ABSTRAKPenelitian ini dilakukan karena banyaknya variasi gambar cadas di Leang Uhallie. Penelitian
ini berusaha untuk mengetahui hubungan antara bentuk-bentuk dan keletakan gambar cadas
di Leang Uhallie sehingga diketahui pola penggambaran dan perilaku manusia masa lalu
dalam menggambar gambar cadas. Berdasarkan analisis bentuk diketahui bahwa terdapat 21
varian motif tangan dan enam varian motif hewan. Dari analisis keletakkan diketahui bahwa
gambar-gambar cadas digambarkan secara berdekatan pada dinding dan langit-langit gua.
Melalui analisis bentuk dan kontekstual diketahui pola dari tiap motif, yaitu motif tangan
digambarkan dengan pola acak dan motif hewan digambarkan dengan pola individu dan
berpasangan. Sementara itu, motif tangan dan motif hewan memiliki pola yang saling
beriringan.
ABSTRACTThis research was conducted because of the large variety of the rock art in Leang Uhallie.
This study is trying to determine the relationship between form and its locations in Leang
Uhallie to determine the pattern and human behavior in the past in depictions of rock art.
Based on the form analysis is known that there are 21 variants motif hand and six variants
animal motif and from contextual analysis is known that the rock art was depicted on the
walls and ceiling of the cave. With the form and contextual analysis it can be seem that handstencil
was depicted with a random pattern and animal motif was depicted in individuals and
pairs. Meanwhile, both of hand-stencil and animal motif was depicted contiguously.