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"France 1916. Sophie Lefevre must keep her family safe whilst her adored husband Edouard fights at the front. When she is ordered to serve the German officers who descend on her hotel each evening, her home becomes riven by fierce tensions. And from the moment the new Kommandant sets eyes on Sophie's portrait, painted by Edouard, a dangerous obsession is born, which will lead Sophie to make a dark and terrible decision. Almost a century later Sophie's portrait hangs in the home of Liv Halston, a wedding gift from her young husband before he died.France, 1916. Sophie Lefevre must keep her family safe whilst her adored husband Edouard fights at the front. When she is ordered to serve the German officers who descend on her hotel each evening, her home becomes riven by fierce tensions. And from the moment the new Kommandant sets eyes on Sophie's portrait - painted by Edouard - a dangerous obsession is born, which will lead Sophie to make a dark and terrible decision. Almost a century later, and Sophie's portrait hangs in the home of Liv Halston, a wedding gift from her young husband before he died. A chance encounter reveals the painting's true worth, and its troubled history. A history that is about to resurface and turn Liv's life upside down all over again."

"You don't know her. But she knows you. Rear Window meets Gone Girl, in this exceptional and startling psychological thriller. "Gripping, enthralling - a top-notch thriller and a compulsive read." (J Watson, bestselling author of Before I Go To Sleep). Rachel catches the same commuter train every morning. She knows it will wait at the same signal each time, overlooking a row of back gardens. She's even started to feel like she knows the people who live in one of the houses. 'Jess and Jason', she calls them. Their life - as she sees it - is perfect. If only Rachel could be that happy. And then she sees something shocking. It's only a minute until the train moves on, but it's enough. Now everything's changed. Now Rachel has a chance to become a part of the lives she's only watched from afar. Now they'll see; she's much more than just the girl on the train..."

"All around the globe, people are being reported dead or missing." "In Berlin, a woman vanishes from the city streets. In Paris, a man plunges from the Eiffel Tower. In Denver, a small plane crashes into the mountains. In Manhattan, a body washes ashore along the East River. At first these seem to be random incidents, but the police soon discover that all four of the victims are connected to Kingsley International Group (KIG), the largest think tank in the world." "Kelly Harris and Diane Stevens - young widows of two of the victims - encounter each other in New York, where they have been asked to meet with Tanner Kingsley, the head of KIG. He assures them that he is using all available resources to find out who is behind the mysterious deaths of their husbands. But he may be too late. Someone is intent on murdering both women, and they suffer a harrowing series of near escapes. Who is trying to kill them and why?"."Forced together for protection, suspicious of each other and everyone around them, and trying to find answers for themselves, the two widows embark on a terrifying game of cat and mouse against the unknown forces out to destroy them."--BOOK JACKET. "

"Dalam pengaturan pasal 40 huruf m, Undang-Undang No. 28 Tahun 2014 tentang Hak Cipta mengatur mengenai ciptaan yang diberikan perlindungan sebagai hak cipta yaitu karya sinematografi. Dalam menciptakan suatu karya sinematografi, dapat dilakukan dengan cara proses penggandaan atau reproduksi suatu karya sinematografi yang ada lebih dahulu menjadi karya yang baru berdasarkan film aslinya atau yang terdahulu. Dalam Pasal 1 ayat 12,Penggandaan adalah proses, perbuatan, atau cara menggandakan satu salinan Ciptaan dan/atau fonogram atau lebih dengan cara dan dalam bentuk apapun, secara permanen atau sementara.Suatu karya Sinematografi merupakan suatu karya seni yang menampilkan suatu Ciptaan yang berupa gambar bergerak (moving images) secara nyata baik secara visual dan audiovisual oleh pihak-pihak yang ahli dibidang sinematografi berdasarkan pengembangan ide dan kreativitas yang bersifat pribadi dan khas/original. Perwujudan ide yang menghasilkan suatu karya Sinematografi secara nyata mendapatkan perlindungan hak cipta sebagaimana diatur pasal 40 huruf m, Undang-Undang No. 28 Tahun 2014 tentang Hak Cipta. Dalam hasil nyata karya sinematografi melekat suatu perlindungan hukum yang diberikan oleh UUHC 2014. Pencipta dan atau pemegang hak cipta karya Sinematografi tersebut, memiliki hak ekslusive terhadap karya sinematogafi baik itu hak ekonomi, moral, dan hak terkait. Dalam pengaturan perlindungan hak cipta karya Sinematogarfi yang telah diwujudkan secara nyata tersebut, tidak hanya mendapat perlindungan hukum terhadap UUHC 2014 namun juga mendapatkan perlindungan berdasarkan Konvensi-Konvensi Internasional Di Indonesia baru-baru ini telah terjadi suatu masalah yang hangat mengenai dugaan pelanggaran hak cipta karya sinematografi terhadap penggandaan atau reproduksi (film ke film ) serial Korea You Who Came From The Stars menjadi sinetron Kau Yang Berasal Dari Bintang. Terhadap dugaan pelanggaran penggandaan/reproduksi yang dilakukan pihak Production House Sinemart sebagai pemegang Hak Cipta sinetron Kau Yang Berasal Dari Bintang perlu dilakukan analisa dan pembuktian yang akurat terhadap perwujudan Ciptaan yang berupa gambar bergerak (moving images) secara nyata baik secara visual dan audiovisual yang mengambil ide dan ekspresi ide dari serial KoreaYou Who Came From The Stars.

