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Agus Maladi Irianto
"This study is focused on the working process of power in television program with special emphasis on Infotainment program, subjectively is marked by knowledge and action of involved actors. This study is qualitatively aimed at explaining production and reproduction of actors? social practices who involve in knowledge production processes for delivering television program. More over, this study will be able to describe the actors? power contestation based on positions and relationship among subjects in developing interaction based on their interest on mentioned television program presentation. It uses qualitative approach emphasis on the process rather than result, and tends to involve trust between researchers and informant.
This analytic descriptive study is carried out since the beginning of January to August 2007. The work of power is basically moves to a series of relation, so that poser is understood as a description of plural network, not homogeny, and incomplete. It is a complicated network in a series of interactions and events in social practices of actors in a disperse position. Power can not be reduced in the form of central decision. It means that the works of power is not only determined by domination or authority of an actor to the other. In account to that, among actors are marked by regulation technology that work productively in controlling, depending, competing, and fighting one and other. Such process also marked by construction, deconstruction and reconstruction of actors? knowledge and is expressed in a series of actions that produce discourse.
Based on data analysis supported by an existing concept, so that the work ad contestation of power in television program especially infotainment can be described as follows: Firstly, the process of delivering infotainment program in television creates a series of social practices of subject that has strategic relationship. The power works through social practices with dispersed positions through relations, or in other words the relationship construct power.
Secondly, the process of delivering television program is marked by the works of control technology in the form of control system among actors. The control system extends over actors? relationship continually and drive to develop interdependency among them.
Thirdly, the social interactions of actors who involved in infotainment program broadcast are basically a construction, deconstruction, as well as reconstruction of knowledge in which the power works. These become strategy of actors in interaction with others. Consequently there is a never ending contestation.
Fourthly, besides power is a process of formulating knowledge, it also produces a discourse. Continually deconstructed discourse becomes a form of news media politics that create competition among actors that colored by the existence of power contestation.
Based on the above notions there are two critical aspects that should be noted in this study:
Firstly, infotainment broadcasting program is a television (private) program in Indonesia has contribute of knowledge formation marked by the work of power through social practices of contestation actors. Power contestation in this television program is a description of the existence of power relation that support, strive, compete and destruct in the process of build knowledge and discourse.
Secondly, the issue of power basically has valuable contribution to anthropology, especially when experts that the anthropology has lost its job in lines with new social supremacy in this contemporary modern world. Issue of power also gives solution for anthropology to response related issue with recent development. Besides, issue of power gives a valuable contribution for anthropology has social network concept and empirical reality strength that can be carried out through field study."
Depok: Fakultas Ilmu Sosial dan Ilmu Politik Universitas Indonesia, 2007
D836
UI - Disertasi Membership  Universitas Indonesia Library
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Agus Maladi Irianto
"This study is focused on the working process of power in television program with special emphasis on Infotainment program, subjectively is marked by knowledge and action of involved actors. This study is qualitatively aimed at explaining production and reproduction of actors? social practices who involve in knowledge production processes for delivering television program. More over, this study will be able to describe the actors? power contestation based on positions and relationship among subjects in developing interaction based on their interest on mentioned television program presentation. It uses qualitative approach emphasis on the process rather than result, and tends to involve trust between researchers and informant. This analytic descriptive study is carried out since the beginning of January to August 2007. The work of power is basically moves to a series of relation, so that poser is understood as a description of plural network, not homogeny, and incomplete. It is a complicated network in a series of interactions and events in social practices of actors in a disperse position. Power can not be reduced in the form of central decision. It means that the works of power is not only determined by domination or authority of an actor to the other. In account to that, among actors are marked by regulation technology that work productively in controlling, depending, competing, and fighting one and other. Such process also marked by construction, deconstruction and reconstruction of actors? knowledge and is expressed in a series of actions that produce discourse. Based on data analysis supported by an existing concept, so that the work ad contestation of power in television program especially infotainment can be described as follows: Firstly, the process of delivering infotainment program in television creates a series of social practices of subject that has strategic relationship. The power works through social practices with dispersed positions through relations, or in other words the relationship construct power. Secondly, the process of delivering television program is marked by the works of control technology in the form of control system among actors. The control system extends over actors? relationship continually and drive to develop interdependency among them. Thirdly, the social interactions of actors who involved in infotainment program broadcast are basically a construction, deconstruction, as well as reconstruction of knowledge in which the power works. These become strategy of actors in interaction with others. Consequently there is a never ending contestation. Fourthly, besides power is a process of formulating knowledge, it also produces a discourse. Continually deconstructed discourse becomes a form of news media politics that create competition among actors that colored by the existence of power contestation. Based on the above notions there are two critical aspects that should be noted in this study: Firstly, infotainment broadcasting program is a television (private) program in Indonesia has contribute of knowledge formation marked by the work of power through social practices of contestation actors. Power contestation in this television program is a description of the existence of power relation that support, strive, compete and destruct in the process of build knowledge and discourse. Secondly, the issue of power basically has valuable contribution to anthropology, especially when experts that the anthropology has lost its job in lines with new social supremacy in this contemporary modern world. Issue of power also gives solution for anthropology to response related issue with recent development. Besides, issue of power gives a valuable contribution for anthropology has social network concept and empirical reality strength that can be carried out through field study."
