[
ABSTRAKLes Romanesques merupakan trilogi karya Alain Robbe-Grillet, sineas dan
sastrawan Nouveau Roman. Trilogi Les Romanesques terdiri dari Le miroir qui
revient (1984), Angélique ou l?enchantement (1987), dan Les derniers jours de
Corinthe (1994). Disertasi ini berusaha mengungkap cara penulis menggunakan
teknik naratif dan naratologi serta intertekstualitas untuk mengacaukan genre teks.
Landasan metodologis yang digunakan adalah pendekatan struktural dan semiotik,
serta beberapa konsep dasar psikoanalisis. Analisis struktur teks, pengujaran, dan
intertekstualitas memperlihatkan bahwa trilogi Les Romanesques mengacaukan
realitas dan imajinasi, mengungkapkan konstelasi antara penulis trilogi, narator,
dan tokoh rekaan penulis, serta ditemukannya leitmotiv yang muncul dalam Les
Romanesques dan karya-karya Robbe-Grillet lainnya. Kesimpulan dari
keseluruhan analisis memperlihatkan ambiguitas genre trilogi Les Romanesques,
antara teks otobiografi, fiksi, dan esei.
ABSTRAKLes Romanesques is a trilogy by Alain Robbe-Grillet, French film maker and
writer of the Nouveau Roman. This trilogy is composed of Le miroir qui revient
(1984), Angélique ou l?enchantement (1987), and Les derniers jours de Corinthe
(1994). The dissertation is trying to unveil the narrative technique of the author,
narratology, as well as intertextuality to confound the genre of the text. The
methodologies applied are structural and semiotic approaches, plus several basic
concepts of psychoanalysis. Analysis of the text?s structure, narratology, and
intertextuality, shows that the trilogy confuses reality and imagination, reveals a
constellation between author, narrator, and the fiction character, and found
leitmotivs appear in Les Romanesques and the other works of Robbe-Grillet. The
conclusion of the analysis proves the ambiguity genre of the trilogy, between the
autobiography, fiction, and essay;Les Romanesques is a trilogy by Alain Robbe-Grillet, French film maker and
writer of the Nouveau Roman. This trilogy is composed of Le miroir qui revient
(1984), Angélique ou l?enchantement (1987), and Les derniers jours de Corinthe
(1994). The dissertation is trying to unveil the narrative technique of the author,
narratology, as well as intertextuality to confound the genre of the text. The
methodologies applied are structural and semiotic approaches, plus several basic
concepts of psychoanalysis. Analysis of the text?s structure, narratology, and
intertextuality, shows that the trilogy confuses reality and imagination, reveals a
constellation between author, narrator, and the fiction character, and found
leitmotivs appear in Les Romanesques and the other works of Robbe-Grillet. The
conclusion of the analysis proves the ambiguity genre of the trilogy, between the
autobiography, fiction, and essay;Les Romanesques is a trilogy by Alain Robbe-Grillet, French film maker and
writer of the Nouveau Roman. This trilogy is composed of Le miroir qui revient
(1984), Angélique ou l?enchantement (1987), and Les derniers jours de Corinthe
(1994). The dissertation is trying to unveil the narrative technique of the author,
narratology, as well as intertextuality to confound the genre of the text. The
methodologies applied are structural and semiotic approaches, plus several basic
concepts of psychoanalysis. Analysis of the text?s structure, narratology, and
intertextuality, shows that the trilogy confuses reality and imagination, reveals a
constellation between author, narrator, and the fiction character, and found
leitmotivs appear in Les Romanesques and the other works of Robbe-Grillet. The
conclusion of the analysis proves the ambiguity genre of the trilogy, between the
autobiography, fiction, and essay, Les Romanesques is a trilogy by Alain Robbe-Grillet, French film maker and
writer of the Nouveau Roman. This trilogy is composed of Le miroir qui revient
(1984), Angélique ou l’enchantement (1987), and Les derniers jours de Corinthe
(1994). The dissertation is trying to unveil the narrative technique of the author,
narratology, as well as intertextuality to confound the genre of the text. The
methodologies applied are structural and semiotic approaches, plus several basic
concepts of psychoanalysis. Analysis of the text’s structure, narratology, and
intertextuality, shows that the trilogy confuses reality and imagination, reveals a
constellation between author, narrator, and the fiction character, and found
leitmotivs appear in Les Romanesques and the other works of Robbe-Grillet. The
conclusion of the analysis proves the ambiguity genre of the trilogy, between the
autobiography, fiction, and essay]
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