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In Article 40 letter m, Acts No. 28 Year of 2014 about Copyrights on the works that are protected as copyrights, among others is cinematography works. In creating one cinematography work, one of the methods is reproduction of a previous cinematography works that had been around into a new one. In Article 1 verse 12, Reproduction is a process, an act, or a method of reproducing a copy of a work and/or phonogram or more with whatever means or forms, either permanently or temporarily. A work of cinematograph is a work of art that shows a creation in the form of moving images in actual, either visually or with audio conducted by professionals in cinematography based on idea and creativity expansion which are personal and original. The form of ideas that creates a work of cinematography actually gained copyright protection as stated in Article 40 letter m, Acts No. 28 Year of 2014 about Copyrights. In an actual cinematography work, attached protection from the law given by UUHC 2014. The creator or the owner of that Cinematography Copyright, gets the exclusive rights to such work, either economic rights, moral rights, and other rights attached to it. In such actual Cinematography Copyright Protection, it gets not only the law protection from UUHC 2014, but also protection based on International Convention. In Indonesia today, there is an emerging problem regarding allegation on Cinematography Copyright violation in regards to the reproduction (movie to movie ) of Korean series titled You Who Came From The Stars being retitled as Kau Yang Berasal Dari Bintang. To this allegation conducted by Production House Sinemart as the copyright owner of series Kau Yang Berasal Dari Bintang needs to be analyzed and an accurate evidence regarding the actual works on moving images, visually and with audio that grabs the idea and expression featured in Korean series Who Came From The Stars."

"ABSTRAKTranshumanisme adalah gerakan global yang bertujuan untuk mengubah kondisi manusia denganmengembangkan dan menciptakan teknologi untuk meningkatkan intelektual, fisik, dan psikologismanusia. Tujuan dari transhumanisme adalah mencapai keabadian dan evolusi manusia.Transhumanisme menjadi topik luas dalam film fiksi ilmiah dan menimbulkan tahun ke tahun. Sebagaicontoh, Chappie (2015), adalah salah satu film fiksi ilmiah yang memiliki masalah tentang bagaimanatranshumanisme dapat mengubah manusia menjadi posthuman. Transhumanisme digambarkan dalamrobot yang hidup dan sadar bernama Chappie, yang kesadarannya diprogram oleh pembuatnya, DeonWilson. Transhumanisme dapat menyebabkan kepunahan manusia, yang merupakan masalah seriusyang mungkin kita hadapi di masa depan. Penelitian ini bertujuan untuk menunjukkan bagaimanatranshumanisme diwakili dalam film Chappie sebagai prediksi kehidupan masa depan posthuman.Analisis ini terdiri dari lima aspek transhumanisme yang akan digunakan untuk menjelaskanpenggambaran transhumanisme dalam film Chappie meliputi dialog dan gambar. Argumen-argumendisertakan dan didukung oleh teori dan fakta dari beberapa ilmuwan dan juga peneliti transhumanisme(analisis tekstual). Dengan demikian, penerapan teori-teori ini menunjukkan bahwa representasitranshumanisme dalam film bisa dianggap menentang nilai-nilai kemanusiaan

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ABSTRACTTranshumanism is a global movement that purposes to transform human condition by developing andcreating widely available technologies to greatly enhance human intellectual, physical, andpsychological. The purpose of transhumanism is for immortality and human evolution.Transhumanism becomes a widespread topic in Science Fiction movie and it rises years by years. Forexample, Chappie (2015) is one of Sci-Fi movie that has the issue of how transhumanism changeshuman into a Posthuman. Transhumanism is portrayed in the alive and conscious robot namedChappie, which its consciousness is programmed by its maker, Deon Wilson. Transhumanism maylead to human extinction, which is a serious problem that we may face in the future. This researchaims to show how transhumanism is represented in the movie Chappie as a prediction of posthumanfuture life. The analysis consists of five transhumanism aspects that will be used to explain theportrayal of transhumanism in the film, and it also involves dialogues and pictures. Includedarguments are supported by some scientists’ and researchers’ theories and facts about transhumanism(textual analysis). As such, the application of these theories suggests that the representation oftranshumanism in the film could be considered opposing the human values."

"Ada sebuah kejadian tentang seorang anak berusia 12 th bernama Dhuwarak Prasad dari desa Dipri, Uttar Pradesh di India yang hidup ditengah mayoritas masyarakat Hindu,sedang ia sendiri beragama Kristen...."