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"Fenomena kehidupan dalam era poshuman menunjukkan adanya keterjedaan antara satu manusia dengan manusia lainnya. Hal ini disebabkan oleh kemajuan jaman yang dipenuhi oleh teknologi canggih sehingga manusia hidup dalam keterasingan. Terdapat ketidakmampuan manusia untuk menjalin hubungan yang baik terhadap sesama, sehingga dengan kondisi ini manusia berada dalam bentuk keterputusan hubungan atau diskoneksitas. Mengambil film Zoe sebagai korpus utama penelitian, film mengindikasikan terdapatnya kondisi diskoneksitas manusia melalui penciptaan teknologi kecerdasan buatan. Namun terdapat kondisi ironi ketika penggunaan teknologi kecerdasan buatan tidak sejalan dengan tujuan awal penciptaan, sehingga pada akhirnya terdapat kondisi katastropik yang terjadi dalam kehidupan manusia. Menggunakan teori sinema dari Bordwell, Thompson, dan Smith penelitian akan berfokus pada unsur naratif dan sinematografi yang mampu untuk mengungkapkan kondisi diskoneksitas manusia yang terlihat dalam film. Teori poshuman dari Katherine Hayles juga diperlukan untuk dijadikan rujukan dalam melihat kondisi poshuman dalam film. Kesimpulan yang didapat dalam penelitian ini ialah film mengambil posisi sebagai media kritik terhadap eksistensi manusia yang tidak lagi mampu untuk terlibat pada unsur humanitasnya, film juga menggugat kesadaran manusia yang semakin hilang tergerus oleh jaman. Lebih dalam, film menampilkan teknologi sebagai hal yang paradoks, yakni teknologi hadir sebagai penolong manusia, namun juga sebagai penjeda manusia.

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The phenomenon of life in the posthuman era shows that there is a gap between one human and another. This is due to the advancement of the era which is filled with advanced technology so that humans live in isolation. There is an inability of humans to establish good relationships with others so that with this condition humans are in the form of disconnection. Taking Zoe film as the main corpus of research, the film indicates that there is a condition of human disconnection through the creation of artificial intelligence technology. However, there is a condition of irony when the use of artificial intelligence technology is not in line with the original purpose of creation so that in the end there are catastrophic conditions that occur in human life. Using the cinema theory of Bordwell, Thompson, and Smith, the research will focus on narrative and cinematographic elements that can reveal the conditions of human discontinuity seen in films. Posthuman theory from Katherine Hayles is also needed to be used as a reference in seeing the posthuman condition in the film. The conclusion obtained in this study is that the film takes a position as a medium of criticism of human existence who is no longer able to engage in the element of humanity, the film also sues human consciousness which is increasingly being eroded by the times. More deeply, the film presents technology as a paradoxical thing, namely technology is present as a human helper, but also technology also gives a disconnect from one human to another."

