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"This paper attempts to trace the identity construction of the Chinese from cultural anthropology perspective. It argues that the constructed identity is always changing and very much influenced by socio, economic, political and cultural aspects. By looking at the society, the language, the kinship and belief systems, it comes to a conclusion that the identity is not as simple as it looks. In fact, it often embodies a misperception of what it this to be Chinese. In this context, emphasies the needs for further development of chinese studies in Indonesian universities."

"This paper attempts to trace the identity construction of the Chinese from cultural anthropology perspective. It argues that the constructed identity is always changing and very much influenced by socio, economic, political and cultural aspects. By looking at the society, the language, the kinship and belief systems, it comes to a conclusion that the identity is not as simple as it looks. In fact, it often embodies a misperception of what it this to be Chinese. In this context, emphasies the needs for further development of chinese studies in Indonesian universities."

"This paper examines with a particular affixe (keter-/-an) consisting in two primaryaffixes. Through the analyse of terms coined by the Pusat Bahasa and spontaneousterms, the paper distinguishes between ?double? and ?complex? affixation,corresponding to different operating modes of affixation. The first deals withan already affixed and lexicalized word, then reaffixed and relexicalized. Thesecond, almost only found in documents produced by the Pusat Bahasa, refersto a base getting a first affix in a poorly (or not) lexicalized form, constitutingno more than a morphological stage towards the wished form, which is intentas lexicalized. Complex affix keter-R-an is basically a morphological calque andthe author argues that it has been promoted and used during New Order on anideological basis, as a mean to modernize Indonesian terminology by keepingits shape indigenous rather than by direct borrowing of English terms."

"This paper examines with a particular affixe (keter-/-an) consisting in two primaryaffixes. Through the analyse of terms coined by the Pusat Bahasa and spontaneousterms, the paper distinguishes between ?double? and ?complex? affixation,corresponding to different operating modes of affixation. The first deals withan already affixed and lexicalized word, then reaffixed and relexicalized. Thesecond, almost only found in documents produced by the Pusat Bahasa, refersto a base getting a first affix in a poorly (or not) lexicalized form, constitutingno more than a morphological stage towards the wished form, which is intentas lexicalized. Complex affix keter-R-an is basically a morphological calque andthe author argues that it has been promoted and used during New Order on anideological basis, as a mean to modernize Indonesian terminology by keepingits shape indigenous rather than by direct borrowing of English terms."

"Dari adanya adaptasi budaya modern foto prewedding tentu akan memiliki kaitan dengan fenomena lain, terutama dari rangkaian acara pranikah yang sudah ada sebelumnya, seperti tradisi pingitan atau masa dipiare dalam adat kebudayaan masyarakat Betawi. Terdapat modifikasi pada masa piare demi melakukan foto prewedding yang dinilai memiliki nilai yang lebih substansial. Penelitian ini bertujuan untuk melihat dampak munculnya tren foto prewedding di kalangan generasi milenial dan keterkaitannya dengan praktik masa piare dalam kebudayaan orang Betawi. Penelitian ini juga menggali lebih dalam tentang bagaimana masa piare masa kini direproduksi menjadi aktivitas yang tetap ada namun tidak dijadikan aktivitas wajib yang perlu dilakukan, karena adanya produksi budaya baru yang modern dan dinilai lebih substansial, yakni tren budaya foto prewedding. Dalam penelitian ini, digunakan pendekatan teori subjectivity, practice, dan cultural value. Hasil penelitian menunjukkan bahwa praktik piare saat ini dinilai tidak lagi relevan dengan perkembangan zaman. Ini karena di masa sekarang calon pengantin milenial harus melakukan beragam aktivitas pranikah seperti technical meeting dengan para vendor, fitting gaun, testing food, bridal shower, dan yang utama yaitu foto prewedding. Hal-hal tersebut dinilai lebih substansial sehingga menjadi alasan para calon pengantin milenial Betawi melakukan negosiasi pada pelaksanaan praktik masa piare dari sebulan menjadi hanya beberapa hari saja.

