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"The Tudor era has long been associated with the rise of nationalism in England, yet nationalist writing in this period often involved thedenigration and outright denial of Englishness. Philip Schwyzerargues that the ancient, insular, and imperial nation imagined in the works of writers such as Shakespeare and Spenser was not England but Britain. Disclaiming their Anglo-Saxon ancestry, the English sought their origins in a nostalgic vision of British antiquity.Focusing on texts including The Faerie Queene, English and Welsh antiquarian works, The Mirror for Magistrates, Henry V, and King Lear, Schwyzer charts the genesis, development, and disintegration of British nationalism in the sixteenth and early seventeenth centuries.An important contribution to the expanding scholarship on early modern Britishness, this is the first study of its kind to give detailedattention to Welsh texts and traditions, arguing that Welsh sources crucially influenced the development of English literature andidentity."

"Before lesbianism became a specific identity category in the West, its mere suggestion functioned as a powerful source of scandal in early twentieth-century British and Anglo-American culture. Reconsidering notions of the 'invisible' or 'apparitional' lesbian, Jodie Medd argues that lesbianism's representational instability, and the scandals it generated, rendered it an influential force within modern politics, law, art and the literature of modernist writers like James Joyce, Ezra Pound and Virginia Woolf. Medd's analysis draws on legal proceedings and parliamentary debates as well as crises within modern literary production - patronage relations, literary obscenity and cultural authority - to reveal how lesbian suggestion forced modern political, cultural and literary institutions to negotiate their own identities, ideals and limits. Medd's text will be of great interest to scholars and graduate students in gender and women's studies, modernist literary studies and English literature."