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"ABSTRAKDisertasi ini memproblematikakan representasi perempuan Indonesia melalui sinetron dengan menggunakan perspektlf feminis sosiologi, dalam konteks situasi sosial pasca Orde Baru sebagai konteks sosiologis signifikansi booming media dalam situasi yang berbeda dari dekade sebelumnya. Proses menggunakan perspektif feminis, disertasi ini juga melihat dialog antara sosiologi sebagai ilmu arus utama dengan feminis yang dianggap partikular.Sebagai upaya menyumbang pada ruang publlk, disertasi ini juga berusaha memperlihatkan implikasi praktis sumbangan feminis terhadap kehidupan ruang publik di Indonesia.

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AbstractAfter the tumbling down of the New Order, the situation concerning the media in Indonesia is getting freer. The eradication of the Department of Information and the lesser control by the military is used by the media to secure freedom of the press by the legislature and regulation. The media afterward is a booming economic activity which can be seen from the increasing numbers of media whether print, audio or audio visual. The dissertation oontextualises such situation as particular important and significant historical event, because it marks the sequence of social change."

"Video “A Day in My Life” (ADML) adalah salah satu jenis konten di TikTok yang menceritakan kegiatan keseharian pemilik konten. Penelitian ini bertujuan untuk mengekplorasi permasalahan yang muncul dari praktik video ADML di TikTok terutama dalam konteks Indonesia, yaitu konstruksi femininitas. Penelitian ini menggunakan metode analisis tekstual untuk bagaimana Tiktokers perempuan di Indonesia mengkonstruksi femininitas dan bagaimana ADML mengafirmasi atau bernegosiasi dengan ideologi dominan yang ada dalam masyarakat, dalam hal ini ideologi patriarki. Korpus penelitian adalah dua akun Tiktokers yang memiliki engagement tinggi. Temuan penelitian menunjukkan @sindisafitrii dan @gelialinda mengkonstruksi pemaknaan terhadap femininitas yang mengafirmasi ideologi patriarki terutama dalam isu menikah muda. Video ADML dari kedua akun ini menggambarkan perempuan menikah muda karena adanya faktor sosial dan nilai budaya serta membangun narasi dominan, yaitu menikah adalah halal. Selain itu, dalam isu menikah muda, video ADML menunjukkan konstruksi sosial mengenai peran domestik antara suami istri ketika di satu sisi, ada usaha untuk menempatkan peran yang seimbang antara suami dan istri di ruang domestik, akan tetapi suami yang melakukan peran domestik dianggap tidak lazim atau bahkan diglorifikasi. Temuan lain menunjukkan masih adanya representasi perempuan menikah muda sebagai jalan mendapatkan companionship dan jaminan finansial walaupun terdapat video ADML yang menampilkan perempuan harus mandiri secara finansial. 

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A Day in My Life (ADML) articulating one’s day to day activities is one of video contents in TikTok. This research aims to explore how femininity is constructed through ADML videos in the Indonesian context. By utilizing textual analysis method, this article highlights how Indonesian female TikTokers affirm or negotiate with the dominant ideology in the society, in this case patriarchal ideology. The case studies for this research are two TikTok accounts that have a strong engagement. The finding of the study shows that both Ticktokers, @sindisafitrii and @gelialinda, construct femininity while affirming the patriarchal ideology in marrying at such a young age due to social factor and culture constructions. Besides, marrying at a young age is also a part of the social construction in Indonesia that marriage is considered “halal” or lawful or permitted under Islamic law. On the other hand, ADML videos by both TikTokers are also ambiguous in potraying the domestic role divisions between husband and wife. Although the husbands who are in charge in domestic role is considered uncommon, there are still efforts to position the balanced spouse role in the domestic space. Research findings also uncover that in their ADML videos, they portray how women should gain personal financial security; even though, they also depict that as young women, tehy decide to get married early in order to obtain companionship and financial guarantees. The ambiguous portrayal of how femininity is constructed in both TikTok account through their A Day in My Life videos represents how they affirm yet negotiate with patriarchal ideology."

"ABSTRACTThe purpose of this study is to explain about womens positions and roles that are represented in films as agents who frame identity and ethnical stereotype of the East. By using intersectional feminist perspective, the study analyze texts from three Indonesian films which using film sets in the regions of Eastern Indonesia as follows: Aisyah: Let Us Be a Family (2016), Salawaku (2016), and Marlina, the Murderer in Four Acts (2017). Findings show that films about Eastern Indonesia still embed with the perspectives of orientalism and colonialism. Women from non Eastern Indonesia are commonly represented to having superior positions and important roles in educating and spreading the feeling of nationalism. On the other hand, Eastern Indonesian women are mostly represented inferior and alienated from their communities and nature."