Depok: Fakultas Ilmu Sosial dan Ilmu Politik Universitas Indonesia, 2008
D836
UI - Disertasi Open  Universitas Indonesia Library
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Nanda Aulia Rachman
"ABSTRAK
Produk jurnalistik sudah seharusnya menaati kaidah dan Kode Etik Jurnalisme yang berlaku. Akan tetapi, pada praktiknya, jurnalisme infotainment seringkali melanggar aturan ini sehingga terjadi perdebatan di kalangan masyarakat dan akademisi. Tujuan penelitian ini adalah untuk kadar jurnalistik pada program televisi jurnalisme infotainment, Insert dan Entertainment News. Penelitian ini dilakukan dengan metode analisis konten pada kedua tayangan dalam jangka waktu satu minggu. Penelitian ini menunjukkan bahwa terdapat kadar jurnalistik dan kualitas pengerjaan yang berbeda pada kedua program jurnalistik ini.

ABSTRACT
Journalistic product should follow journalism principal and code of ethics in its works. However, on its practice, infotainment journalism often violates the rules, so that it become a controversial and debatable issue among audience and scholars. The research objective is to determine journalistic value on two infotainment journalism television program such as Insert and Entertainment News. Content analysis method is used to determine journalistic value in those two programs in one week duration. The research finds that there are different set of journalism value and standards among those programs."
Fakultas Ilmu Sosial dan Ilmu Politik Universitas Indonesia, 2016
MK-Pdf
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Diah Catur Budiarti
"Daya tarik tayangan program Impresario 008 di RCTI dan peranannya dalam membangun citra produk SLI 008 diangkat menjadi fokus masalah penelitian. Pemilihan fokus masalah didasarkan atas pertimbangan bahwa, meski televisi diakui keunggulannya dalam menyajikan pesan secara serempak dan demonstratif serta penayangan program Impresario 008 yang atraktif diduga mampu menarik perhatian khalayak, seberapa besar peran tayangan tersebut dalam pembentukan citra produk SLI 008 belum teridentifikasi secara faktual. Permasalahan ini dituangkan ke dalam hipotesis, semakin tinggi daya tarik tayangan program Impresario 008 semakin besar peranannya dalam pembentukan citra SLI 008, maupun citra dalam aspek kognitif, afektif, dan konatif.
Sampel penelitian terdiri atas 40 orang, yang berasal dari kelompok umur, pekerjaan utama, dan jenis kelamin yang berbeda. Namun kesemuanya pernah menyaksikan tayangan Impresario 008 dan sebagian pernah menggunakan produk dan layanan SLI 008 untuk berbagai kepentingan. Data dijaring melalui angket dan wawancara. Data dianalisis menggunakan rumus korelasi Spearman, karena data yang terkumpul memenuhi asumsi yang mendasari penggunaan rumus ini, yakni data sekurang-kurangnya berskala ordinal.
Selain mampu menarik minat khalayak, tayangan Impresario 008 juga teridentifikasi menjadi variabel yang turut terlibat dalam pembentukan citra khalayak tentang produk SLI 008, sebagaimana terlihat dari koefisien determinasi daya tarik dan citra kognitif (47,75%), daya tarik dan citra afektif (36,97%), citra konatif (29,59%), maupun antara daya tarik dan citra secara keseluruhan (50,69%).
