Hasil Pencarian  ::  Simpan CSV :: Kembali

"The Siraman Gong Kyai Pradah Tradition is one of the local cultures in Blitar Regency, East Java Province. This Traditiona is still held twice a year by the supporting people in lodoyo, Sutojayan district, Blitar Regency.This is because the public belelves that supporters of this tradition will gain benefir for his or her life...."

"Makalah ini membahas mengenai ritual berkabung dalam upacara kematian masyarakat peranakan Tionghoa di Tangerang. Tujuan dari penelitian ini adalah untuk mendeskripsikan secara lengkap apa yang dimaksud dengan ritual berkabung dalam upacara kematian, apa saja yang harus dilakukan saat berkabung dan menjelaskan berapa lama waktu yang dibutuhkan untuk berkabung. Melalui penelitian ini diharapkan masyarakat dapat memahami tata cara ritual berkabung dalam upacara kematian masyarakat peranakan Tionghoa di Tangerang.

---

This paper discusses the mourning ritual of the funeral ceremony practiced by half-breed Chinese community in Tangerang. This research aims to describe the definition of the mourning ritual of the funeral ceremony; things that are supposed to do when practising it; and tries to explain how long the time takes normally in the mourning period. Upon this research, it is expected that people could better comprehend the etiquette of mourning ritual of the funeral ceremony practiced by the half-breed Chinese community in Tangerang."

"[ABSTRAKTesis ini merupakan penelitian mengenai tradisi lisan Gaok di Majalengka.Penelitian ini bertujuan untuk mengungkapkan fungsi dan makna Gaok bagikehidupan masyarakat Kulur Majalengka serta proses pemertahanan Gaok yangdilakukan dalang Rukmin. Sumber data diperoleh dari data lapangan dan studipustaka. Penelitian menggunakan beberapa konsep dan teori pertunjukan tradisilisan, kelisanan, teori struktural Propp dan pengelolaan tradisi lisan.Metode penelitian menggunakan metode etnografi (salah satu pendekatanKajian Tradisi Lisan). Hasil penelitian menunjukan bahwa Gaok memiliki maknadan fungsi bagi masyarakat Kulur Majalengka. Fungsi Gaok bagi masyarakat Kulurmeliputi: fungsi hiburan, media doa, dan fungsi penjaga nilai-nilai pendidikan.Makna Gaok meliputi: Representasi nilai-nilai spiritualitas, Representasi nilaiperempuan, representasi tradisi riungan dan pesta makanan, representasi normahukum, dan representasi sejarah Majalengka.Sedangkan upaya pemertahanan dilakukan oleh dalang melalui kreativitasmembuat Giok kombinasi, mengelola sanggar, dan menyimpan wawacan. Namundemikian upaya tersebut berjalan kurang optimal karena keterbatasan kemampuandan dana yang dimiliki Rukmin serta kurangnya dukungan dari pihak eksternal yaknipemerintah dan masyarakat. Akibatnya proses transmisi dan pewarisan melaluipengajaran terhadap generasi muda tidak berjalan.