"ABSTRACTThis paper discusses gender bias within the Indonesian historiography tradition. Various historical literature records that all major events in Indonesian history as a nation are masculine and strongly dominated by male narratives.There is no space for women to be present in the narratives of the past. As if the history of Indonesia is a history of men, whereas if critical research is done then women such as men have a past narrative that is also important. Women are present and give meaning to the development of the nations history. This matter is absent in Indonesian historiography. The strength of gender bias in the historiography of Indonesia can not be separated from the strong patriarchal culture in the life of society. Thus the gender bias ultimately forms a canon, so this is then reproduced from generation to generation. This article argues that critical research by revealing a new fact is a power to change gender bias in Indonesian historiography."

"ABSTRACTContemporary feminists in Indonesia do not yet have questions about nationality, since the conversation about nationality has been considered final at the beginning of Indonesian independence. In fact, in terms of contemporary analysis, women have problems with nationality, when the definition of nationality is dominated by the study of political science that is male view biased. By tracing history to contemporary time, the relationship between women and nationality is dominated by patriarchal interests for the mobilization of power, even if women have an independent political interest. That is why political interests of women are situated marginally in nationality. But if we use the perspective of the social sciences, as feminist theories, then the notion of nationality is broader than that of women and the state. We are still less productive in abstracting the relationship between women and citizens in nationality, while it is a daily practice of womens struggles both personally and organically. Women have proven to be an active agency to become citizens beyond the mobilization of the state.This paper seeks to arouse feminist questions about nationalism, in order to reveal the role of women who are hidden in nationality."

"ABSTRACTMothers of the Nation or ibuism is a term that is often considered negative in the study of womens history. This is related to the nations political journey, during which the New Order regime took power, the terminology was used to control and dominate women in Indonesia. Further explored, in the 19205, the spirit of nationalism are grew, including among the (priayi) noble women. They formed an association and held the Indonesian Womens Congress I in 1928. According to Susan Blackburn, what women did at the time was their nationalistic form, becoming Mothers of the Nation. Using a historical approach, this paper seeks to retrace how early noble women came into existence and formulated their ideas of nationalism. The sources used are the result of literature studies, whether magazines, books, scientific papers, memoirs or biographies of women movement. This paper also use oral and photo sources to complete the experiences of women who involved in this topic."

"Artikel ini membahas feminitas dalam majalah ELLE RUSSIA. Pada artikel ini, pembahasan difokuskan pada enam iklan parfum yakni Dior Addict Eau de Toilette, GIORGIO ARMANI ACQUA di GIOIA, DOLCE & GABBANA – LIGHT BLUE, GUCCI Flora Gardenia the Floral Fragrances, PRADA CANDY FLORALE The New Eau de Toilette, GIVENCHY Very Irresistible L’eau en rose yang dimuat dalam halaman majalah ELLE RUSSIA edisi Juli 2014. Analisis dilakukan menggunakan teori Semiotika Roland Barthes. Metode yang digunakan adalah metode deskriptif analisis. Hasil analisis artikel ini menyatakan bahwa majalah ELLE RUSSIA memuat konten perempuan dan feminitas dalam bentuk fashion, make up, skincare, parfum memberikan dampak secara tersirat melalui tampilan feminitas yang dipromosikan pada tampilan fisik yang sensual, kebebasan, serta perpaduan warna sesuai konsep.

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This article discusses femininity in ELLE Russia Magazine. In this article, the discussion focused on six perfume ads, namely Dior Addict Eau de Toilette, Giorgio Armani Acqua di Gioia, Dolce & Gabbana Light Blue, Gucci Flora Gardenia the Floral Fragrances, Prada Candy Florale the New Eau de Toilette, and Givenchy Very Irresistible L'eau en Rose, which were published on the pages of the July 2014 issue of ELLE Russia Magazine. The analysis was carried out using Roland Barthes' semiotics theory. The method used is the descriptive method of analysis. The results of the analysis of this article stated that ELLE Russia Magazine contains women's and femininity content in the form of fashion, makeup, skincare, and perfume, giving an implicit impact through the appearance of femininity that is promoted through a sensual physical appearance, freedom, and a combination of colors according to the concept."