Rendahnya koefisien determinasi citra konatif dibanding aspek lainnya mengimplikasikan bahwa keputusan khalayak tentang pilihan produk SLI 008 ketika akan melakukan kontak ke luar negeri membutuhkan variabel lain yang dapat memperkuat pemahaman dan meneguhkan keyakinan yang sudah terbentuk sebagai dampak aktivitasnya menyaksikan tayangan Impresario 008. Sedangkan pembentukan citra produk SLI 008 yang tidak sepenuhnya bergantung kepada tayangan program Impresario 008 mengindikasilcan pentingnya mensinergikan tayangan tersebut dengan aktivitas Public Relations lainnya, sehingga memperkuat efektivitas pembentukan citra produk."
Depok: Fakultas Ilmu Sosial dan Ilmu Politik Universitas Indonesia, 2002
T1160
UI - Tesis Membership  Universitas Indonesia Library
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London: Rontledge, 1984
791.45 Tel
Buku Teks  Universitas Indonesia Library
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Noviyani Nuraeni
"Penelitian ini ingin melihat pergeseran wewenang struktur formal yang diakibatkan oleh kuatnya struktur informal dalam program Susuya MNC TV. Hasil observasi awal menunjukkan adanya pergeseran wewenang dari Produser kepada Host. Dengan menggunakan metode Soft Systems Methodology,ditemukan beberapa kondisi problematik yang terjadi yaitu Host secara tidak langsung menjadi pemimpin (leader) dalam proses produksi program Susuya terutama yang berhubungan dengan konten dan gimmick, lalu di lapangan pun terlihat seolah-olah Produser itu sejajar dengan Kreatif. Selain itu, ternyata Host lah yang mempunyai andil yang besar dalam pembuatan konsep program Susuya tersebut sedangkan Produser belum memiliki pengalaman dalam memproduksi program seperti program Susuya sehingga Host merasa memiliki kewenangan lebih dalam program tersebut. Sistem Pengembalian Wewenang dari Host Kepada Produser dengan Pengawasan dan Evaluasi yang terdiri dari delapan human activity system dan Sistem Pengembalian Wewenang ke tangan Produser dengan Peningkatan Kemampuan dan Keahlian Produser yang terdiri dari sembilan human activity systems ini dipilih oleh peneliti sebagai sistem yang akan dianalisa lebih lanjut dengan menggunakan berbagai perangkat yang ada dalam Soft Systems Methodology seperti CATWOE, PQR, dan 3E. Lalu hasil implikasi teori dalam penelitian ini adalah pada dimensi Legitimization of legitimacy, studi ini menunjukkan bahwa konsep yang dikemukakan oleh Meyer dan Rowan mengenai cara mempertahankan legitimasi dengan menggunakan cara ceremonial inspection and evaluation kurang tepat untuk menggambarkan kondisi yang terjadi pada program Susuya tersebut. Dengan menggunakan kritik mengenai kontrol dan koordinasi “lunak” dari Gordon, Kornberger, dan Clegg ini menunjukkan bahwa cara tersebut justru memunculkan struktur dominasi dari Host. Lalu pada dimensi yang kedua yaitu sensemaking and legitimacy, studi ini menunjukkan bahwa konsep dari Meyer dan Rowan yang mengatakan bahwa untuk memenuhi kendala kontekstual biasanya organisasi menggunakan strategi retoris dan teknik ini cukup sesuai untuk menggambarkan apa yang terjadi pada organisasi produksi program Susuya. Namun mengacu kepada konsep sensemaking and legitimacy yang dikemukakan oleh Gordon, Kornberger, dan Clegg ini menjelaskan bahwa mereka mengasosiasikan legitimasi menjadi sesuatu yang tidak hanya harus terlihat sah tetapi juga masuk akal. Maka dari itu, apabila Produser ingin meraih kembali kewenangannya maka Produser perlu melakukan upaya-upaya tindakan langsung yang terlihat lebih masuk akal agar dapat mengurangi dominasi Host dalam produksi program Susuya tersebut.

