai kritik atas maskulinitas dan stereotip dominan yang melekat pada tokoh agen rahasia di film-film Hollywood, terutama James Bond. Film Spy dianalisis sebagai teks menggunakan teori oposisi biner pada gender dari Judith Buttler (1990) dan konsep teknik humor dari Buijzen dan Valkenburg (2014), serta teknik humor dari Berger yang dikutip oleh Trisilo (2014). Jurnal ini menjelaskan bahwa film Spy mendekonstruksikan strereotip tradisional agen rahasia dengan cara membalikkan penggambaran yang ada dalam tokoh James Bond melalui tokoh Cooper dan Ford. Keterbalikkan tersebut menciptakan penggambaran baru dan mendekonstruksi stereotip tradisional agen rahasia secara bersamaan.

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Spy movie (2015) freshly offers new portrayals of secret agents that have never been shown in Hollywood movie industry. The movie puts the female secret agent character, Susan Cooper, as the leading character and the one that is more capable in carrying field task than the male secret agent, Rick Ford. This paper explores how the new portrayals of secret agent in Spy movie serve as a critic towards masculinity and dominant stereotype of secret agent constructed in Hollywood movies, particularly James Bond.

The movie is analyzed from gender binary opposition perspective by Judith Buttler (1990) and the concept of humor technique from Buijzen and Valkenburg (2014) and humor technique from Berger quoted in Trisilo (2014). This paper discovers that Spy movie deconstructs the traditional stereotype of secret agent by reversing the representations presented in James Bond through Cooper and Ford characters. The reversals strongly proffer the new portrayals of secret agent and deconstruct the traditional stereotypes of secret agent at the same time."

"This research aims to learn a potential and a struggle of the Chinese in clash of power during Amangkurat I (1646 – 1677) reign. The Chinese role was represented by Rara Oyi and her parents, Ki and Nyi Mangun. Literature study is done by applying binary opposition which is part of Post Collonialism theory. Analysis is done by showing evidences related to Binary opposition, which are good versus bad, man versus woman, powerful versus powerless, majority versus minority, oppressor and oppressed, rich versus poor, and love versus hate. It can be concluded that all aspects of binary oppositios and multiculturalism are presented clearly in Rembulan Ungu novel written by Bondan Nusantara."

"Pembahasan ini difokuskan pada persepsi seorang wanita dari Amerika, Elizabeth Gilbert, terhadap negara tujuannya: Italia (West), India dan Indonesia (East) dalam pencarian jati dirinya dalam film Eat Pray Love karya Elizabeth Gilbert yang merupakan kisah nyata penulis novel yang berjudul sama dengan filmnya. Pembahasan ini bertujuan untuk menjawab apakah terdapat oposisi biner dari Timur dan Barat dan mengapa Gilbert menemukan 'jati diri'nya ketika dia berada di Timur, bukan negaranya sendiri, Amerika Serikat. Makalah ini menggunakan metode penelitian kualitatif dan teoritis yang berfokus pada teori orientalisme dan oposisi biner dari Timur dan Barat. Dapat disimpulkan bahwa teori Edward Said dibantah dalam film ini, karena dalam Eat Pray Love, Gilbert "meminjam" budaya Barat dari negara Timur untuk menemukan kebahagiaan sendiri, identitas dan kesenangan karena ia tidak dapat menemukannya di negaranya sendiri.

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This paper finds that there are particularities that show the binary opposition of the East and West, and questions why Elizabeth Gilbert, who went to a yearlong journey to Italy (West), India and Bali (East), in search for her identity, inner peace, pleasure, and a balance between outward and worldly happiness after her depressing divorce, finds her ‘true self’ when she went abroad to the East, instead of her own country, the U.S. According to Edward Said’s Orientalism, Orientalist discourses built on binary oppositions contrasting the ‘typical’ features of East and West, dichotomies that were unequal in praising the West as more ‘progressive’ while viewing the Orient as static, non-progressive, or even backward. This paper, grounded in qualitative and theoretical research on orientalism and the binary opposition of East and West in the movie, concludes that the theory of Said was rebutted in this film that in Eat Pray Love, Gilbert “borrow” the culture of the East countries to find her own happiness, identity and pleasure because she cannot find it in her own country."