---

ABSTRACTThis thesis indicated a research about Gaok 's oral tradition in Majalengka. Theresearch aimed to disclose a function and Gaok's meaning for society life of Kulur,Majalengka. As well as the survival process of Gaok which was done by "dalang"(the master) Rukmin. Data sources was obtained by field study and literary study.This research used various of concepts and the theories of oral tradition performance,orality, Propp structural theory and the management of oral tradition.The research method used ethnography method (one of the approaches of OralTradition Study). The research result showed that Gaok had meaning and function forKulur society. The function were: entertainment,praying media, as well as forkeeping education values. The meaning of Gaok were: Representatives of spiritualvalues, Representatives of women values, Representatives of "Riungan" tradition andmeal party, Representatives of law values, Representatives of Majalengka's History.The effort to converse was done by "dalang" Rukmin through the creativity ofrrraking combination of Gaok, managing a Sanggar (club) and saving wawacan(texts.) However those efforl was not optirnal enough due to the lirnitation of abilityand fund which was owned by Rukrnin and lack of support from external sidesnamely government and society. As a result, transmission process and inheritancethrough teaching to young generation were not carried out.;This thesis indicated a research about Gaok 's oral tradition in Majalengka. Theresearch aimed to disclose a function and Gaok's meaning for society life of Kulur,Majalengka. As well as the survival process of Gaok which was done by "dalang"(the master) Rukmin. Data sources was obtained by field study and literary study.This research used various of concepts and the theories of oral tradition performance,orality, Propp structural theory and the management of oral tradition.The research method used ethnography method (one of the approaches of OralTradition Study). The research result showed that Gaok had meaning and function forKulur society. The function were: entertainment,praying media, as well as forkeeping education values. The meaning of Gaok were: Representatives of spiritualvalues, Representatives of women values, Representatives of "Riungan" tradition andmeal party, Representatives of law values, Representatives of Majalengka's History.The effort to converse was done by "dalang" Rukmin through the creativity ofrrraking combination of Gaok, managing a Sanggar (club) and saving wawacan(texts.) However those efforl was not optirnal enough due to the lirnitation of abilityand fund which was owned by Rukrnin and lack of support from external sidesnamely government and society. As a result, transmission process and inheritancethrough teaching to young generation were not carried out., This thesis indicated a research about Gaok 's oral tradition in Majalengka. Theresearch aimed to disclose a function and Gaok's meaning for society life of Kulur,Majalengka. As well as the survival process of Gaok which was done by "dalang"(the master) Rukmin. Data sources was obtained by field study and literary study.This research used various of concepts and the theories of oral tradition performance,orality, Propp structural theory and the management of oral tradition.The research method used ethnography method (one of the approaches of OralTradition Study). The research result showed that Gaok had meaning and function forKulur society. The function were: entertainment,praying media, as well as forkeeping education values. The meaning of Gaok were: Representatives of spiritualvalues, Representatives of women values, Representatives of "Riungan" tradition andmeal party, Representatives of law values, Representatives of Majalengka's History.The effort to converse was done by "dalang" Rukmin through the creativity ofrrraking combination of Gaok, managing a Sanggar (club) and saving wawacan(texts.) However those efforl was not optirnal enough due to the lirnitation of abilityand fund which was owned by Rukrnin and lack of support from external sidesnamely government and society. As a result, transmission process and inheritancethrough teaching to young generation were not carried out.]"

"Skripsi ini mengkaji tentang rekacipta dan komodifikasi tradisi Buka Palang Pintu sebagai tradisi asli Betawi. Ada dua komponen kesenian Betawi yang wajib ditampilkan pada setiap pelaksanaan tradisi ini, yaitu pencak silat dan sike. Tradisi Buka Palang Pintu awalnya merupakan tradisi upacara yang kental akan unsur religi dan hanya dilaksanakan pada resepsi pernikahan orang Betawi. Sosok jawara sebagai penjaga kampung berperan penting sebagai pelakon dalam tradisi. Seiring perubahan zaman, tradisi Buka Palang Pintu kini bertransformasi sebagai tradisi komoditas yang juga dilaksanakan pada acara-acara di luar pernikahan. Pelakon tradisi bukan lagi jawara kampung, melainkan para seniman Palang Pintu yang merupakan anggota sanggar Betawi. Perubahan tersebut tidak lepas kaitannya dari peran Pemerintah Provinsi DKI Jakarta, LKB, dan sanggar Betawi sebagai agen-agen rekacipta. Komodifikasi tradisi Buka Palang Pintu yang dilakukan oleh para agen rekacipta memiliki ‘nilai jual’ yang berpeluang dalam rangka mencapai tujuan ekonomi. Tujuan tersebut sekaligus membuat eksistensi tradisi Buka Palang Pintu lebih bertahan karena mampu mendatangkan keuntungan finansial kepada sejumlah pihak dengan kemasan yang lebih menghibur.

---

This undergraduate thesis examines the re-invention and co-modification of Buka Palang Pintu tradition as the original tradition of Betawi. There are two elements of Betawi's art that have to be presented in every implementation of this tradition, they are Pencak Silat and Sike. Buka Palang Pintu tradition originally is a ritual tradition that is rich of religious elements, which used to only be implemented at wedding ceremonies of Betawi people. The Jawara as the guardian of the village has important role as the actor in this tradition. As the time goes by, the Buka Palang Pintu tradition now has transformed into commodities of tradition which is also be presented in any events beside the wedding ceremony.