This study wants to see a shift in the formal structure of authority caused by strong informal structure in Susuya MNC TV programs. Results of preliminary observations indicated a shift of authority from the producer to the Host. By using the Soft Systems Methodology, found some problematic conditions that occur are hosts indirectly become the leader in the production process of the Susuya program especially relating to the content and gimmick, and the field also looks as though it is parallel between Creative and Producer. In addition The host have a significant role in drafting the program Susuya while the Producer has no experience in producing programs such as Susuya program that hosts feel has authority over the program. The process Transformation of Authority Returns Systems Authority of Host To Producer with Control and Evaluation which consisted of eight human activity system and The Transformation Process of Authority Returns Systems with Upgrades of Producer Ability and Skill which consisted of nine human activity systems have been selected by the researchers as a system to be analyzed further by using a variety of devices that exist in the Soft Systems Methodology as CATWOE, PQR, and 3E. Then the results of the theoretical implications of this research is on the dimensions of Legitimization of legitimacy, this study shows that the concept proposed by Meyer and Rowan on how to maintain the legitimacy of the use of inspection and evaluation ceremonial way less up to describe the conditions that occur in the Susuya program. By using criticism about “soft”control and coordination from Gordon, Kornberger, and Clegg have demonstrated that it actually led to the dominance of the Host structure. Then in the second dimension is sensemaking and legitimacy, this study shows that the concept of Meyer and Rowan who said that to meet the contextual constraints usually organizations use rhetorical strategies and techniques is quite appropriate to describe what is happening in the organization of production Susuya program. However, referring to the concept of sensemaking and legitimacy proposed by Gordon, Kornberger, and Clegg explained that they associate legitimacy into something that does not just have to look legitimate but also reasonable. Therefore, if the producer wants to regain its authority, the producer needs to make efforts to direct action that looks more reasonable in order to reduce the dominance of Hosts in the production of the Susuya program.
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Depok: Fakultas Ilmu Sosial dan Ilmu Politik Universitas Indonesia, 2014
S58035
UI - Skripsi Membership  Universitas Indonesia Library
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Hertika Yudha Pertiwi
"Dalam makalah ini akan dibahas mengenai strategi yang digunakan RCTI dan SCTV yang saling bersaing untuk meraih jumlah audien dan mengatur penjadwalan programnya serta strategi kompetisi apa yang terjadi antara RCTI dan SCTV. Tujuan penulisan makalah ini adalah untuk mengetahui strategi dan kompetisi programming antara RCTI dan SCTV. Adapun manfaat dari makalah ini, diharapkan dengan adanya makalah ini mampu membantu masyarakat dalam melihat pola programming TV dan juga menjadi pembelajaran dalam melihat kompetisi programming stasiun TV. Makalah ini menggunakan konsep programming TV sebagai dasar acuan, kemudian metode yang digunakan adalah metode deskriptif dengan mengandalkan sumber sekunder sebagai bahan referensi penelitian.
Hasil dari pembahasan makalah ini didapatkan bahwa keduanya menggunakan strategi program Head to Head yaitu strategi untuk mencoba menarik audien yang tengah menonton program televisi saingan untuk pindah ke stasiun sendiri dengan menyajikan program yang sama dengan televisi saingan itu karena terdapat banyak program dengan genre dan format yang mirip diletakkan pada slot yang sama antar kedua televisi tersebut, sedangkan strategi Counter Programming yaitu Strategi untuk merebut audien yang berada di stasiun saingan untuk pindah ke stasiun sendiri dengan cara menjadwalkan suatu program yang memiliki daya tarik berbeda untuk menarik audien yang belum terpenuhi kebutuhannya. Diharapkan stasiun televisi bisa lebih bervariasi dalam menayangkan program-programnya sehingga masyarakat Indonesia bisa menonton tayangan yang lebih beragam.

This paper examines strategies that are used by RCTI and SCTV which compete each other in reaching number of audience through scheduling and what kind of competition strategy that is happening between these two television stations by analyzing program schedule. This paper aims to discover programming strategy and competition between RCTI and SCTV. The advantage of this paper is to assist society in observing television programming pattern and also become learning material in apprehending competition at television station. This paper uses television programming as basic reference while using descriptive method which reckons secondary source as research reference material.
The result of this research is comparison of two television schedule for one week and that we can notice both are using Head to Head strategy, which is a strategy to attract audience who is watching the competitor to move their eyes on our own television station by providing a similar program. While Counter Programming is a strategy to snatch audience on the competitor to move to own television station by scheduling a program with different style to attract those who have not been satisfied. Recommendation of this paper is television stations are expected to be more various in broadcasting their programs so that citizens are able to watch more various program.