"ABSTRAKPerbedaan karakteristik linguistik dalam tulisan akademik antara laki-laki dan perempuan merupakan suatu hal yang konsisten terjadi. Oleh karena itu, tesis ini bertujuan untuk menemukan perbedaan karakteristik linguistik tulisan akademik antara mahasiswa laki-laki dan mahasiswa perempuan dari perspektif linguistik. Metode paduan dengan pendekatan convergent parallel design digunakan untuk menganalisis 60 tulisan esei mahasiswa yang dipilih dengan cara purposive sampling technique. Hasil penelitian ini menyatakan bahwa ada perbedaan karakteristik linguistik dalam tulisan akademik antara mahasiswa laki-laki dan mahasiswa perempuan. Mahasiswa perempuan ditemukan memiliki kemampuan yang lebih baik dalam kompetensi penyusunan paragraf, tanda penghubung, jumlah keluaran teks, pengaturan topik, penutup, pembuka kalimat, klausa, dan struktur sintaksis. Secara umum, hasil penelitian ini mendukung gagasan bahwa perbedaan karakteristik linguistik antara laki-laki dan perempuan harus dipertimbangkan dalam pengajaran keterampilan menulis akademik.

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ABSTRACTDifferences of linguistic characteristics in academic writing between boys and girls are inevitable to happen. Therefore, this study aims at finding out the differences of boys rsquo and girls rsquo in linguistic characteristics of academic writing from the perspective of linguistics. Mixed method research with convergent parallel design is used to analyze sixty students rsquo essay writing chosen by using a purposive sampling technique. The result reveals that there are some differences of linguistic characteristics in academic writing between boys and girls. The girls are found more capable in paragraphing competences, linking devices, text output counts, topical organization, ending, sentence openings, clauses, and syntactical structures. The findings generally support the notion that differences of linguistic characteristics between boys and girls should be considered in teaching academic writing."

"Kajian ini menganalisis sikap dan kebijakan yang diambil Turki dalam berelasi dengan sekutu NATO-nya terkait permasalahan pasukan Kurdi Suriah. Tidak puas dengan sikap NATO yang mendukung pasukan Kurdi Suriah, pemerintahan Erdogan memutuskan untuk bertindak secara sepihak dan melancarkan tiga operasi militer di Suriah demi menghancurkan pasukan Kurdi Suriah. Unit Perlindungan Rakyat (YPG) dan Pasukan Demokratik Suriah (SDF) merupakan kelompok milisi Kurdi di Suriah yang dianggap sebagai ancaman terorisme bagi Turki tetapi tidak bagi NATO. Kajian ini menganalisis relasi Turki-NATO melalui persepsi ancaman terhadap YPG/SDF akibat minimnya literatur yang membahas topik tersebut. Dengan menggunakan kerangka kerja analisis Oposisi Intra Aliansi dari Oya Dursun Ozkanca dan Dilema Keamanan Aliansi dari Glenn Snyder, serta metode penelitian causal-process tracing, kajian ini menemukan bahwa penyebab dari sikap oposisi Turki terhadap NATO adalah karena tidak terpenuhinya indikator komitmen dari variabel fear of entrapment. Penulis berargumen bahwa tidak terpenuhinya komitmen dari NATO/Amerika Serikat dalam menyediakan dukungan baik fisik maupun retorik, sepanjang tiga operasi militer Turki, menyebabkan fear of abandonment Turki.

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This study analyzes the attitudes and policies taken by Turkey in dealing with its NATO allies regarding the issue of the Syrian Kurdish forces. Not satisfied with NATO's stance in favor of Syrian Kurdish forces, Erdogan‘s government decided to act unilaterally and launch three military operations in Syria to destroy Syrian Kurdish forces. The People's Protection Unit (YPG) and the Syrian Democratic Forces (SDF) are Kurdish militia groups in Syria that are considered a terrorist threat to Turkey but not to NATO. This study analyzes Turkey-NATO relations through the perceived threat to the YPG/SDF due to the lack of literature discussing this topic. By using the analytical framework of Oya Dursun Ozkanca's Intra-Alliance Opposition and Glenn Snyder's Alliance Security Dilemma, as well as the causal-process tracing research method, this study finds that the cause of Turkey's opposition towards NATO is due to the non-fulfillment of the commitment indicator from the fear of entrapment variable. The author argues that the non-fulfillment of commitments from NATO/USA in providing both physical and rhetorical support, throughout Turkey's three military operations, caused Turkey's fear of abandonment."

"catatan perjalanan yang dibuat penulis setelah ia keliling dunia pada tahun 1920an."