"Cerita mengenai penyiksaan terhadap Aurore Gagnon dikenal sebagai tragedi nasional di Kanada yang menampilkan nilai sosial budaya yang ada pada masanya di awal abad ke-20. Pada tahun 2005, muncul film dengan judul Aurore yang disutradarai oleh Luc Dionne. Terdapat karakter sentral dalam film ini, yaitu Pastor Antoine Leduc yang merupakan pemimpin agama di Québec yang dikenal sangat patuh pada nilai-nilai Gereja. Penelitian ini memiliki tujuan untuk menelaah permasalahan antara tokoh Pastor Antoine Leduc dengan masyarakat kota Fortierville yang dapat ditafsirkan sebagai sebuah ironi. Pada bagian analisis naratif digunakan teori naratif A.J Greimas (1966) dan Tzvetan Todorov (1969) untuk membagi peristiwa dan alur, serta aspek pemaknaan warna oleh Bellantoni (2011). Pada bagian tematis, digunakan teori mengenai ironi oleh D.C Muecke (1972) dan psikoanalisis oleh Freud (1885). Hasil analisis menunjukkan bahwa Pastor Antoine Leduc menyalahgunakan kekuasaan yang ia miliki sebagai tokoh agama, yang menunjukkan adanya ironi situasional yang kemudian menyebabkan ironi tragis dan dramatis. Ironi yang ada tercipta berakar pada kegagalan pada kepribadian Pastor Antoine menyeimbangkan struktur psikisnya akibat dominasi Id berupa keinginan utamanya untuk pergi ke Vatikan......The story of the torture of Aurore Gagnon is known as a national tragedy in Canada that displays the socio-cultural values of its time in the early 20th century. In 2005, there was a movie called Aurore directed by Luc Dionne. There is a central character in this movie, Father Antoine Leduc, who is a religious leader in Québec, a city known to be very obedient to the values of the Church. This study aims to examine the problems between the character of Father Antoine Leduc and the people of Fortierville that can be interpreted as irony. In the narrative analysis section, the narrative theories of A.J Greimas (1966) and Tzvetan Todorov (1969) are used to divide events and plot, as well as aspects of color meaning by Bellantoni (2011). In the thematic part, the theories of irony by D.C Muecke (1972) and psychoanalysis by Freud (1885) were used. The analysis shows that Father Antoine Leduc abuses the power he has as a religious figure, which shows the existence of situational irony which then causes tragic and dramatic irony. The irony created is rooted in the failure of Father Antoine's personality to balance his psychic structure due to the dominance of the Id in the form of his ultimate desire to go to the Vatican."

"Kecerdasan artifisial merupakan teknologi yang multiguna untuk membantu pekerjaan manusia, tak terkecuali bagi mereka yang berkiprah di dunia perfilman. Sebelumnya telah ada teknologi komputer untuk memanipulasi gambar seperti computergenerated imageries (CGI) pada proses pembuatan film khususnya dengan genre aksi, fantasi, horor, ataupun film-film yang mengangkat kisah pahlawan sehingga melahirkan istilah sinema sintetis. Kecerdasan artifisial hadir sebagai teknologi termutakhir yang tidak hanya dapat memanipulasi gambar tetapi juga suara dan video dengan mempelajari pola dan struktur dari sekumpulan data untuk menciptakan karakter, latar belakang, dan efek visual lainnya. Kecerdasan artifisial memanfaatkan tidak terkecuali data biometrik aktor khususnya untuk tujuan penciptaan karakter yang menandakan bahwa data pribadi aktor memerlukan pelindungan hukum selain pelindungan terhadap kekayaan intelektualnya. SAG-AFTRA Strike yang terjadi pada tahun 2023 di Amerika Serikat menjadi salah satu tonggak bahwa pelaku industri perfilman khususnya aktor memiliki kekhawatiran tersendiri atas penggunaan kecerdasan artifisial yang belum memiliki regulasi spesifik sehingga terjadi ketidakpastian hukum. Tulisan ini menganalisis pemanfaatan kecerdasan artifisial pada industri perfilman di Indonesia, Uni Eropa, dan Amerika Serikat sekaligus peraturan terkait, termasuk pertanggungjawaban apabila terjadi pelanggaran. Saat ini Indonesia memiliki Undang-Undang Nomor 27 Tahun 2022 (UU PDP) dan Surat Edaran Menteri Komunikasi dan Informatika Nomor 9 Tahun 2023 (SE 9/2023) sebagai dasar perlindungan bagi aktor Indonesia terhadap pemanfaatan kecerdasan artifisial. Meskipun demikian, pengaturan hukum yang ada di Indonesia belum selengkap peraturan yang berlaku di Uni Eropa dan Amerika Serikat mengenai tata cara perlakuan atau penanganan terhadap data biometrik dan masih bergantung kepada kontrak. Penelitian ini dilakukan dengan metode kajian literatur dan wawancara bersama tokoh-tokoh industri perfilman Indonesia.