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Depok: Fakultas Ilmu Sosial dan Ilmu Politik Universitas Indonesia, 2014
MK-Pdf
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Devi Saufa Yardha
"Penelitian ini merupakan studi kasus terhadap program televisi anak bermuatan edukasi, yaitu program “Jalan Sesama”. Penelitian berfokus pada analisis dinamika yang dihadapi “Jalan Sesama” dalam proses produksi dengan sistem co-production dan distribusi program melalui industri penyiaran televisi. Proses penelitian dilakukan dengan pendekatan kualitatif dan pengumpulan data berupa wawancara serta dokumentasi rekaman arsip. Hasil penelitian menemukan gambaran proses dinamika yang di dalamnya terdapat sejumlah permasalahan yang dihadapi oleh program “Jalan Sesama”. Permasalahan itu ditemukan dalam tahap praproduksi, produksi, pascaproduksi, dan distribusi program. Permasalahan dalam tahap praproduksi adalah kesulitan merumuskan konsep tentang nilai-nilai yang merepresentasikan Indonesia. Permasalahan dalam tahap produksi adalah tantangan untuk dapat merumuskan ide cerita bermuatan edukasi dengan tetap menjaga aspek yang menghibur dan menyenangkan bagi anak. Permasalahan dalam tahap pascaproduksi adalah memastikan bahwa program yang diproduksi memiliki dampak positif bagi anak serta memenuhi kriteria karya audiovisual yang berkualitas. Selanjutnya, penelitian ini menemukan permasalahan
utama yang cukup signifikan dalam tahap distribusi program. Permasalahan yang dihadapi adalah kondisi media penyiaran televisi di Indonesia yang masih sangat berorientasi komersial. Sementara “Jalan Sesama” adalah program edukasi yang bersifat non-profit oriented dan tidak menyetujui adanya penayangan iklan. Permasalahan lainnya timbul karena peran lembaga penyiaran publik yang tidak dapat diharapkan oleh adanya kebijakan tertentu
yang tidak wajar dalam biaya tayang program. Permasalahan yang ada semakin rumit ketika peran pihak regulator dan regulasi yang mengatur bidang penyiaran televisi di Indonesia saat ini, belum memadai untuk mendukung keberlanjutan program televisi anak bermuatan edukasi seperti “Jalan Sesama”.

This research is a case study about children educational content television program which is “Jalan Sesama” program. This research focused on the analysis of the dynamic in the production process by co-production system and the program distribution through the television broadcasting industry. This research conduct by qualitative approach and collecting data method by the depth interview and archives documentation recording. This research find a picture of dynamic process in “Jalan Sesama” production which contain several problems. The problems are include the pra-production, production, postproduction, and distribution process. The problem in preproduction program is the difficulties to formulate the concept about any values that representing Indonesia. The problem in production process is how to formulating the educational story idea with constantly keep the fun and pleasure aspect for children. The problem in postproduction process is to ensure that the program which has been produced give positive impact for children and fill the criteria of qualified audiovisual creation. The another problem that more significant find in the process of program distribution. The problem is the condition of television broadcasting industry landscape that commercial oriented. While “Jalan Sesama” is the educational program that has non-profit oriented and do not agree with the commercial advertising. The role of public television station also cannot be hoped, because there is a certain policy that not proper for the airing program cost. The challenge become more complex when the role of regulator and regulation who is regulate the television broadcasting sector do not have serious action to support the continuity of children educational television program as “Jalan Sesama"
Depok: Fakultas Ilmu Sosial dan Ilmu Politik Universitas Indonesia, 2016
S66885
UI - Skripsi Membership  Universitas Indonesia Library
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Nurul Parameswari Susantono
"Salah satu fungsi penyiaran yang disebutkan dalam Pedoman Pelaksanaan Penyiaraan dan Standar Program Siaran (P3SPS) yang dikeluarkan oleh Komisi Penyiaran Indonesia (KPI) adalah fungsi edukasi. Namun melihat kondisi dan situasi penyiaran di Indonesia saat ini, rasanya fungsi edukasi pada media penyiaran khususnya televisi tidak berjalan dengan baik. Ketersediaan tayangan edukatif sangat sedikit dibandingkan dengan ketersediaan sinetron dan FTV. Ternyata data statistik menyatakan bahwa demand akan tayangan edukatif di televisi (TV) nasional sangat rendah. Melalui penelitian ilmiah ini, penulis terdorong untuk mempelajari lebih lanjut minat masyarakat Indonesia terhadap tayangan edukatif dengan harapan dapat memberikan solusi bagi pembenahan program penyiaran di Indonesia. Penelitian dilakukan dengan pengumpulan data primer melalui survey, kemudian dianalisis dengan menggunakan metode analisis deskriptif. Hasil yang ditemukan adalah bahwa banyak penonton yang mengaku minat namun kenyataannya tidak menonton tayangan edukatif. Keterbatasan pilihan dan kurang baiknya kualitas tayangan edukatif di TV nasional menjadi faktor kuat kurangnya minat masyarakat terhadap tayangan edukatif.