The actor of the tradition is not the warrior of the village anymore, but the artist of Palang Pintu that are the members of Betawi's art studio. This change is also related to the role of the government of Jakarta, LKB, and Betawi's art studio as the agents of reinvention. The co-modification of Buka Palang Pintu tradition that is presented by the agents has a 'selling-value' that will be able to attain the economic goal. That goal also makes the existence of Buka Palang Pintu tradition last, because it can gain the financial income to several agents with a more entertaining package."

"Masyarakat Cina dipercaya telah melakukan migrasi sejak abad ke-1 Masehi ke seluruh penjuru dunia, tak terkecuali Pulau Jawa. Kedatangan para imigran Cina ke Nusantara menyebabkan terbentuknya suatu kebudayaan baru dalam masyarakat, antara kelompok etnis Cina dengan penduduk lokal. Di Batavia, para imigran Cina yang kebanyakan menghuni perkampungan kawasan Tangerang, kemudian membentuk komunitas yang dikenal dengan nama “Cina Benteng”. Komunitas ini merupakan hasil akulturasi melalui perkawinan antara para imigran etnis Cina dengan penduduk lokal dari etnis Betawi. Salah satu yang menjadi penanda khas masyarakat Cina Benteng adalah Rumah Kawin, sebuah tempat pernikahan yang terus dilestarikan hingga saat ini. Dengan objek penelitian yaitu Rumah Kawin Melati, penelitian ini akan menggunakan metode studi lapangan dan wawancara terhadap beberapa responden keturunan etnis Cina di kawasan Tangerang untuk mengetahui tanggapan mereka terkait eksistensi dari Rumah Kawin.

---

The Chinese community is believed to have migrated since the 1st century AD to all corners of the world, including Java. The arrival of Chinese immigrants to the Nusantara led to the formation of a new culture in society, between the Chinese ethnic group and the local population. In Batavia, Chinese immigrants who mostly lived in the Tangerang area then formed a community known as "Benteng Chinese". This community is the result of acculturation through marriage between ethnic Chinese immigrants and local residents of the Betawi ethnicity. One of the distinctive markers of the Benteng Chinese community is the Rumah Kawin, a wedding venue that has been preserved to this day. With the object of research, namely Rumah Kawin Melati, this research will use the method of field study and interviews with several respondents of Chinese ethnic descent in the Tangerang area to find out their responses regarding the existence of Rumah Kawin."

"Skripsi ini membahas tentang budaya teh serta upacara minum teh di Korea sebagai bagian dari kebudayaan Korea yang dilatarbelakangi oleh nilai-nilai ajaran Konfusianisme, Buddhisme, dan Taoisme. Tujuan penelitian ini adalah untuk mengetahui nilai-nilai kebudayaan yang melatarbelakangi tradisi upacara minum teh di Korea dan penerapan nilai-nilai Darye dalam upacara minum teh. Metode penelitian yang digunakan adalah metode deskriptif kualitatif berupa pemaparan atau penggambaran dengan kata-kata secara jelas dan terperinci. Hasil dari penelitian ini adalah budaya minum teh di Korea erat kaitannya dengan tiga ajaran atau kepercayaan di Korea yang ada pada masa lalu, yaitu Konfusianisme, Seon Buddhisme, dan Taoisme. Upacara minum teh merupakan warisan budaya Korea, sekaligus merupakan salah satu bagian terpenting dari sejarah. Kegiatan upacara minum teh masih tetap dilaksanakan hingga saat ini di Korea sebagai ritual penghormatan kepada leluhur yang dilaksanakan saat hari raya Seollal dan Chuseok.

---

This research discusses the tea culture and tea ceremony in Korea as part of Korean culture is based by the values of Confucianism, Buddhism, and Taoism. This research aimed to know to determine the values underlying cultural tradition tea ceremony in Korea and the application of the values Darye in the tea ceremony. The method used is descriptive method qualitative form of exposure or depiction in words clearly and in detail. The results of this study is the tea culture in Korea is closely related to three teachings or belief in Korea that is in the past, Confucianism, Seon Buddhism, and Taoism. Tea ceremony is the cultural heritage of Korea, it is also one of the most important part of history. Activity tea ceremony still performed to this day in Korea as a tribute to ancestral rituals performed during the holidays Seollal and Chuseok."