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Artificial intelligence (AI) is a versatile technology aimed to help humans conduct their work, including those who works in the film industry. There were also other computer technologies prior to AI used to manipulate images such as computergenerated imageries (CGI) to aid filmmaking especially for action, fantasy, horror genres, or movies about superheroes which produced the term synthetic cinema. AI serves as an advanced technology which can also manipulate sounds and videos by studying patterns and structures of a set of data to generate characters, backgrounds, and other visual effects. AI utilizes different sets of data such as biometric data of actors to create a character, showing that actor’s personal data requires legal protection aside from their intellectual property rights. The SAG-AFTRA Strike which happened in America in 2023 was a signal that people in the film industry, especially actors, have their own concerns regarding the usage of AI which have yet to be regulated through a specific regulation, posing legal uncertainty. This research analyzes the usage of AI in Indonesia, the European Union, and the United States’ film industry, the related regulations, as well as accountability in cases of violations. Indonesia currently have Law Number 27 of 2022 (PDP Law) and Circular Letter of the Ministry of Communication and Informatics Number 9 of 2023 (SE 9/2023) providing basic protection for Indonesian actors against the usage of AI. However, the regulations available in Indonesia is not as comprehensive as the ones available in the European Union and the United States and still relies more on contracts, particularly on how to handle biometric data. This research was conducted through literature studies and interview with Indonesia’s prominent film industry figures."

"Film Capernaum karya Nadine Labaki menunjukkan isu sosial yang dialami oleh masyarakat kelas bawah di Beirut, Lebanon. Artikel ini bertujuan untuk melihat tingkat ketangguhan diri tokoh atau resiliensi dengan latar belakang berbeda yakni dari sudut pandang anak, imigran gelap serta komunitasnya dalam bertahan hidup dan menghadapi ancaman sekitar demi mencapai kebebasan dalam menentukan pilihan serta kebahagian baik secara materiel maupun morel. Dalam mencapai tujuan, digunakan metode kualitatif dengan menganalisis unsur naratif dan sinematografis menggunakan teori kajian film menurut Boggs dan Petrie yang kemudian diperdalam dengan konsep resiliensi sosial menurut Patrick dan Saldaporak. Hasil menunjukkan bahwa perkembangan resiliensi dicerminkan secara signifikan oleh tokoh Zain. Penjenjangan tersebut tidak selalu berjalan berurutan, terdapat pula sikap resisten dalam prosesnya, namun sebagai satu kesatuan, komunitas Beirut memiliki tingkat resiliensi rendah karena didominasi oleh sikap penerimaan sebagai mekanisme pertahanan. Selain itu, ancaman utama yang menjadi penyebab adalah kondisi ekonomi dan malafungsi lembaga sosial khususnya keluarga sebagai institusi pertama bagi setiap anak. Lain halnya dengan keluarga, terlepas dari ketidakterturan yang ada, institusi sosial yakni pengadilan berhasil berjalan sesuai fungsinya

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Capernaum by Nadine Labaki exhibits social issues that prevails amongst the lower class in Beirut, Lebanon. This article aims to showcase the actors’ resilience from different backgrounds, which vary from the point of view of children, illegal immigrants as well as their communities in hope to face and survive the threats that surrounds them. In achieving the objective, a qualitative method by Boggs and Petrie is used by analyzing its narrative and cinematographic elements. This is then supported by social resilience theory by Patrick and Saldaporak. The results show that the development of resilience is significantly reflected by a character named, Zain. The progression is not always sequential, as there are also some resistant attitudes. However, as a unity, the Beirut community has a low level of resilience which can be attributed to their high coping capacities. Additionally, the main threats that caused their low level of resilience are the poor economic conditions and the malfunction of social institutions in the country, especially the family as the first institution for every child. Despite the existing disorganization, the social institution, namely the court, has succeeded in functioning properly according to its obligations."

"Jurnal ini membahas krisis eksistensial yang dialami seorang transpuan dalam film GIRL (2018). Film ini dibuat berdasarkan kisah yang dialami oleh seorang transpuan yang bercita-cita ingin menjadi balerina profesional dan harus berjuang menghadapi permasalahan dalam meraihnya. Konflik yang dihadapi tokoh dimulai dari konflik dalam batinnya yang berkecamuk, hubungannya dengan keluarga, hingga pengakuan dalam kelompok pertemanannya. Konflik yang begitu kompleks ditampilkan dengan memanfaatkan teknik sinematografi yang beragam. Pembahasan krisis eksistensi yang dialami transpuan dalam film ini dijabarkan dengan analisis struktur, fokalisasi, dan sinematografi.