One of the broadcasting functions mentioned in the Guide for Broadcasting Conducts and Broadcasting Program Standards (P3SPS) - issued by the Indonesian Broadcasting Commission - is education. Observing Indonesia’s broadcasting situation nowadays, it seems like this education function is carried out poorly. There is very low availability of educative television (TV) programs compared to the number of soap operas and television dramas. Statistics suggest that the demand for educative programs on Indonesian national TV is also very low. This research is conducted to examine the Indonesian viewers’ interests towards educative television programs in the hopes to propose a solution in fixing the flaws of Indonesias broadcasting program. The research is conducted by collecting primary data through survey, which is then analyzed descriptively. The writer’s findings suggest that many Indonesian viewers claim that they are interested but the reality is they do not watch edicative programs. The lack of variation and quality of educative programs on national TV is a strong factor of the viewers’ lack of interest towrds educative programs.
"
Depok: Fakultas Ilmu Sosial dan Ilmu Politik Universitas Indonesia, 2014
MK-Pdf
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Ari Junaedi
"Kehadiran televisi baru di tanah air semakin menambah keberadaan stasiun televisi, baik swasta maupun TVRI yang sudah terlebih dahulu ada Kebangkitan jurnalisme di televisi, yang dimulai dengan kemunculan Seputar Indonesia di RCTI dan Liputan 6 SCTV kini diikuti dengan kehadiran program berita sejenis di berbagai televisi.
Tidak sedikit gaya manajemen pemberitaan di media cetak diterapkan begitu saja di dunia televisi karena ketiadaan pengalaman para wartawan televisi, yang sebelumnya memang bergiat di media cetak. Terus terang saja, dunia jurnalistik televisi swasta tergolong lahan baru bagi jurnalis Indonesia untuk berkarya.
Demikian pula halnya dengan pendirian televisi swasta tidak terlepas dari alokasi sumber-sumber ekonomi di seputaran lingkaran rezim Soeharto. Gaya-gaya patronisasi dan nepotisme kerap melekat dalam pengelolaan televisi di Indonesia. Latar belakang pemilik dan pendiri stasiun televisi swasta pun juga beragam. Sebagian besar malah berasal dari pengusaha.
Dengan latar belakang sebagai pengusaha, maka ukuran untung rugi selalu menjadi dasar utama bagi penyiaran program-program di televisi. Terkadang karena alasan penghematan dan efisiensi, sebuah program direposisi atau dipindahkan tanpa ada parameter yang baku atau periodisasi tertentu. Jika sebuah program direposisi tanpa ada parameter yang jelas maka hal tersebut sangat berpengaruh terhadap minat pemasang iklan dan pemirsa untuk menonton. Pemasang iklan akan dirugikan karena strategi segmentasi dan sasaran khalayak akan mengalami perubahan jika sebuah program tayangan direposisi tanpa ada periodisasi. Pemirsa akan kebingungan dengan program acara yang mulai digemarinya, karena perubahan jam tayang yang mendadak.
Penelitian ini lebih memfokuskan kepada metode penelitian analisis deskriptif dengan menitikberatkan kepada pengamatan di lapangan serta wawancara secara mendalam dengan narasumber yang berkompeten.
Dan pendekatan ekonomi media, gaya pengelolaan manajemen televisi di Lativi ditelaah dengan kajian ilmu komunikasi maupun dari aspek-aspek ekonomi. Seharusnya, gaya pengelolaan manajemen televisi bersifat fleksibel dengan menerapkan azas-azas organisasi yang modern. Penguasaan manajemen secara terpusat atau komando jelas sangat tidak cocok diterapkan di stasiun televisi swasta. Gaya otoriter yang tidak mau mendengarkan saran saran dari pekerja profesional jelas suatu kemunduran dalam pengelolaan manajemen media televisi.
Oleh karena itu dengan memahami pengelolaan manajemen media diharapkan carut marut pengelolaan televisi di Indonesia bisa berkembang ke arah penyempurnaan. Diharapkan pula, hasil penelitian ini menjadi masukan yang berharga bagi pengembangan dan pengelolaan program berita di televisi swasta."
Depok: Fakultas Ilmu Sosial dan Ilmu Politik Universitas Indonesia, 2004
T13863
UI - Tesis Membership  Universitas Indonesia Library
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