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From the adaptation of modern culture, prewedding photos are related to other phenomena, especially from a series of prewedding events, such as the tradition of the dipiare period among the Betawi people.There was a modification during the piare period due to the practice of prewedding photos which were considered to have substantial value. This study aims to examine the impact of the emergence of the prewedding photo trend among the millennial generation and its relation to the practice of piare in Betawi culture. This research also digs deeper into how the current piare period is reproduced into an activity that still exists but is not mandatory, due to the existence of a new, modern cultural production, known as the prewedding photo trend. In this research, the theory of subjectivity, practice, and cultural values is used. The results of the study show that the current practice of piare is considered no longer relevant to the times. This is because nowadays millennial brides-to-be have to carry out various prewedding activities such as technical meetings with vendors, dress fittings, food testing, bridal showers, and most importantly, prewedding photos. These things are considered to be more substantial, so they are the reason for Betawi millennial brides to negotiate the implementation of the piare period from a month to just a few days."

"Balian adalah istilah yang umum digunakan dalam budaya masyarakat Dayak untuk merujuk pada dua pengertian, yakni sebagai ritual adat yang biasanya ditujukan untuk mengusir penyakit atau sebagai bentuk syukur, dan balian sebagai pemangku ritual adat tersebut. Adalah novel Lampau karya Sandi Firly yang diterbitkan oleh GagasMedia pada 2013 yang menceritakan kisah tentang seorang anak Dayak Meratus dalam perjalanannya dalam mengejar mimpi. Novel tersebut mengangkat tradisi dan figur balian sebagai pemantik konflik para tokohnya yang kurang lebih menyoroti tentang terbatasnya pilihan hidup keturunan balian dan peran perempuan menjadi figur balian. Ditemukan rumusan masalah berupa gambaran representasi tokoh dan ritual balian yang terdapat di dalam novel ini. Penelitian ini menggunakan teori representasi dengan pendekatan sosiologi sastra dan penelitian kualitatif dengan metode deskriptif. Hasil dari penelitian ini ialah penggambaran tentang tokoh utama novel Lampau yang pada akhirnya memilih untuk mengikuti jalannya tradisi walau tidak sesuai dengan apa yang ia yakini selama ini.

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Balian is a term that is frequently used in the culture of the Dayak people and has two meanings: it can refer to either the leader of a traditional rite or the ritual itself that is typically performed to banish disease and as a sign of gratitude. A novel titled Lampau by Sandi Firly, which was published by GagasMedia in 2013, tells the story about a Dayak Meratus youngster who attempts to pursue his dream. The depiction of balian as a ritual and a figure in this novel is used to raise the conflict, which circulated between the limitation of life a balian descendant should face and the role played by woman in the balian ritual. The representation of balian in the novel as a ritual and as a figure is the issue that is explored in this paper. This paper used qualitative research with a descriptive methodology combined with theory of representation in literary sociology approach. The paper’s concluded in the depiction of the main character who ultimately decides to follow the route of tradition even though it is not accordance to what he believes all this time."

"Artikel ini mempertanyakan sejauh mana masyarakat Belanda Progresif di bidang norma banhasa, kesusahan, dan gender. Dinilai dengan diskusi tentang norma bahasa di kamus Van dale dan resepsi terhadap kamus tersebut di Indonesia serta pandangan terhadap penulis wanita dan statusnya dalam masyarakat Belanda. Artikel ini berkesimpulan bahwa kebudayaan Belanda tidaklah seprogresif yang dibayangkan orang. Dalam hal gender, pandangan terhadap status dan kemampuan perempuan yang agak miring mungkin ini disebabkan oleh perempuan itu sendiri. Dalam hal kesusasteraan, misalnya, perempuan akan diperlakukan sama seperti laki-laki jika mereka menulis dan bertingkah laku berbeda dari yang sekarang"