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This journal discusses the existence crisis experienced by a trans woman in the film GIRL (2018). This film is based on a story experienced by a trans woman who aspires to become a professional ballerina and must struggle to face problems in achieving it. The conflicts that the characters face, start from the inner conflict that rages on, her relationship with her family, the recognition in their group of friends. Such complex conflicts are displayed using various cinematographic techniques. Analysis of the existence crisis experienced by trans women in this film is described by structural analysis, focalization, and cinematography."

"Peningkatan popularitas dan penggunaan Artificial Intelligence (AI) dalam penciptaan karya kian ramai diperbincangkan. Mulai dari gambar, suara hingga tulisan, program AI dapat menghasilkan karya sebagaimana buatan manusia. AI bahkan mulai dicantumkan sebagai author atau co-author dalam buku dan jurnal ilmiah, yang menuai pertanyaan mengenai perlindungan hukum, pencipta dan kepemilikan hak cipta atas karya tulis yang dihasilkan AI tersebut. Setelah melakukan penelitian, ditemukan kesimpulan bahwa karya tulis yang dihasilkan AI dapat dilindungi dalam hukum hak cipta beberapa negara seperti Amerika Serikat dan Inggris dengan syarat tertentu, namun belum dilindungi di Indonesia. Aspek originality untuk perlindungan karya tulis yang dihasilkan AI terletak pada prompt dari pengguna dan/atau perubahan-perubahan yang dilakukan pengguna terhadap output dari program AI. Kemudian, pengguna yang memasukkan prompt menjadi pencipta dan pemegang hak cipta atas karya tulis yang dihasilkan AI, yang ditegaskan melalui syarat dan ketentuan program AI. Apabila karya tulis yang dihasilkan AI tidak dapat dilindungi hak cipta, maka substansinya akan sulit dilindungi dan dibuktikan kepemilikan hak ciptanya. Namun, wujud karya tulis dapat menjadi benda bergerak berwujud berupa informasi elektronik yang dilindungi dengan hak kebendaan seperti hak milik.

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The increase in popularity and usage of Artificial Intelligence (AI) in creation of works are being widely discussed. From visual, musical, to written works, AI programs are capable of generating works that resemble human creations. AI is even being credited as an author or co-author in books and scientific journals, which raises questions about legal protection, authorship, and copyright ownership of the works generated by AI. After conducting research, it has been concluded that the written works generated by AI can be protected under copyright laws in certain countries, such as the United States and the United Kingdom as long as it fulfils certain conditions, but these works are not yet protected by Indonesia’s copyright law. The originality aspect for the protection of written works generated by AI lies in the prompts that the user entered and/or the changes made by the user to the output from the AI. Subsequently, the copyright of the written works produced by AI belongs to the user as an author, which is regulated by the terms and conditions of the AI program. If the written works generated by AI cannot be protected by copyright law, it will be difficult to protect its substance and to prove its copyright ownership. However, the tangible or physical form of the written works can be considered as tangible movable in form of electronic information and can be protected with property rights, such as ownership rights."

"Penelitian ini membahas karakter mentalitas avos’ [авось] yang dimiliki masyarakat Rusia yang ditampilkan secara implisit melalui film Ирония Судьбы Или С Лёдким Паром [Ironi Takdir, Atau Nikmati Saunamu!] karya Eldar Aleksandrovich Ryazanov (1976). Tujuan penelitian ini untuk menemukan bentuk-bentuk karakteristik yang mencirikan mentalitas avos’ [авось] dalam film tersebut. Metode penelitian yang digunakan adalah analisis eksposisi dan deskripsi-kritis. Semiotika (denotasi dan konotasi) Roland Barthes digunakan untuk menemukan tanda-tanda dalam film yang menunjukkan karakter mentalitas avos’ [авось] yang ditampilkan secara implisit. Tanda-tanda tersebut menunjukkan karakteristik mentalitas avos’ [авось] berupa tindakan tidak cenderung pada perubahan, lebih cenderung membicarakan masa lalu daripada merencanakan masa depan, tindakan spontanitas, dan tindakan mengandalkan keberuntungan dan bantuan kekuatan supranatural.