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Sepak bola, sebagai bagian dari olahraga yang populer di masyarakat, pada dasarnya memberikan kesempatan bagi perempuan untuk turut serta berpartisipasi. Akan tetapi, persepsi maskulinitas dalam sepak bola masih mengakar kuat di Indonesia. Kondisi ini tercerminkan melalui dominasi laki-laki ketika membentuk komunitas penggemar sepak bola sehingga keberadaan perempuan seolah terpinggirkan terutama karena jumlah yang tak seimbang antara penggemar laki-laki dan penggemar perempuan. Hal ini yang melatarbelakangi pembentukan komunitas khusus guna mewadahi perempuan penggemar sepak bola. Sementara itu, keberadaan media sosial sebagai wadah komunikasi virtual telah membawa kecenderungan homophily atau memiliki pilihan yang sama. Maka dari itu, banyak bermunculan beragam komunitas perempuan penggemar sepak bola, yang diantaranya adalah @JC_Indonesia (Twitter) dan @babesunitedindo (Instagram). Penelitian ini menggunakan pendekatan analisis tekstual dan obeservasi untuk mengetahui bagaimana perempuan Indonesia dalam sepak bola dimunculkan dalam media sosial melalui akun @JCI_Indonesia dan @babesunitedindo. Hasil penelitian menunjukkan ada tiga strategi yang digunakan oleh kedua komunitas tersebut dalam mengkonstruksikan identitas gender dalam dominasi maskulinitas dalam budaya penggemar sepak bola. Strategi pertama adalah dengan secara berkala keluar dan masuk ranah laki-laki sebagai bentuk negosiasi atas budaya maskulinitas dalam sepak bola melalui media sosial. Strategi lainnya adalah melalui proses labeling mikro komunitas sebagai pengukuhan identitas feminin dalam sepak bola. Akan tetapi, strategi ketiga menunjukkan adanya ambiguitas identitas maskulin dan feminin ketika komunitas yang dijadikan studi kasus mempermasalahkan ketidakseimbangan relasi kuasa antara klub penggemar laki-laki dan perempuan.

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ABSTRACT

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It seems that there is no limitation for women to participate in football. Nonetheless, it is still a sport dominated by male players and also male football fans even though in reality, there are a lot of female football fans. Nowadays, social media has been utilized as a virtual communication medium bringing out a homophily tendency or having a same choice. Groupings of football fan communities are based on similarities in accessing information related to their favorite football club. This study analyses two female football fans communities: @JC_Indonesia (Twitter) and @babesunitedindo (Instagram). By utilizing textual analysis and ethnographic methods (interviews and observations), the thesis aims to determine how female football fans construct contesting gender identities in social media. The result reveals that there are three strategies used by both communities in problematizing the constructed gender identity. The first strategy is to enter and exit the masculine arena as a form of negotiation. Another strategy is done through labeling process as these micro communities exemplify their feminine identity as a response to the dominant masculine identity in the football fandom practice. Third, there is an ambiguity in strategically playing with the masculine and feminine identity which is supposed to be problematizing the imbalance power relation between the male and female football fan clubs.

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"Penelitian ini menganalisis representasi perilaku perempuan pada foto kiriman pembaca di majalah segmentasi anak perempuan di Indonesia dan representasi perilaku feminin dalam foto kiriman pembaca berdasarkan fashion mereka. Hal ini berkaitan dengan fungsi media sebagai salah satu agen sosialisasi bagi anak. Penellitian ini menggunakan konsep representasi untuk menganalisis representasi perilaku feminin. Selain itu juga dipakai konsep semiotika yang dibuat oleh Sausurre yang menyatakan bahwa suatu tanda terdiri dari penanda dan petanda yang akan menunjukkan makna dari suatu tanda. Hasilnya adalah terdapat tiga representasi yang sama-sama diangkat oleh kedua majalah anak ini, yaitu representasi perilaku perempuan menggunakan make up, perempuan mengenakan aksesoris, dan perempuan berperilaku ramah dengan tersenyum.

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This research analyzes feminine behavior representation in the reader photo submission in girls' magazine in Indonesia and the feminine behavior representation in the reader photo submission based on their fashion. This relates to the function of the media as one of the socialization agents for children. This research uses representation concept to analyze the representation of feminine behavior. Besides, this research also uses semiotic concept by Saussurre which states that a sign consists of signifier and signified that disclose the meaning of a sign. The result is that there are three representations are equally appointed by this two girls? magazine, they are behavior representation that woman uses make up, woman uses accessory, and women behave friendly by smiling."