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"Summary:In Korean P'ansori Singing Tradition: Development, Authenticity, and Performance History, Yeonok Jang studies the periodical developments and changes in the performance context, vocal developments, singing style, audience involvement, contemporary performance, cinematic history, and private and government sponsorship of p'ansori."

"This book goes further than any previous publication in elucidating the literary and musical complexity of p'ansori for the English speaking reader. ... the most comprehensive English language study of p'ansori to date, and Um can justly state that 'all the major musical, social and cultural aspects of p'ansori are brought together in this book'. ... It is, in fact, the first ethnomusicological book on p'ansori, and presents a searching analysis of communicative codes and contexts in a musico-literary genre that is 'arguably the most studied single genre in the field of Korean studies'.' Music and Letters"

"ABSTRAKPansori adalah salah satu seni tradisional Korea dengan cerita musikal yang sangat digemari oleh masyarakat Korea. Pansori muncul dari kalangan bawah yang kemudian disukai oleh kalangan atas. Pansori dalam versi asli terdiri dari seorang penyanyi sorikkun laki-laki dan seorang pemukul gendang gosu . Perempuan tidak mendapatkan tempat layaknya laki-laki dalam kesenian pansori. Dalam film Dorihwaga terlihat kemunculan penyanyi pansori perempuan pada masa Joseon. Jurnal ini akan menganalisis tentang bagaimana kedudukan perempuan dalam kesenian pansori pada masa Joseon dalam film Dorihwaga, serta dekonstruksi budaya patriarki yang terdapat dalam ajaran Konfusianisme. Tujuan dari penelitian ini adalah mengkaji perubahan budaya patriarki Konfusianisme dan posisi perempuan di dalam pansori pada masa Joseon. Metode penelitian yang digunakan adalah metode penelitian kualitatif. Metode pengumpulan data yang digunakan adalah metode studi pustaka. Hasil penelitian menunjukkan adanya perubahan pengaruh budaya patriarki Konfusianisme dalam pansori dengan diakui dan diizinkannya perempuan untuk tampil. Hal itu juga menunjukkan bahwa paham Konfusianisme masa Joseon terhadap perempuan adalah keliru.

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ABSTRACTPansori is one of the Korean traditional art with musical story which is greatly fancied by Korean people. Pansori emerged from lower class and later favoured by the upper class. Pansori in original version consists of a man singer sorikkun and a drum beater gosu . Women did not have special place as men in pansori art. The emergence of a woman pansori singer during Joseon period is seen through Dorihwaga film. This journal analyzes about women rsquo s position in pansori art during Joseon period through Dorihwaga film as long as deconstruction of patriarchal culture which is found in Confucian doctrines. This research aims to look at the change of Confucianism patriarchy culture and women rsquo s position through pansori during Joseon period. The qualitative research method is used as research method. Literature review method is used as data collection method. The result found from this research is that there was a change of Confucianism patriarchy culture influence in pansori which then acknowledged and allowed women to perform it. It also shows that Confucian concept in Joseon era towards women was mistaken."

"This study aims to scrutinise the transport performance and authenticity as one of the elementsin tourism attributes in relation with behavioural intention. Utilising quantitative approach; datacollected from survey of 384 overseas tourists were used to clarify the research proposition. The studysuggests that transport performance may emerge as one of organic image elements for destinationbrand identity formation, influences cognitive image of overseas tourist but insignificant on tourist’sbehavioural intention. In addition, future spectrum of the transport development in relation withauthenticity indicates its importance for not damaging the destination’s overall profile."