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This research examines the character of the avos' [авось] mentality of Russian society that implicitly shown through the film Ирония Судьбы Или С Лёдким Паром [Irony of Fate, or Enjoy Your Bath!] by Eldar Aleksandrovich Ryazanov (1976). This research aim is to find the characteristic forms of the avos' [авось] mentality in the film. This research method used exposition and descriptive-criticism. Semiotics (denotation and connotation) Roland Barthes is used to finding signs in the film that show the character of the avos' [авось] mentality implicitly. These signs indicate the characteristic avos' [авось] mentality by the act of not prone to change, more inclined to talk about the past than planning for the future, acts of spontaneity, and acts of relying on luck and the help of supernatural powers."

"This study aims to explore the determinants of AI adoption and its impact on HRM effectiveness in Tanzanian medium enterprises (MEs). With a focus on providing insights for HR professionals and decision makers, data from 185 respondents comprising HR professionals, IT professionals, and CEOs who have adopted AI were analyzed using PLS-SEM, which includes factors of Relative Advantage, Complexity, Compatibility, Security/ Privacy, Top management, Organizational readiness, Competitive pressure, External support, and Government support for AI adoption. The results highlight relative advantage, compatibility, and competitive pressure as the key drivers of AI adoption in the Tanzanian context, which in turn enhances the effectiveness of HR systems. The study bridges the existing gap and offers recommendations for the integration of AI into HRM practices. Implications for managers and solution providers are discussed to facilitate a better understanding of the determinants influencing the adoption process in SEs in Tanzania. The study builds on theoretical knowledge of AI adoption by utilizing the TOE model, which incorporates technological, organizational, and environmental factors. The study recommends future exploration of additional factors and inclusion of a larger sample to enhance the universality of the results.

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This study intends to explore the determinants of AI adoption and its impact on HRM effectiveness in Tanzanian medium enterprises (MEs). With a focus on providing insights for HR professionals and decision-makers, data from 185 respondents comprising HR professionals, IT professionals, and CEOs who have already adopted AI was analyzed using PLS-SEM, in which factors of Relative advantage, Complexity, Compatibility, Security/Privacy, Top management, Organization readiness, Competitive pressure, External support and Government support were tested for the adoption of AI. Results highlight relative advantage, compatibility, and competitive pressure as key drivers of AI adoption in Tanzania's context, subsequently enhancing HR systems' effectiveness. The study bridges the existing gaps and offers recommendations for AI integration into HRM practices. Implications for managers and solution providers were discussed to facilitate a better understanding of the determinants influencing the adoption process within Tanzanian MEs. The study underlies the theoretical knowledge of AI adoption by utilizing the TOE model, incorporating technological, organizational, and environmental factors. This study recommends future exploration of additional factors and including a larger sample to enhance the universality of results."

"Skripsi ini membahas mengenai pelayanan taman baca di Zoe Cafe Library Depok. Penulis mencoba menjelaskan mengenai pelayanan - pelayanan yang memadai untuk melayani taman baca pengguna dari taman baca Zoe Café Library. Lalu dengan teori third places yang diciptakan oleh Ray Oldenburg, pelayanan taman baca yang memiliki kafe, dimana penggabungan konsep antara taman baca dan kafe ini dengan tujuan mempopulerkan budaya membaca dengan melalui gaya hidup, apakah akan menimbulkan konflik antara pelayanan taman baca dengan kafe tersebut.

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This bachelor thesis discusses about the service performed on Zoe Library Café, Depok. The author tries to explain the appropriate service provided for users of the library. Referring to third place theory by Ray Oldenburg, service of the library café, where the concepts of reading spot and café combined together in purpose to socialize reading culture through lifestyle; whether will this concept cause a conflict between the service on the reading spot and café mentioned."