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"This book examines Japan's policies in Korea from 1910 to 1945. A nuanced view of japan's rule in Korea is achieved by juxtaposing it to the European's record in Asia and Africa. It also highlights various ways that Japan's colonial interlude contributed to South Korea's postwar industrialisation."

"This paper aims to examine the spread of manchurian plague and the response of the Japanese colonial government..."

"ABSTRAKTerbukanya Korea disebabkan oleh Perjanjian Kanghwa antara Korea dan Jepang di tahun 1876. Pada tahun 1910 secara resmi Jepang menjajah Korea. Pada awal penjajahan, Jepang menduduki korea dengan kebijakan militernya yang sangat kejam. Jendral Saito Makoto merupakan Jendral Jepang ke-3 yang menduduki di Korea. Tidak seperti Jendral sebelumnya, Jendral Saito memerintah Korea dengan kebijakan baru yang dinamakan Kebijakan Kebudayaan. Jendral Makoto Jurnal ini menganalisis tentang strategi pemerintahan Saito Makoto dalam modernisasi di Korea . Tujuan dari jurnal ini adalah untuk menganalisis rahasia dari administrasi Saito . Berdasarkan hasil dari penelitian Administrasi Saito memberikan dampak pada perubahan modernisasi di Korea .

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ABSTRACTThe opening of Korea occured because of Kanghwa Treaty between Korea dan Japan in 1876. In 1910 Japan has officially began the colonialization in Korea. At the first period Japan has begun with Military Policy and Cruelity in order to rule Korea. General Saito Makoto is the 3rd General Governor in Korea. Unlike the previous General Governor in Korea, General Saito Makoto rule Korea with the new policy which has been called as Cultural Policy. This paper analyzed the strategy administration of Saito Makoto in Korea . The purpose of this paper is to analyze the secret behind Saito rsquo s Administration. Based on the result of this paper, Saito rsquo s Administration gave a huge impact on Korea Modernisation"

"Mooi Indië paintings represented the orientalist-colonial imagination of the picturesque Netherlands East Indies, with the obfuscation of the social realities on the ground and the silencing of the adverse effects of colonial capitalism. This article discusses the colonial legacy of Mooi Indië paintings on contemporary environmental policy in Indonesia, with a case study of the policy of the Citarum Harum Taskforce. This Taskforce was formed in 2018 and marked the national government’s attempt to rehabilitate the Citarum after it was declared one of the most polluted rivers in the world. It provides an analysis of several Mooi Indië paintings which depict the Citarum River and were created by European painters (such as Antoine Payen and Isaäc Groneman), before looking at the contemporary effects of the Citarum Harum’s beautification-oriented policy. The article also analyses some particular stereotypes of Netherlands East Indies natives as depicted in Mooi Indië paintings for comparison with the Taskforce’s policy implementation on the residents along the Citarum River. Ultimately, such a comparison demonstrates a form of colonial captivity at work today. The ideas of the Citarum Harum Taskforce demonstrate a captive mind, which continues to hide the socio-environmental problems which persist. This to the exploitation of the environment and people in the wake of the contemporary neoliberal system which dominates our worldview."

"Introduction: explaining the roots and politics of Korean nationalism -- Origins and development -- Pan-Asianism and nationalism -- Colonial racism and nationalism -- International socialism and nationalism -- North korea and "socialism of our style" -- Ilmin ChuuÌ?i and "modernization of the fatherland" -- Contentious politics -- Universalism and particularism in nation building -- Tradition, modernity, and nation -- Division and politics of national representation -- Nation, history, and politics -- Current manifestations -- Ethnic identity and national unification -- Between nationalism and globalization -- Conclusion: genealogy, legacy, an"