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"Disertasi ini membahas mengenai peranan modal budaya dan modal sosial dalam perkembangan klaster industri seni keramik Kasongan. Penelitian dilakukan dengan menggunakan metode penelitian kualitatif. Hasil penelitian menunjukkan arti penting modal budaya dalam perubahan laster dan mobilitas sosial di antara para pengusaha. Modal sosial penting dalam memfasilitasi transaksi ekonomi dan dalam usaha mendapatan modal budaya, modal ekonomi dan modal simbolik. Terdapat hubungan dominasi, subordinasi dan resistensi di antara para pengusaha. Pengusaha dominan menggunakan berbagai modal untuk mempertahankan dominasinya dan beberapa pengusaha kecil melakukan resistensi terhadap praktik dominasi.

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This dissertation discusses the role of cultural capital and social capital in the industrial cluster development of ceramic art craft of Kasongan. The study was conducted using qualitative research methods. The results show the importance of cultural capital in change of the cluster and in social mobility among enterpreneurs. Social capital is important in facilitating economic transactions and in pursuing economic capital, cultural capital and symbolic capital. There is a relationship of dominance, subordination and resistance among enterpreneurs. Dominant enterprenurs make use of a variety of capital to maintain its dominataion and some small-enterpreneurs do resistance act to the domination practices."

"Cornelis Chastelein membeli tanah di daerah Depok dan mempekerjakan budak yang ia merdekakan untuk membentuk kehidupan komunitas sosial yang berpemerintahan mandiri. Sepeninggal Cornelis Chastelein, harta kekayaannya diwarisi sepenuhnya oleh para pengikutnya. Melalui pewarisan ini kemudian budaya Depok mulai berkembang. Penelitian ini dimaksudkan untuk mengungkap proses terbentuknya Kaum Depok, budaya yang mereka anut, serta identitas yang melekat pada mereka dalam periode 1913-1945. Metodologi yang dipakai pada studi berikut ialah metodologi historis, terbagi dalam empat tahap, ialah Heuristik, Kritik Sumber, Interpretasi, serta Historiografi. Data yang dipakai pada studi berikut ialah sumber primer, seperti arsip, dokumen foto, dan surat-surat pribadi Cornelis Chastelein, serta sumber sekunder, seperti buku-buku sejarah, artikel jurnal, dan penelitian sebelumnya. Penelitian isi menunjukkan bahwa pembentukan kota Depok tidak terlepas dari peran Cornelis Chastelein yang tidak hanya memperkenalkan agama Kristen Protestan tetapi juga mewariskan kekayaannya, gaya hidup Belanda, dan tradisi khas yang hingga sekarang ini masihlah kerap dilaksanakan oleh pengikutnya. Kelompok ini terus berkembang, mempertahankan gaya hidup ala Cornelis Chastelein, sehingga dikenal dengan julukan Belanda Depok.

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Cornelis Chastelein bought land in the Depok area and employed slaves whom he emancipated to form a self-governing social community. After Cornelis Chastelein's passing, his wealth was fully inherited by his followers. Through this inheritance, Depok culture began to develop. This research aims to uncover the process of the formation of the Depok community, the culture they adhere to, and the identity inherent in them during the period 1913-1945. The method used in this research is the historical method, divided into four steps: Heuristics, Source Criticism, Interpretation, and Historiography. A literature review approach is used to gather data. The data used in this research includes primary sources, such as archives, photographic documents, and personal letters of Cornelis Chastelein, as well as secondary sources, such as history books, journal articles, and previous research. The research findings show that the formation of the city of Depok was significantly influenced by Cornelis Chastelein, who not only introduced the Protestant Christian religion but also bequeathed his wealth, Dutch lifestyle, and distinctive traditions that are still often practiced by his followers today. This group continues to evolve, maintaining the lifestyle of Cornelis Chastelein, and has become known as the Belanda Depok."

"Tesis ini membahas tentang konflik kepentingan dalam pemanfaatan kawasan yang terjadi pada zona inti Kawasan Cagar Budaya Muarajambi yang beberapa tahun belakangan ini kondisinya semakin semrawut. Bertumpuknya berbagai macam aktivitas pemanfaatan pada areal zona inti menyebabkan areal ini menerima beban yang cukup berat dan berdampak pada terancamnya pelestarian Cagar Budaya dalam kawasan ini. Oleh karena itu penelitian ini mencoba untuk memetakan konflik kepentingan yang terjadi, mencari inti penyebab konflik dan menemukan kebijakan yang tepat untuk mengurangi konflik kepentingan yang terjadi pada zona inti Kawasan Cagar Budaya Muarajambi. Penelitian yang menggunakan pendekatan mix method ini melakukan dua kegiatan dalam pengumpulan datanya, yaitu berupa wawancara dan pengisian kuisioner oleh para expert. Hasil dari penelitian ini memperlihatkan bahwa model pengelolaan yang masih sepenuhnya dipegang oleh pemerintah saat ini dianggap tidak lagi cocok untuk diterapkan karena akan menimbulkan banyak konflik antarstakeholder. Oleh karena itu perlu dibentuk Badan Pengelola yang bersifat co-management yang mampu menampung berbagai kepentingan stakeholders yang masing-masing memiliki perbedaan sasaran dan tujuan, dengan demikian konflik pemanfaatan pada zona inti Kawasan Cagar Budaya Muarajambi dapat diminimalkan.

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This tesis discussed about the conflict of interests in the area utilization that occurred in the core zone of Muarajambi Cultural Heritage Area of which condition has been even more chaotic in these last few years. The accumulation of various utilization activities in the core zone area has caused the area being quite overloaded and has threatened the preservation of the Cultural Heritages in the area. Hence this research attempted to map the occurring conflict of interests, to seek the nucleus cause of the conflict and to find the right policy to lessen the occurring conflict of interests in the core zone of Muarajambi Cultural Heritage Area. The research used mix method approach and carried out two activities in its data collection, namely interviews and questionnaires filled by the experts. The result of this research showed that the management model that was still fully held by the government was currently considered as unsuitable to be applied because it would cause many conflicts among the stakeholders. Therefore a co management natured Management Board needed to be established. This Management Board should be capable to accommodate various interests of the stakeholders, each of whom had different goals and purposes. Hence the utilization conflict in the core zone of Muarajambi Cultural Heritage Area could be minimalized. "

"Chi Li is a novelist writing "new realism” novels based on the custom of Wu Han people. Chi Chi Li's works have different social background according to different period stages. The first period of her works was at early 80s called beginner period. The second period was at mid 80s until mid 90s called famous period. The last period was at the end of 90s until now called evolution period. Chi Li created different female characters on different work stages. At the first period, Chi Li described the females were still obedient to the tradition. Their self-determination consciousness was weak and depended to men. At the second period, Chi Li's female characters were changed into awaken ones who sought a new way of life. They could survive and make life by themselves, but the traditional concepts still influenced their thoughts. They still believed that devotion to men was the life idealism. Meanwhile, strong personality, strong self-determination consciousness, independence were female characters found in Chi Li's last period works."